Editor's Top Picks Following the Footsteps of The Arizona Kid: Cult Guide

Dir: Alfred Santell

Two foreigners own a hardware and plumbing store. The Amalgamated Hardware Company, a trust, make Mike and Louie an offer on their place, which they refuse. Amid their denunciation of the trust Madge and her sweetheart, Jack Kennedy, enter. Jack has come to ask Madge's uncles for her hand, but they will give Jack no answer. That evening Madge is told the story of her life. Her father, while mining in the West, was killed by a blast and she has been raised by Mike and Louie, who are informed by John Andrews that her father passed away leaving nothing. Jack's father, "Boss" Kennedy, is the silent partner with John Andrews, none other than the former partner to Madge's father, in the Amalgamated Hardware Company. Though a crook, Kennedy endeavors to keep his actions from his boy. Andrews and Kennedy decide to squash the two Dutchmen by opening a store across the street and underselling them. Eventually the trust forces the foreigners out of business. Madge gets a position in a laundry where an alkaline tank explodes and blinds her. Andrews and Kennedy argue and vow "to get" each other. Mike and Louie read that a specialist has come to town, who can perform an operation upon the blind which will enable them to see, but charges $300 for his service. Mike and Louie offer to sell their store to Kennedy, who refuses them. He refers them to Andrews if they are in search of charity. Leaving Jack in charge of the store, Mike and Louie visit Andrews. Introducing Madge as Miss Morton, the Dutchmen do not notice that Andrews is surprised. He informs them that he will think about it. Madge's name causes visions of the past and Andrews sees his old partner as he died begging Andrews to take care of his child, for which he wills him one-half interest in his mine. After Morton's death the mine paid enormously and Andrews took no further interest in Madge other than to inform her guardians that she had been left nothing by her father. Andrews is informed that Kennedy is double-crossing him and that Jack is caring for the store across the street. Andrews buys the store for $500. Crooks learn that Mike and Louie have $500 and that night rob them of their money. The crooks are captured and in the night court Mike and Louie accuse them. The crooks send for Kennedy who arrives with Jack, and the "Boss" has his henchmen released and Mike and Louie get the worst end of it. Jack, realizing his father's actions, demands an explanation, which results in an argument and the boy leaves his father's house. Intent upon revenge, Mike and Louie steal into Kennedy's house and rob him of $500, which pays for Madge's operation. Inspired by their success, they go out to make another haul and accidentally get into Andrews' home, where they rob his private safe and get a tin box which they take home. On opening it, they find evidence to prove Andrews' guilt and resolve on revenge. Madge is released from the hospital, able to see again. Andrews in attempting to get even with Kennedy, frames circumstantial evidence proving Jack guilty of stealing the tin box. In the court trial everything is going against Jack when Mike and Louie jump up and confess. Andrews makes a get-away, but Mike and Louie are sentenced to two years in State prison. For one year they are remorseful but later are shown as trusted trusties. They speak to their fellow convicts and impress upon them the folly of wrong-doing; they avert a break in the prison, and are in truth "beloved rogues." One day they are called to the warden's house to set a banquet table, where they are interrupted by the entrance of Madge, Jack Kennedy, the Governor of the State, and a clergyman, and invited to the wedding of Madge, having been released by the Governor.

Dir: Alfred Santell

A visual fragment from the archive: The thematic resonance of Main 1-2-3 perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.