Essential Cult Cinema Drawn from the Same DNA as Speak Freely: Cult...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: William Watson

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Mr. Newlywed was a pleasant sight for sore eyes. He was hurrying home to his own wifie. Ye Gods. what a strange sight. He was in such a hurry that Motor Mike, the Cop could not keep up with him. The cause of all this rush was the prettiest, dimpliest little wifie you have ever seen, and she had the cutest dog, who did all kinds of tricks. The, only thing that marred their happiness was the fact that their Landlord was their next door neighbor. Mrs. Landlord was a domineering factor in the whole house. Her poor husband and cat had to shimmy the way she jazzed. The Newlyweds' dog and the Landlords' cat were friendly enemies. The dog chases the cat into Mrs. Newlywed's apartment, and the poor cat seeks shelter under her bed. Mr. Landlord was very fond of his cat and therefore followed the cat under the bed. Just then, Mr. Newlywed rushed into his house to escape the Cop. Mrs. Newlywed does some antics in trying to hide the Landlord under the bed. Her husband thinks she has gone crazy and tells her to help him hold the door shut so that the Cop won't get in. She gets up, and lo and behold there is Mr. Landlord as big as life. A general melee ensues where the Newlyweds and the Landlords have a terrible scrap. The Newlyweds beat up the Landlords and leave their house. When the Landlords regain consciousness, they vow vengeance. The Newlyweds are now comfortably settled in their "Dollar down and a dollar when you catch me bungalow." Their off-spring, Brownie, helps wifie in the kitchen, and hubby in the garden. He performs some of the most wonderful tricks that have ever before been seen on the screen. Their happiness is only short-lived, for the Landlords are on the job. While they slumber sweetly at night, the Landlords attach the bungalow to a horse and drive the bungalow into the ocean. The Newlyweds awaken in mid-ocean. They put a note in Brownie's collar. He swims ashore and gets the fire boat. In the meantime the villains are on shore and glorying in their sweet revenge. The lamp in the bungalow over-turns and a fire is started. The Newlyweds climb to the roof and are rescued by the fire boat where they fade out happily.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: William Watson

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Watson

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.