The Definitive Guide Deeply Connected to The Ancient Highway: Cult ...

Dir: Josef Stein

Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of The False Faces perfectly mirrors the editorial trajectory of our deep dive.

During World War I, a professional thief known as The Lone Wolf is assigned to steal a cylinder with important information from behind the German lines and bring it to Allied intelligence headquarters. However, German agents set out to stop him, headed by the man who was responsible for the death of the thief's sister.

Dir: Irvin Willat

When cowboy Nick McCredie notices in a second-hand book an inscription to "Emily, the prettiest girl in school," he writes to her and learns that she is a lonely Eastern farm girl living with her grandmother. Instead of sending his own picture to her, Nick encloses a photo of his handsome friend Pen Walton. After Nick sees Walton stealing two horses, Nick agrees to keep quiet, when Walton promises to reform. Meanwhile, Emily's grandmother dies, and her new guardian tries to force her to marry him. She writes to Nick, who proposes by letter. Nick meets her, but identifies himself as "Andy," and when she says she would be disappointed if Nick was not as handsome as his picture, he shows her the way to Walton, and rides off alone. After Walton rustles another horse and plants Nick's glove as evidence, he abducts Emily. She escapes, and riding the stolen horse, she leads the rest to the ranch in time to stop Nick's hanging. After the real identities are revealed, Nick and Emily marry.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of Rustling a Bride perfectly mirrors the editorial trajectory of our deep dive.

Nance Pelot is bravely trying to support herself and her father Joe, the town drunk, by playing piano in an unsavory roadside inn owned by Larry Shayne. Chet Todd, the son of a shop owner, is in love with her, but her reputation has been sullied by her profession, so Chet's mother disapproves of her. Nance inherits a small farm from her mother, and when Shayne discovers that the property is valuable, he plots to cheat her out of her inheritance. After a series of misadventures, including a revival meeting and a blinding snowstorm, Joe stops drinking and Chet rescues the farm from Shayne. When Nance sells the property, she gains a respectable income, as well as the respect of the community and her future mother-in-law.

Dir: Irvin Willat

Wu Fang rules the Chinese underworld with the aid of crooked politician Jim Murdock, who shields the criminal from the police in exchange for a share of the profits. When Wu Fang kills Sergt. Joe Duncan, however, Patrolman Terence Shannon decides to conduct a raid. Wu Fang, who is expecting to receive a large shipment of opium, kidnaps Chinatown mission worker Patsy O'Connell and threatens to harm her if the police interfere in the drug smuggling operation. Although Terence is attracted to Patsy, he places duty before his own feelings and goes ahead with the raid but is captured by Wu Fang. Patsy and Terence are about to be thrown into a rat-infested pit when Officer Michael O'Shea and his men arrive, and in the ensuing battle, Wu Fang is killed and Murdock arrested. Chinatown having been made safe, Patsy agrees to be the wife of the new police chief, Terence.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of Down Home perfectly mirrors the editorial trajectory of our deep dive.

A widely respected deep-sea diver is approached by a ring of con artists who want him to be the front man for a phony scheme to recover gold from sunken ships. When he refuses, they send a sexy young woman to seduce his son, and then blackmail the father into going along with their scheme.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of The Midnight Patrol perfectly mirrors the editorial trajectory of our deep dive.

A fur smuggler's daughter asks to accompany him on his trip to the US to sell his furs. She falls for Robert, a young man who has recently been dumped by his girlfriend for a rich man. She and Robert fall in love, but her father suddenly takes her back to Canada to avoid tax agents. Robert searcher for her for a year, and when he finally finds her, he must fight both her father and her father's gang for her. Complications ensue.

Dir: Irvin Willat

Marie Dubois, deeply in love with young lawyer Claude Lescuyer, entrusts her honor to him, but shortly before the birth of their child, he abandons her. In order to legitimize her daughter Claudine, Marie weds Flambon, the brutal owner of a Paris café. Eighteen years later, Flambon orders Claudine to work in the café, where she falls in love with Gaston, a waiter. Because Flambon owes a large sum of money to Jean, the café's former proprietor, he promises him the hand of his daughter in marriage. Claudine refuses to part with Gaston, which so enrages Flambon that he beats the girl and nearly kills Marie. To save her mother's life, Claudine shoots her stepfather and is subsequently tried for murder. The prosecutor, Claude Lescuyer, learns to his shame that the defendant is his own child, and in the courtroom, he names himself as the guilty man. The jury exonerates Claudine, and she is united with Gaston.

Dir: William F. Adler

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.