The Global Archive For Devotees of Someone at the Door: Cult Guide

Dir: Herbert Brenon

A sultan agrees to help a wicked witch destroy a mysterious young lady if the witch will bring his young son back from the dead with magic.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Passing of the Third Floor Back perfectly mirrors the editorial trajectory of our deep dive.

To a rooming house which has fallen on hard times comes The Stranger, an unknown but gentle man who is given the back room on the third floor. His arrival marks a change in the lives of all the boarders, from the girl resisting her parents' pleas that she marry the lecherous Mr. Wright, to an architect and a pianist, both of whose dreams are near destruction from their own discouragement.

Dir: Herbert Brenon

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake. She succeeds in poisoning them all at a dinner at which Gennaro is an uninvited guest. In dismay, she pleads for him to take the antidote, but he refuses and in a fury avenges his friends by stabbing Lucretia. As he lies dying, he learns that she was his mother.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of The Eternal Sin perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Herbert Brenon

Millionaire "Merry" Perry Merrithew is found dead on the roof of an East Side tenement. The strands of red hair clutched in his hands implicate four auburn-haired women in the murder: a millionaire's daughter, Merrithew's mistress, the daughter of a bankrupt society woman, and a cabaret dancer. In solving the crime, Dr. Clinton Worthing performs heroic deeds.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism.

Dir: Herbert Brenon

Miriam, a young Russian girl, has an unfortunate love affair and is threatened with disgrace by having a child out of wedlock. Her father induces Gregor Randor, a young musician, to marry her, by paying him a sum of money. The couple migates to the United States, where they are later followed by Miriam's family, including her younger sister Celia. A love affair develops between Gregor and Celia, and despite their efforts at secrecy, Miriam learns about it. Torn between her outraged pride and her love for her young son, she confronts her cheating husband and her sister--to no avail. So she decides to wreak vengeance on them.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of Empty Pockets perfectly mirrors the editorial trajectory of our deep dive.

Back from a crusade, the hero of Sir Walter Scott's novel fights for courtly love and Saxon honor.

Dir: Herbert Brenon

A mermaid princess plans vengeance against a prince whose net killed her sibling. But upon meeting him, she develops romantic feelings.

Dir: Herbert Brenon

The secret marriage of a farmer and servant girl in an English household leads to a child born that is not believed to be legitimate.