Must-Watch List Comparable to the Style of Super-Speed: Cult Guide

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Lambert Hillyer

A visual fragment from the archive: The thematic resonance of Breed of Men perfectly mirrors the editorial trajectory of our deep dive.

After losing his money and horse in the trail town of Chloride, Arizona, in a crooked faro game run by Wes Prentice, the owner of of the local land company, cowboy Careless Carmody becomes sheriff of Chloride. Unknown to Carmody, Prentice is selling land that has no titles to naive settlers, then reselling the land to other buyers. After saving pretty young Ruth Fellows from the unwanted attentions of a local ruffian, Carmody finds himself more and more attracted to her. However, things take a turn for the worse when Prentice has Carmody serve Ruth with papers throwing her off the land he has just sold her. Complications ensue.

Dir: Lambert Hillyer

Buckskin Hamilton guides a wagon train across the wasteland, caring well for the pioneers he escorts, but hoping to solve the murder of his brother by one of the travellers.

Dir: Lambert Hillyer

A visual fragment from the archive: The thematic resonance of Wagon Tracks perfectly mirrors the editorial trajectory of our deep dive.

John Haynes, known as "Hardwood," is a boss lumberjack in the great Northwest woods. During a Saturday-night revel with his pals, he receives a letter informing him he has inherited a modest shop in New Orleans from his late uncle. He has no idea what that means, but he travels to New Orleans to take over his new business, and is dismayed to learns he is now the proprietor of a shop that sells petticoats.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Lambert Hillyer

A visual fragment from the archive: The thematic resonance of John Petticoats perfectly mirrors the editorial trajectory of our deep dive.

Claire Curtis, Jimmie Strong and Mary have spent their childhood together in the country. Upon reaching adulthood, Claire goes to New York and becomes a success on stage. Jimmie, who has always dreamed of becoming an inventor, goes to New York to sell the machine he invented, and there he renews his acquaintance with Claire. Soon their old friendship ripens into love. Meanwhile, back in the country, Ralph and David Harding, who are making Jimmie's machine, plan to steal the right to it. Back in New York, Mary appears and informs Claire that she loves Jimmie, and the actress resolves to give her a chance to win him. When it appears that the Hardings' scheme to steal Jimmie's machine will succeed, however, Mary's ardor turns cold. Claire and Jimmie then rush back to the country in time to avert the takeover and save his firm from bankruptcy.

Dir: Lambert Hillyer

When her baby daughter Eleanor is traumatized after her father perishes in a storm at sea, Mother Coutierre sends the girl to live with her aunt in Paris. Years later, Eleanor, now a successful model in Paris, is surprised by a visit from her elder sister Marie, who has come to hide the birth of her illegitimate child. When Mother Coutierre arrives and believes Eleanor to be the infant's mother, Eleanor continues the deception so that her sister can marry Pierre Bondel, a fisherman. Soon after Marie returns to her village of Normandy, her brother Jean is accused of murdering Raoul Bergere, a man of loose morals of the village. When Jean's conviction seems certain after witnesses testify that they heard him threaten to kill Raoul for stealing his boat, Marie confesses that she killed the rogue for fathering her child. Following her expose, Pierre takes Marie into his arms and promises to care for her and the child, and Eleanor's honor is at last vindicated.

Dir: Lambert Hillyer

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.