Cinematic Discoveries Resonating with the Themes of Slippy McGee: C...

Dir: Wesley Ruggles

An epic of passion, intrigue, and espionage set in the African Jungle.

Dir: Wesley Ruggles

American newspaper reporter Jim Crocker's madcap escapades in London earn him notoriety and the nickname "Piccadilly Jim." When he overhears his American cousin-by-marriage, Ann Chester, giving her candid opinion of him, he decides to return to America to try to reform. He meets Ann on the boat, using another name. Unable to find work in New York, he goes to his step-aunt Mrs. Peter Pett's home to be near Ann, then helps her kidnap pampered cousin Ogden Pett, whose overindulgence has created disruption in the household. The plans fail, despite Ogden's consent to the kidnapping in return for half the ransom money, but Jim succeeds in winning Ann's affections.

A visual fragment from the archive: The thematic resonance of Piccadilly Jim perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

A visual fragment from the archive: The thematic resonance of The Devil's Riddle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Wesley Ruggles

Anne Winchester is acquitted in court of murdering her husband, and leaves her Nashville hometown for a small community on Long Island, NY. She moves into a boarding house and changes her name to Wharton. She soon falls for David Brinton, a widower who owns the place, and her affections are reciprocated. Alan Woodward, who is after David's daughter Julia, recognizes Anne and threatens to expose her if she tries to interfere with his pursuit of Julia, as Anne knows he is only after her money. Anne nevertheless warns Julia about Alan, but Julia refuses to listen. Anne decides that stronger measures must be taken to save the daughter of the man she loves.

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wesley Ruggles

Geoffrey West is smitten by Marion Larned, whom he sees in a London restaurant reading the personal or "agony" column, and places an ad asking her for an introduction. Her response that he must write her a letter each day for a week to prove that his acquaintance would be interesting prompts him to write her a fascinating tale about the murder of an English army captain. When Geoffrey finally confesses to the murder, Marion tries to protect him from the law, but with the sudden outbreak of World War I, her father puts her on the next boat back to the United States. Geoffrey catches the boat and there confesses to Marion that the whole story was a fiction invented to win her love.

A visual fragment from the archive: The thematic resonance of The Amateur Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.