Recommendations
Senior Film Conservator

If you found yourself captivated by the artistic bravery of Some Boy (1917), the quest for comparable cinema becomes a journey through the fringes of film history. Below, we've gathered a list of films that every fan of Otis Turner's work should explore.
Some Boy remains a monumental achievement to create a hauntingly beautiful cinematic landscape.
After he is expelled from college, Joyous Johnson finds a job as a publicity agent for the Coronado Hotel. At the hotel, he meets Marjorie Milbank, a clever businesswoman who is in town discussing the sale of her Texas ranch with Joyous' father. Unknown to Joyous, the senior Johnson needs Marjorie's cattle ranch to keep his packing house solvent, but she refuses to sell. Determined to get the hotel into the newspapers, Joyous breaks into Marjorie's room and steals her diamond necklace. When his employer tells him that the publicity is hurting business, Joyous dresses up in women's clothes in an unsuccessful attempt to return the jewels. Marjorie checks out without her necklace and heads for the next boat back to Texas, followed by Joyous, who eventually confesses his crime. To his surprise, Marjorie hires Joyous to manage her ranch and he defeats his father in a takeover attempt. Impressed by the change in his son, Johnson finally forgives the interference and embraces the new couple.
Some Boy was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique artistic bravery of Some Boy, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Otis Turner
With the help of futuristic technical inventions, a private detective investigates a bizarre murder case involving mysterious messages delivered in a small black box by the killer.
View Details
Dir: Otis Turner
Miriam Lee is a young woman in New York who works hard for a living. Her life changes when she meets Joe Valdez, a handsome and ruthless gambler. After the couple is married Valdez opens an elegant gambling house and uses Miriam, who is nicknamed "the queen of the night", as bait to attract rich and gambling customers.
View Details
Dir: Otis Turner
Reverend Eric Norton leaves his position in a fashionable New York congregation to preach in a poor mining town, against the wishes of his wife Cecelia. Disputes rage about the safety of the mines, which have been closed under pressure, but in spite of threats from powerful miner "Bull" Morgan, Eric uses his influence with the owner to reopen the mines. Bored with her drab life, Cecelia deserts her infant son and runs off to Paris with former lover Richard Allen, who eventually leaves her. Penitent, Cecelia decides to return home only to find that her husband, believing her dead after reading about her apparent suicide in a newspaper, has married Edith Jackson, his ward. Bull Morgan attempts to blow up the mines but is buried in the explosion instead. Sneaking into her home for a last look at her son, Cecelia accidentally sets the house on fire. After a brave rescue of the baby, Cecelia begs Eric's forgiveness, then dies.
View Details
Dir: Otis Turner
Ruth and Lem Heck are orphans. Ruth is a nurse in a small town populated by a religious sect called "The Seekers." Their object is to seek those that are needy and administer to their needs. Ruth and Lem live with Rev. Hood. Lem is apprentice in a machine shop. Two crooks in the machine shop rob the village bank with Lem's tools, which they stole. Lem is accused and sentenced to jail for 15 years. After three years, Ruth laments the absence of her brother, whose health is failing. Rev. Timothy Hood heeds the call of another little village of the same sect to send them a nurse and sends Ruth. She arrives at the little village of Canaan Mountain and is met by Sheriff John Mount, the son of Rev. Israel Mount, with whom she is to live. One Sabbath a drunken brute is abusing his wife at the church door. John, trying to aid the wife, is about to be shot by the husband, when he is saved by Ruth. John and Ruth help the wife and gain her friendship. Later, the sheriff and Ruth become engaged. Lem, her brother, is shipped out of jail by an old convict who places him in a huge packing box which he is filling. Lem makes his escape from the baggage train and meets Ruth in the woods. A gossip sees them in each other's arms and spreads the news that Ruth is untrue to John, her betrothed. He refuses to believe the tales. Ruth hides Lem in the barn and continues to visit him at night. John starts to get suspicious. It happens that Ruth is compelled to borrow $50 from Rev. Mount and signs a note for it, promising to work off the debt. She goes to the barn and John follows her and sees her give Lem the money. He confronts them, and Ruth tells the truth. They plead for liberty, but John's sense of duty is greater, and he starts to take Lem back. The men fight, and, as John is about to overpower Lem, Ruth strikes him over the head with an iron chain, knocking him unconscious. Ruth helps her brother to escape, and when she returns to the barn she finds it in flames. She rescues John, who tells the crowd of villagers who have gathered that he knocked the lamp over by accident. Several months pass. Ruth works off the debt, and the lovers are estranged. The customary time arrives to send a young couple to another part of the mountains to populate a new settlement. The couple are chosen by lottery. John is the young man chosen and Rev. Mount realizes that Ruth and John are torn with anxiety as to who will be the chosen wife. When the day comes, the maidens cast their names in the box, and the Rev. Mount so fixes the lottery that Ruth's slip is picked. In a big city Lem is at work in a printing shop. At every sound he starts guiltily, thinking that someone will arrest him. A man rushes in with a slip of paper and tells Lem to rush it out in type for the next edition. Lem reads the paper, and it is an account of his acquittal and the full confession of the two crooks who robbed the bank. The State has pardoned his escape and only want news of his whereabouts. Lem is happy that he is finally free. Ruth and John continue on their way over the mountains in the old buggy.
View Details
Dir: Otis Turner
General Stampoff takes control in Kosnovia, and to insure his position as the country's strong man, he installs Prince Alexis Delgrade, the idle son of Prince Michael, as the titular ruler. Alexis surprises everyone, however, and shocks the reactionary Stampoff, by instituting a series of democratic reforms. However, his public success cannot make up for his personal problems, as Alexis is unable to marry his sweetheart, Joan Cameron, because she was born in America and thus could not reign as queen. Then, Alexis discovers that his mother came from Indiana, thereby making him as much an American as a Kosnovian, and also invalidating his claim to the throne. As a result, he abdicates and marries Joan, while Michael, vowing to maintain his son's democratic policies, takes over as king.
View Details
Dir: Otis Turner
Balentine inherits a fortune from his father. He also inherits a fiancée. He sets out to spend the fortune and would have succeeded had not Vera Morton stepped in. Miss Morton, the fiancée, gets his money away from him, and keeps it until he settles down to earn a living. Jack changes his mind about marrying Miss Morton, when he sees Jane Billon. Vera solves the difficulty by becoming the wife of old Billon. Then she returns Jack's fortune, and he adds to it by acquiring Jane.
View Details
Dir: Otis Turner
Young and wild, George Bell lives with his rancher father, Thomas Bell, in Paradise Valley, California. When George sells his father's favorite horse, Mr. Bell turns him out, and George becomes a grain salesman in St. Louis. Meanwhile, Polly Martin lives with her father Bill, an ex-businessman who has sunk to day-labor because of his addiction to alcohol. Bill frequently abuses Polly, and when he falls to his death from a high girder, Polly becomes a nurse in the Salvation Army in St. Louis. George falls in love with Polly after he saves her from the advances of a drunk, but she will not marry him because of his wild past. Instead, she applies for a job in Paradise Valley as a nurse, where she renders aid to Thomas Bell, who has broken his leg. She nurses him back to health at his ranch, and he grows fond of her. Eventually, George learns that Polly is in Paradise Valley and follows her to the ranch. When Thomas discovers that his son loves Polly, he sacrifices his love for George's happiness, and all live together as a family.
View Details
Dir: Otis Turner
When the story opens Sylvia Lacey has been left an orphan. Her shiftless father, Sam Lacey, of artistic, but weak nature, left her without money. Her mother had died ten years before. The girl writes to her only remaining relatives, an aunt, Miss Martha Lacey, and her mother's brother. In his youth the Judge, Calvin Trent, wanted to marry Miss Martha, but they quarreled. When Sylvia's letter arrives, announcing that she will be in Boston the next day, both uncle and aunt are nonplussed. Neither wants the responsibility. Miss Martha finally decides to go and the Judge sends his young partner, John Dunham, in his place. Miss Martha waits with the young lawyer in the hotel parlor. Plainly she speaks her mind to John about the inconveniences of the girl's coming. Sylvia is already in the room and hears. She promptly refuses any aid from either relatives. Miss Martha is sorry, but it is too late. Dunham, however, goes back to the girl and forces her to accept a loan (of judge's money.) Back in the village, Miss Martha and the Judge both remember a cousin of the Judge's who manages the Judge's main farm. "Thinkright" is sent for and his white hair and kindly eyes soon win the girl to visit him. "Thinkright" once loved Sylvia's mother and is naturally drawn toward the girl. As she and "Thinkright" reach the Mill Farm near Portland, she sees the deserted old Tide Mill with all its shutters closed. Imaginative, she says then and always after, that the old mill is sorrowing and only love can open the shutters. Edna Derwent, a rich Boston girl, who owns a cottage on a nearby island, is a friend and disciple of "Thinkright's." He has taught her to be patient with the false social life which means so much to her mother. Each summer she comes to Hawk Island with Miss Lacey as chaperon. Sylvia becomes jealous of Edna and all her beauty, charm and wealth. "Thinkright" stops this trend of thought in the girl and after several severe tussles, turns her thoughts into the right road. She struggles bravely. Her uncle, penitent, arrives and promptly falls in love with this niece he has never seen before. She forgives him. The next day Miss Lacey arrives at Hawk Island with Edna. This forgiveness is harder, but Sylvia, strong in her new right thinking, manages it. She is invited to the Derwent cottage for a visit. John Dunham, an old friend of Edna's, comes for a visit and his fancy is quickly taken with the imaginative Sylvia whom he rescued in Boston the month before. Sylvia has a strong talent for painting. She has done some things with pencil, but longs for paint. She has no money and is too proud to ask any of her relatives. In her heart she adores John Dunham, but has held herself coldly toward him because she thought that he and Edna were engaged. Suddenly she discovers that he loves her. In her embarrassment she drops her book of sketches and "Thinkright'' finds pieces of brown paper covered with drawings, all showing much power and talent. Edna leagues Judge Trent in a plan, and Sylvia learns that she is to have lessons in painting. The winter passes. Sylvia is making rapid strides in her profession under Edna's special wing in Boston. Summer comes and she goes to the Mill Farm again for a visit. Walking alone on the edge of the basin, she sees the shutters of the Tide Mill have opened and the windows are gleaming brightly. Just then John Dunham appears and asks her to go with him to the Tide Mill. It is open. The first floor is vacant and so is the second. He asks her to go clear to the top and there she finds a luxuriantly appointed artist's studio. "Love opened the shutters," says John, "I bought the Mill and furnished this for my bride." The old story is told and the shutters of life open wide for the girl who learned to think right.
View Details
Dir: Otis Turner
Borrowing shamelessly from "A Tale of Two Cities", an American agent, Harvey Birch (Herbert Rawlinson), exchanges places in prison with Henry Wharton (J. W. Pike'), a condemned British officer and brother of a woman,Frances Wharton (Ella Hall he greatly admires, and goes to the gallows. After his death, General George Washington (William Worthington),reveals the true identity of the dead martyr.
View Details
Dir: Otis Turner
Tired of the life of a gunfighter, Lish Henley settles down in the quiet California town of Peaceful Hill. The town, however, doesn't live up to its name, and it's not long before Lish finds himself the unofficial "mediator" of the town, which is being terrorized by various outlaw gangs. Lish has his own style of "mediating", however--he keeps killing members of rival gangs until they agree to holster their guns and leave the town alone. However, one day Big Bill, an old enemy of Lish's, shows up in town with his gang, looking for payback.
View DetailsAnalysis relative to Some Boy
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Black Box | Gothic | Dense | 95% Match |
| The Soul of Satan | Gritty | Layered | 97% Match |
| The Scarlet Sin | Gritty | Layered | 93% Match |
| The Seekers | Ethereal | High | 98% Match |
| A Son of the Immortals | Tense | Linear | 93% Match |
This guide was algorithmically generated using the cinematic metadata of Otis Turner's archive. Last updated: 8/16/2026.
Back to Some Boy Details →