Curated Recommendations Similar Cinematic Experiences to The Arizon...

Dir: William Bertram

Little Marie, terrified after her drunken father beats her mother, flees from the house. Finding herself alone after her father is arrested for the assault and her mother rushed to the hospital, Marie becomes attached to a little dog that she finds in the park. The maid who is walking the dog is unable to part the two, and so she brings the little girl home to the Greer mansion where Mr. Greer, desperate for the child that his socialite wife is too busy to give him, insists upon adopting Marie. After Marie's mother recovers, she is reluctant to deprive her daughter of the riches she may inherit, and so obtains the position of governess in the Greer household in order to be near her own child. Gradually, a deep attachment develops between Mr. Greer and Marie's mother. After Marie's father is killed during a jailbreak, and Mrs. Greer, suffering from her superficial existence, commits suicide, Greer marries Marie's mother and the reconstituted family begins a new life.

Dir: William Bertram

Mrs. Jasper Reading, an old woman whose concern for wealth has turned her heart to stone, turns her eldest son out of the house for no apparent reason and orders her youngest son Will to assume the management of her estate. Not without trepidation, Will installs his wife and little daughter Marie in his mother's house, but the old woman soon expresses her disapproval of both of them. Just as Mrs. Reading's heart is beginning to soften toward the charming little girl, Luther Parrish, who wishes to gain control of the Reading estate, convinces Will that his wife has betrayed him. Heartbroken, she departs with Marie, but Mrs. Reading soon misses the child and visits her to ask for forgiveness. Meanwhile, Will discovers Luther's dishonesty, and the entire family is reunited.

A visual fragment from the archive: The thematic resonance of Winning Grandma perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Bertram

Christine, known as Tiny, whose mother eloped with a circus clown and became a parachutist, spends most of her time with her lame dog and an elephant. When the circus passes through her home town, Tiny's mother is rejected by her sister Sylvia, thought to be an old maid because of her all-consuming interest in mathematics. Seeing her mother depressed, Tiny convinces her father to join her for her nightly stunt of parachuting from a balloon. While Tiny plays with a precocious black child, her parents' chute fails to open and they die. Thinking herself friendless, Tiny attempts to drown herself, but her dog brings Sylvia and Frank Dodge, who loves her. Sylvia lets her other suitor, Professor Caldwell, who wants her fortune, direct Tiny's upbringing "scientifically," but after Tiny and Frank expose the professor's plot to destroy Sylvia's book on the fourth dimension, because it is better than his own book, Sylvia, who now loves Tiny, accepts Frank's proposal.

Dir: William Bertram

The usual ranger played by Maloney, and he has the usual old mother that he takes care of. The girl is the daughter of the impoverished and aged prospector, who still holds faith in a hole in the ground that he has dug. The bold, bad heavy is the general storekeeper, whose advances have been repulsed by the girl. To get even he first tries to blow up the old man and fasten a murder on the favored suitor, who is the ranger. There is the regulation stuff that has its horse features, its automobiles ... and the heroine making her way down a log chute to be in at the death. ... At the finish is the usual fade-out with the hero clasping the heroine to his manly bosom.

A visual fragment from the archive: The thematic resonance of The Old Maid's Baby perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Bertram

Dora Tompkins divorces her alcoholic husband and moves to the city to look for a job. Her little daughter Marie dreams one evening of the "Jack and the Beanstalk" tale, which prompts her to climb up the fire escape to the apartment above. There she meets prizefighter "Giant" Jim Walton, her mother's former suitor, and soon he finds Dora a job in a florist's shop. They resume their love affair, and upon his promise to quit the ring, she agrees to become his wife. When Marie, however, in trying once again to scramble up the "beanstalk," falls and is seriously injured, Jim breaks his promise and wins a fight in order to pay for the child's operation. Unaware of Jim's motives for entering the ring, Dora spurns him, but when she learns the truth, she gratefully returns to him.

Dir: William Bertram

After he finds his wife Stella in the arms of ne'er-do-well Allan Standish, Ralph Gordon takes his daughter June out West, where he has extensive mining interests. The inhabitants of Hell's Gulch, who lately have been terrorized by "Rawhide" Pete and his gang of outlaws, elect Ralph sheriff. Standish, whose desertion of Stella has caused her death, arrives in Hell's Gulch and allies himself with Rawhide Pete, while competing with Ralph for the affections of June's governess, Sarah Malcomb. June assists in capturing Rawhide Pete, but Standish escapes and Sarah, moved by pity, agrees to conceal him. Assuming that Standish has again beaten him in love, Ralph catches a train East, but Sarah follows him and becomes June's new mother.

A visual fragment from the archive: The thematic resonance of The Western Musketeer perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Bertram

Episode 1: "The Woman Alone" Horace Kennedy, a successful lawyer, is drifting from his attentive and loyal wife, Mary, for no apparent reason, save that she is fading and he is losing interest in her. On the charge made by Margaret Warner, a struggling magazine writer, Kennedy disbars Attorney Doyle, contending that as a man must protect the honor of his wife and home, so must we guard our courts from prowling jackals. Because of his masterly handling of the disbarment case, a magazine requests Kennedy to write twelve articles dealing with the subject. Mary, his wife, persuades him against his wishes, to write these articles, suggesting that she will take his dictation on the typewriter. She proves an inefficient helper and the first night on which they work she falls and sprains her wrist, making it necessary for Kennedy to look elsewhere for assistance. Margaret, living in a cheap boarding-house is poor, as her short story manuscripts are returned day after day by the magazines. Desiring to help her Kennedy engages her for the work. Doyle, forced out of his profession, continues his work in the field of crooked-stock jobbing, taking the hard-earned savings of the poor for bogus mining stock. The last night of their joint work, Kennedy accompanies Margaret home, but on their way they are caught in an accident. Kennedy escapes injury, but Margaret faints. Calling to her to speak to him, Kennedy, with Margaret in his arms, rushes to a physician. Is the girl he is beginning to love to be thus taken from him?

Dir: William Bertram

When Charles Lind is stricken blind, his brother John takes charge of his business affairs, while his little niece Marie reads his mail to him each day so that he may recite his replies into a Dictaphone. After John confesses that he has lost a great deal of Charles' money on the stock market, the two quarrel, and John nearly strangles his brother. Later, a shot rings out, and John is seen crouching by Charles' lifeless body. Following John's arrest, the detectives guarding Marie's house recognize Briggs, the butler, as a wanted criminal, and when he attempts to escape, they shoot him. Marie, in playing with her uncle's Dictaphone, discovers that his murderer's voice was captured on the recording. Played at the dying butler's bedside, the recording leads to Briggs's confession and John's release from prison.

A visual fragment from the archive: The thematic resonance of Milady o' the Beanstalk perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Bertram

Instilled with the spirit of patriotism after her teacher reads to her the story of Joan of Arc, Marie Yarbell goes home, persuades her father to enlist and then organizes a "military company" comprised of her playmates. Wealthy old Nathan Mulhouser, who is financing the development of a torpedo, is so touched by the children's patriotism that he buys them a flag. Marie's mother rents out a vacant room to Hertz, a stranger, who instructs her to see that no one enters his room because he is working on an important invention for the government. Curious, Marie follows Hertz as he leaves the house carrying a suitcase. He goes to a building that houses Mulhouser's laboratory, tosses in a bomb and runs away. Marie disposes of the bomb in time, but is stunned by the explosion. Mulhouser finds Marie in a state of shock and takes her to his home. Meanwhile, Mr. Yarbell has returned home at his wife's alarm and finds Marie's soldiers holding the spies prisoner. Mulhouser finally ascertains Marie's identity, discovering that she is his granddaughter, and all ends happily.

Dir: William Bertram

Nada Mayhew persuades her sick father to spend a few months in the mountains, where they are mistakenly suspected as being federal agents by bootleggers Bob Clark and Jim Hendricks. Using a map that Nada found, she and her father set out in search of a hidden vein of silver, but they must make a wild ride to Ghost City to escape the gang, who also wish to find the silver. When surveyor Dick Carroll finds Nada in his cabin, Nada assumes that he is one of the gang and ties him up. Jim Hendricks arrives and captures Nada. Realizing her mistake, Nada gnaws at Dick's bonds while Hendricks searches for the map, accidentally drinks poison, and causes a fire in his agony. All three escape. Dick overcomes Hendricks, and Nada and Dick start out in search of the vein.