The Definitive Watchlist For Devotees of The Big Gamble: Cult Guide

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Fred Niblo

Idealistic young American falls under the influence of Communist agitators.

A visual fragment from the archive: The thematic resonance of Dangerous Hours perfectly mirrors the editorial trajectory of our deep dive.

Dir: Fred Niblo

Impersonating Little Eva in a third-rate travelling production of Uncle Tom's Cabin fails to earn Nora enough for a square daily meal, and to make thing worse, her stage career comes to a sudden end when the sheriff arrives with a writ of seizure. Nora hops a passing freight but is frightened by a tramp, jumps off, and literally rolls into the town of Wattelville. After being arrested as a suspicious character, Nora is adopted by the kindly Ma Forbes, whose son James works in the local bank. "Pug" Hennessy and "Soup" McCool, two crooks, inveigle the scrupulously honest James into a poker game and, as a result, he is forced to steal $300 from the bank to cover his losses. Impersonating expert safe-cracker Velvet Mary, Nora helps the crooks to break into the bank, but upon opening the safe, she sounds the alarm, and the crooks are arrested. Having learned his lesson, James proposes to Nora, who never again is forced to go hungry.

Dir: Fred Niblo

An uneducated young girl becomes suddenly wealthy and hires the disinherited son of an upper-class family to tutor her in the ways of society.

A visual fragment from the archive: The thematic resonance of When Do We Eat? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Fred Niblo

A sculptress is taken under the wing of an art patron, who is murdered.

A visual fragment from the archive: The thematic resonance of Fuss and Feathers perfectly mirrors the editorial trajectory of our deep dive.

Dir: Fred Niblo

Agnes Cuyler, a cabaret singer in New York who loathes her work, is fired for slapping Grant Haywood, a customer from the West who tries to kiss her. Haywood begs forgiveness and after glorifying the clean Western life, proposes. To escape her circumstances, Agnes accepts, but soon learns that Haywood is a brutal drunkard. In the Arizona desert, when she tries to stop him from drinking while driving, Haywood hurls her out of the car. Hassayampa Hardy, an old desert rat, finds Agnes and revives her. She becomes a waitress and helps Arthur Gould, a penniless Easterner who is out West because of ill health. Agnes, Arthur and Hardy form a partnership and strike ore. After Haywood finds Agnes and convinces her to return, he steals her partners' claim notice and drains their water supply. While heading for town, Arthur collapses in the desert. When Agnes learns of Haywood's duplicity, he tries to kill her, but Hardy arrives and pursues Haywood to the desert where he shoots holes in Haywood's gas tank and canteen. Agnes rescues Arthur and they fall in love.

Dir: Fred Niblo

Anne Mertons (Enid Bennett) is the unhappy wife of Hugo Mertons (Robert McKim), an unscrupulous brute. When the two struggle over a gun, Hugo is shot. Thinking he's dead, Anne flees to Hawaii, where she falls in love with Rodney Heathe (Jack Holt), who owns a sugar plantation. Hugo re-enters the picture and forces Anne to live as his prisoner in a hut. She overhears his plan to burn a sugar plantation. She is able to escape and saves the plantation, while Hugo is burned to death. Anne is now free to marry Rodney.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Fred Niblo

A girl tries to save her brother from prosecution after he steals some money from his employer. She goes to work for the employer, who tries to take advantage of her. He is murdered, and the girl is suspected of the crime.

Dir: Fred Niblo

A broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.