Underground Favorites Parallel to the Artistry of Stupid Mama: Cult...

Dir: Carl Boese

Margot is the seventeen-year-old daughter of the divorced, fun-loving Mrs. Hiller. She cares little about the upbringing of her child. Margot can do whatever she wants. She makes full use of her freedom.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Drei Tage Mittelarrest perfectly mirrors the editorial trajectory of our deep dive.

When an attractive maid in a garrison town becomes pregnant, she reveals that one of three soldiers stationed there who had been chasing after her, is responsible.

Dir: Carl Boese

In this theatrical adaptation, a well meaning eccentric ( a good role for the popular actor later known as S Z Sakall) tries to patch up a rift between his niece and her fiance.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of The Soaring Maiden perfectly mirrors the editorial trajectory of our deep dive.

A girl posing as a knight's male valet is vamped by his fiancée.

Dir: Carl Boese

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Ossi hat die Hosen an perfectly mirrors the editorial trajectory of our deep dive.

Dancing, sports and erotic pursuits are the main ingredients in this drama about the fate of this scorned and abandoned woman, Josefine, who falls for the selfish Fennhofer.

Dir: Carl Boese

Family Brandt has lost its fortune in oil speculation, and they have great debts at the local bank. This one is threatened with its own crash due to lack of money. The only hope is Brandt's uncle Thomas Hoffman, an American millionaire, who is coming for a visit. Bank Accountant Schmidt uses his own money to welcome him properly, presenting himself as Brandt's daughter's fiance, but it turns out, that Hoffmann never was a millionaire, in fact he still owns the city of Chicago about $100 for medical treatment. Yet with his existance alone he starts a big scheme to bring back prosperity. Surprisingly it works, yet there are some problems: 1st: Chicago wants the money back, asking at the foreign office in Berlin for help, and 2nd: Hoffmann does not like the sheme at all, and tries to go back to his quiet and peaceful Chicago...

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Das edle Blut perfectly mirrors the editorial trajectory of our deep dive.

After a thirty-year career on international variety stages, the famous clown Grock retires, marries and buys a villa on the Mediterranean. But Grock remains a clown and is so immersed in the work on his new home that his young wife is soon reunited with her former lover. Grock reappears in a traveling circus with his old partner Max and his world-famous act and is a sensational success. Grock's career continues.

Dir: Carl Boese

A janitor has three daughters. Amelie is employed in the fashion shop of Leopold Siedentopf who seduces her, Annie works for a photographer and Martha is a launderer and is in love with Franz, a chauffeur who uses the boss's car to drive the three girls to work every morning. When he reports late to work one day, he clumsily tells his boss, Mr. Brandstetter, that he ran over a young girl. When he demands to see the victim, Franz introduces him to Annie and he falls in love with her. They soon get married. Annie's mother, who feels ashamed of her social condition, uses an apartment in her building whose lodgers are on vacation as her own when her son-in-law visits her and pretends she is the widow of a secret service agent. However, when Mr. Brandstetter surprises his chauffeur speaking too casually with his wife, not knowing that he is actually her brother-in-law, gets the wrong idea and Annie, upset with the whole thing, goes back to her mother's. Brandstetter decides to drown his sorrow and goes out to a party where, by chance, he meets Amelie and Martha. When Franz sees his girlfriend with his boss, he too gets upset. Annie and Martha are soon joined by Amelie at their mother's because she also left her husband who, it turns out, was unfaithful. The next day, Brandstetter comes back to the janitor's building where everything is explained. He embraces his new family. Franz and Martha make up and Amelie also finds happiness with Emil the bartender, an old flame of hers whom she always loved.

Dir: Carl Boese

A fascinating piece of cinema that shares thematic elements.