The Recommended Vault Parallel to the Artistry of Society's Driftwo...

Dir: Louis Chaudet

Ted Winters was a famous fullback, but has hit hard times. He takes a job at a military academy in hopes of landing a scholarship. He also hopes to win the commandant's beautiful niece Betty. Cadet Major Snodgrass is also after Betty, and this causes problems for Ted and Betty.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of Black Sheep perfectly mirrors the editorial trajectory of our deep dive.

Rex Carson, son of cattleman Jim Carson and in love with Molly Moran, the daughter of a sheepman, defends the rights of the sheepherders to graze their herds on the free range, while his father and the other cattlemen oppose them to varying degrees, and this leads to the father disowning his son.

Dir: Louis Chaudet

Billy simply has no use for mothers-in-law, and when his bride informs him that "mother" is coming for a visit, he digs up an excuse concerning a business trip to 'Frisco. It is only camouflage on Billy's part, for his real reason is to meet a couple of lady buyers who are sportively inclined. And that's where the complications begin. Wifey must see him off on the boat which gets his "goat," since he knows he is in for a healthy bath in swimming back to town. The bride, in the meantime, is entertained at a shady roadhouse by friendly neighbors, and Billy takes his buyers there to drink at the shrine of Bacchus. The upshot of it all is, the place is raided, and Billy finds out that his story of the sinking boat is a figment of his imagination. But mother-in-law arrives in time to restore amicable relations. And Billy finds that his prejudice hasn't a leg to stand on for she proves to be his fair companion - the buxom buyer.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of A Wonderful Night perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Louis Chaudet

Orphan Hilda Swanson's prayers are answered when a Swedish-American colonization company agrees to send her to America. Aboard the steamer, she meets Olaf, a young Swede, and Donna, an enemy courier who is posing as a passenger. Learning that the secret service is on her trail, Donna sews secret documents into the hem of Hilda's skirt. She then sends a wire to her comrade Felix Martinez, notifying him to intercept the Swedish girl. Hilda and Olaf innocently evade Martinez and are sent West by representatives of the colonization company. Missing their train at a stopover in cattle country, they are taken in by Larry O'Keefe, a big-hearted rancher. Martinez finally tracks them down and arranges to have Hilda kidnapped by some Mexican cattle thieves who take the girl to their hut, only to discover that she no longer possesses the papers but has given them to O'Keefe. Hilda escapes and meets Larry who has been searching for her. Meanwhile, Donna, unaware that she is being trailed by secret service agents, arrives at the O'Keefe ranch. The agents arrest both Martinez and Donna, and as Hilda hands over the papers, the agents assure the Swedish girl that she has done a great service for her new country. Larry then offers to marry Hilda, thus making her an official American citizen.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of The Devil Bear perfectly mirrors the editorial trajectory of our deep dive.

Kid Allen, the daughter of Mate Allen, a drunken ex-sailor, waits every night to take Mate home from a saloon. After Mate beats up saloon owner O'Keefe for trying to kiss Kid, O'Keefe kills Mate. Kid shoots and kills O'Keefe, and then leaves on a pony to get "a education," which her father wanted her to have. When she falls and sprains an ankle, Joe Emory, a sheep herder, nurses her and they fall in love, but she continues her journey. At a university town, cow puncher Nick Horton escorts her to the school, where he fights the president and some students, after being told that Kid is not ready to enter. The president stops Kid and Nick from being arrested, and puts Kid in a boarding school, but after she learns that school will last for seven years, she returns to Joe. As they kiss, they fade into a statue of Cupid embracing Psyche.

Dir: Louis Chaudet

When a heroic rescue leaves him disfigured, Jack finds work and romance at a local bank. Betrayal forces him to flee town, but experimental surgery offers an unexpected path to justice.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of Follow the Girl perfectly mirrors the editorial trajectory of our deep dive.

Alice Davis and Charles Turner are arrested for petting in an automobile and marry on impulse. When Alice's mother comes to live with them, she quickly sees that she is not wanted, and she finds a job soliciting for a bus touring company. In the meantime Charles's father, having sold all his property, arrives in town to live with his son and daughter-in-law. He also finds living with his children disagreeable, leaves the house, and accidentally meets Mrs. Davis. They fall in love and decide to announce their engagement, but Charles is arrested for embezzling company funds. At first reluctant to help his son, Mr. Turner is persuaded by Mrs. Davis to give up his life's savings to save Charles, and both couples are happily reunited.

Dir: Louis Chaudet

Two ships are caught in the Arctic ice.

Dir: Louis Chaudet

Dan Bowers, embittered and disillusioned by an unhappy marriage, seeks solitude in the Maine woods, with a lame dog as his only companion. One day he meets Violet Manners who, with her invalid mother Marion, is visiting in a nearby village. Marion is haunted by memories of the past, and one day when Violet takes Dan to meet her mother, she discovers that he is the husband who deserted her years ago. The shock causes Marion's death, but before she dies, she justifies her past behavior toward Dan.