The Cult Collection Comparable to the Style of Strauss' Great Waltz...

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Cecil M. Hepworth

A visual fragment from the archive: The thematic resonance of Alf's Button perfectly mirrors the editorial trajectory of our deep dive.

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.

Dir: Maurice Campbell

Having long ago left his country sweetheart, May Barber, Willoughby Finch is about to marry Molly Farringdon when a simple phone message from May leads him to the mistaken belief that she plans to disrupt the wedding. May, now an actress known by her stage name of Rilla Rooke, meets and falls in love with Finch's best man, Hale Underwood, on the train taking her home from a successful tour. Learning from a friend that Finch is in distress over a vamp's threat to ruin his wedding, May offers to pose as Finch's lover to drive the vamp away. Her appearance at Finch's wedding rehearsal, however, only confirms Finch's worst suspicions, since May and the vamp that he fears are the same. May's charade also alienates Underwood, but she clarifies the situation that evening at a jazz party at Underwood's apartment, and both pairs of lovers are reunited.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Oh, Lady, Lady perfectly mirrors the editorial trajectory of our deep dive.

Sergeant Tim Ryerson of the North West Mounted Police is commissioned to round up a gang that smuggles Chinese laborers across the border. While visiting his fiancée, Sylvia Sturgis, at her father's ranch, Tim becomes suspicious of ranch foreman Ferdinand Baird, who is the leader of the smugglers. One night, Tim catches Baird smuggling Chinese across the border to the U.S., but Baird escapes and flees to the Sturgis house where he abducts Sylvia. Tim pursues Baird to Vancouver's Chinatown, raids the smuggler's headquarters, and rescues Sylvia.

Dir: Sidney Franklin

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of The Cyclone perfectly mirrors the editorial trajectory of our deep dive.

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Scott R. Dunlap

When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of Two Weeks perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Herbert Blaché

French dancer Sigrid, diagnosed with a weak heart, is ordered by her doctor never to dance again. But when her dancing skills are needed by her lover's father to help quell a native uprising on the East Indian frontier, she determines to dance whatever the cost.

Dir: Jerome Storm

David Harrington plans to marry Betty Graves. He is an old-fashioned boy, believing in marriage, having children, and living a suburban life. Betty is more ultra-modern, and independent. When Betty gets a tour of the bungalow that David has built for them, she says it's cute but she would hate to have to live in it. The two break up and Betty goes back to a former sweetheart. Sybil, the wife of David's friend Herbert, has just has a row with her husband because he wouldn't buy her a new hat. So she takes their three children and hides in David's home, hoping to throw a scare into her husband. Now David tries to take care of the kids, hoping to forget his own troubles. Herbert phones David that he is coming over, but David tells his friend he has the measles. Meanwhile, Sybil's kids have gotten sick from eating too much taffy. So David calls Betty's father, who is a doctor. Betty comes over with her father, and David cooks up a scheme with the doctor to quarantine the house so that Betty will have to stay and help him take care of the children. Herbert arrives and chaos ensues when he discovers his wife and kids are there. Eventually, things get straightened out and David regains Betty's love.