Deep Archive Finds Movies That Echo the Spirit of The Bitter Truth:...

Dir: Kenean Buel

Drinking pals Fred Peyton and John Browning are both members of high society. Upon meeting impoverished Margaret Fallon, Peyton is so impressed with her beauty that he becomes a frequent visitor at the Fallon house. One evening, while returning from dinner, an explosion overturns their automobile and Margaret is temporarily blinded. Meanwhile, Browning has become engaged to a wealthy woman whom Peyton covets for her wealth and Margaret's blindness provides the opportunity for him to obtain this prize. Stealing his friend's wedding license, Peyton substitutes Margaret's name for that of Browning's intended bride and after intoxicating his friend, Peyton sends for Margaret and marries her to Browning. The next day, Peyton lies to his friend that he had drunkenly insisted upon the marriage. Later, when Margaret's eyesight is restored and she is seeking employment, she meets Browning and the two fall in love, unaware that they are husband and wife. Eventually, Browning learns that the woman from whom he is seeking a divorce is actually the woman he loves and, after Peyton is shot by a former mistress, all ends happily.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Hypocrisy perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Orphaned sisters Kate and Irene are separated as children, but each keeps half of their mother's wedding ring. Years later Irene marries John West, the head of a munitions camp. Kate happens to run the saloon in the camp, and she and Irene become friends but neither ever imagines that the other is her long-lost sister. Matters take a turn for the worse, however, when Kate starts a romance with Cliff, Irene's adoptive brother, and Irene strongly disapproves of the relationship.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Daredevil Kate perfectly mirrors the editorial trajectory of our deep dive.

Little Jane and Katherine approve of the romance of Miss Ashton, their rich and beautiful aunt, with Jack Fenton, but when she becomes distracted by the debonair Percival Gilpatrick, whom the children detest, they decide to intervene. After the children interrupt his attempted marriage proposals several times, Percival, actually a crook, orders his accomplices, Mike and Bill, to keep the girls occupied. Annoyed that Percival would rather court Miss Ashton than rob the bank, however, Mike and Bill decide to kidnap the children and hold them for ransom. Imprisoned in a cellar, Jane and Katherine torment the two men with their pranks until the crooks willingly release them, but Percival stages a rescue that, much to the girls' dismay, impresses Miss Ashton. Later Percival and his men rob the bank, but the youngsters aid the police in catching them. Miss Ashton then happily agrees to marry Jack.

Dir: Kenean Buel

A woman writes about her sister's tragedy, vowing to help others in similar situations: Because Bettina longs to leave her country home, her loving mother sends her and her serious-minded elder sister to London, accepting their aunt's invitation to visit and allow Bettina to be introduced to society. The girls' dressmaker steals the aunt's photograph and sends it to a woman who, disguised as their aunt, leads the girls to a brothel. After the elder sister escapes, aided by her concerned male companion, she races in a cab to her aunt's home, but is frustrated in her attempt to rescue Bettina by her aunt's infirm state, the inefficiency of the police, and her own inability to remember the location of the house. She finds her cab driver, but he is drunk and soon dies in an accident. After falling ill, the sister, convinced by a dream that Bettina has died, resolves to devote her life to saving other women.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of We Should Worry perfectly mirrors the editorial trajectory of our deep dive.

Colette is a model who poses for two artist brothers, Don and Andrien Walcott. Andrien, a hunchback, creates a beautiful portrait of her which is seen by evil Bulgarian Prince Vacarra. The prince tracks her down and locks her in.

Dir: Kenean Buel

Jane and Katherine are the sweetest youngsters in the world--in their mother's eyes. The family is summering at a seaside resort when Mama is called to town for a week. Not wishing to interrupt her darlings' good time, she summons her young bachelor brother to the hotel to look after the girls until she returns. "Billy" Parke undertakes the job. On the way to the resort he meets Betty Murray. The two are bound for the same hotel and it's love at first sight. Billy would have enjoyed the bus ride from the station to the hotel with Betty if his nieces hadn't entered, recognized him, and made themselves at home on his lap after being drenched when they drove an electric wheelchair into the surf. He must neglect Betty on reaching the hotel to get the youngsters dry clothing and clean them up. Soon after her arrival at the hotel Betty and her father enter the dining room at the same time Billy and Katherine appear. Katherine had previously met Mr. Murray and introduces Uncle Billy to Mr. Murray and Betty. They are talking when Jane, who had been left in her room asleep, appears in an exceedingly brief costume on the trail of something to eat. Billy grabs her and bundles her back upstairs. Jane and Katherine keep the hotel in a turmoil. Every time Billy tries to advance his suit for Betty is an opportunity for a new escapade by the youngsters. On one of her trips about the resort Katherine comes upon Bob Murray, the son of Mr. Murray, whose father cast him out for forging a check. Bob is in a bad way when Katherine finds him, and her motherly attentions awaken his deadened manliness and he promises her he'll go straight and earn his father's forgiveness. Meanwhile, Mr. Murray confides in Katherine his great sorrow and she asks him why he doesn't ask his prodigal son to return, to which the elderly man replies that he would if he could find him. Katherine promises to help him. A few nights later two crooks with whom Bob was connected plan to rob the Murray apartment in the hotel. Bob, though not knowing his pals were planning to rob his father, tries to quit the job, but is finally prevailed upon to undertake it. The first thing the boy's flashlight hits on entering the apartment is a picture of his dead mother. He refuses to go farther and telephones to the hotel desk asking for help just as one of the crooks fells him. The thieves flee from the room just as Mr. Murray enters and finds his son. They take refuge in Jane's room. Recognizing the men as crooks she slips from bed and hides in a bureau drawer. Uncle Billy enters, grapples with the men and is being overcome when Jane hits one of the robbers on the head with an iron. Billy soon quiets the other. The racket attracts Mr. Murray and hotel attendants, who arrest the crooks. After the excitement subsides Mr. Murray embraces his son and restores him to his estate. Billy and Betty withdraw and decide there is no blessedness in being single, and Jane and Katherine watch with mingled pleasure and surprise the outcome of the events in which they were small but important factors.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of My Little Sister perfectly mirrors the editorial trajectory of our deep dive.

Alice Lindsay arrives in New York from a small town and becomes part of Greenwich Village Bohemian life. Alice resists the advances of Gwenne Stevens, an advocate of free love, and marries civil engineer Samson Rathbone.

Dir: Kenean Buel

General Wolfe, appointed commander of the expedition against Quebec, comes to bid his mother goodbye. Before sailing, the general calls upon his sweetheart, Katherine Lowther. She presents him with a locket containing a miniature of herself. Wolfe places the jewel on a chain about his neck. Mignon Mars and her brother, Hubert, of a Canadian family, are captured by a body of men attached to the Royal Americans. Lieutenant Arleigh, the officer in charge, secures their release. Mignon loses her heart to the young officer. General Montcalm arrives at Quebec and takes command of the French forces. Under his supervision, fortifications are erected on the isle of Orleans, to protect the approach to the city. The general gains the enmity of Vaudreuil, the vainglorious governor, when he protects Mignon Mars from the unwelcome attentions of the latter. Mignon's brother enlists in the French army and is made an officer. The English fleet carrying Wolfe's men arrives off the Isle of Orleans. Wolfe entices the Canadian pilots aboard his vessel by raising the French flag. The pilots are compelled to take the fleet up the river, under penalty of death. Mignon discovers Wolfe's ruse and rides to warn Montcalm of the approach of the English fleet. Wolfe lands his soldiers on the Isle of Orleans, twelve miles below Quebec. The fleet then proceeds up the river and anchors before Quebec. In an effort to destroy the fleet, Montcalm prepares to fire the ships. But the wind and the tide are against the French, and the fire ships drift ashore. Under orders from the young commander-in-chief, Monckton, one of the British generals, seizes Point Levis, overlooking Quebec. Wolfe offers amnesty to the Canadians who lay down arms. The inhabitants, however, prove unruly. Later, the English batter away at Quebec, with the fortifications at Point Levis and the guns of the fleet. The bombardment does terrific destruction, houses being rattled by the shot and shell, while fires, caused by the rain of death, spring up everywhere. Bushwackers attack the Chateau Mars, on the Isle of Orleans, the home of Mignon. The girl and her father are in dire peril, when Wolfe and his men approach and drive the renegades before them. Wolfe makes the chateau his headquarters. Wolfe orders an attack on the French redoubts above Montmorenci Falls. The impetuosity of the Grenadiers leads them to disobey orders, with the result that the English are compelled to retreat, after a desperate battle. The approach of the Highlanders, who cover the retreat of the army, saves the English from annihilation. Lieutenant Arleigh strives in vain to check the retreat. Fighting like a hero, he is shot by an Indian, a Caughnawaga ally of the French. The redskin is about to scalp the young soldier when Hubert Mars comes to the rescue. The Canadian saves Arleigh's life, but is himself desperately wounded. Wolfe is greatly downcast by the defeat. He returns to the chateau in dejection. Mignon looks in vain for her English lover. She learns that he is among the missing. Setting forth, she searches the battlefield among the dead and wounded. Mignon hears that Hubert is wounded and goes to the hospital to see him. To her delight, she sees Arleigh lying on the cot next to her brother. Mignon returns to the chateau and reports to Wolfe that his young aide is captured. That night, Arleigh makes his escape by changing cots with a French soldier who has died. He dons the man's uniform and leaves the hospital. Later, Arleigh succeeds in escaping through the French lines. He swims out to the English fleet. The following day, Mignon returns to the hospital and is informed that Arleigh is dead and has just been buried. Heartbroken, she returns home with the sad news. Wolfe is stricken with a fatal illness and learns that he cannot recover. During his sickness, his brigadiers recommend an attack without his knowledge. Wolfe learns of it. Despite his weakness, the commander-in-chief rises from his bed and goes to take command. In his escape, Arleigh has learned of Montcalm's intention to send boats and supplies down the river at nightfall. He returns to the chateau and delivers his information to Wolfe. Mignon is overjoyed to find her sweetheart safe. Wolfe learns of a narrow path leading up the mountain side to the Plains of Abraham. The English troops are sent down the river and due to the password given by Arleigh are enabled to slip by the French sentries. All night long the English toil up the mountainside. When morning dawns, they are drawn up in battle array on the Plains of Abraham. The fight commences. Montcalm, emerging from his tent, grows uneasy when he hears the sound of firing. He learns of the state of affairs. The bugles summon the French troops to battle and they march forth to the Plains of Abraham. Montcalm calls upon Vaudreuil, the governor, for assistance, but that cowardly official refuses to render aid. The French approach within firing distance of their foe. Wolfe delivers a stirring address to his men as the French approach. The battle commences. The opposing forces come together with a clash that sends both sides reeling. Forward they spring, slashing and stabbing like madmen. Wolfe is in the thickest of the fray. A shot strikes him. He falls. A tremendous shouting arrests his agony. "They run, they run," cries one of his aides. "Who runs?" gasps Wolfe. "The enemy." "Now God be praised," the dying man whispers, "I die happy." At the same moment, Montcalm, desperately striving to check the rout, is mortally wounded. The French commander is carried to his headquarters. He is informed that his wound is mortal. "How long shall I live? Twelve hours more or less? So much the better. I am happy that I shall not live to see the surrender of Quebec," he gasps. Wolfe's body is placed aboard the English flagship to commence its journey to the land for which he gave his life. Seated in a boat on the river, Arleigh and his bride, Mignon, watch the vessel sailing out towards the setting sun.

Dir: Kenean Buel

After her husband's death in the West, Mrs. Lehr, a young widow who grew up in Cuttleback, decides to return there with her two daughters, Jane and Katherine, and make her home on the old family estate which had been looked after in her absence by Job Jenkins, a caretaker who had been in the Lehr family's employ since boyhood, and by now he has been the estate's sole occupant for so many years that he regards it as part of his life, and is disturbed when his mistress returns with her children. Daniel Whitcomb, Cuttleback's leading attorney, reads with interest the notice in Cuttleback's newspaper about Mrs. Lehr's intended return, and ponders the romance that connected his and her life before she left for the West. He wonders if her return will awaken the old-time affection he felt she once had for him. He remembered that before she left Cuttleback she asked him to see her, but his mothers desperate illness prevented him. He had written, but his letter did not reach her until she was the wife of another. She replied informing him of her marriage and hinting at her disappointment in his not having seen her before she left, but absolving him from any intention to purposely slight her. It happened that Mrs. Lehr and Mr. Whitcomb did renew their old love story. While this goes on, her little girls make things hum around the estate and tax old Job's patience to its limit. The girls form a warm attachment to slow-witted handyman "Manny," who finds time between chores to amuse them and become their faithful attendant. One day Job's belongings are removed from his room and the faithful old gardener drops out of sight, on a day when a barn on the Lehr estate is destroyed by fire. A charred skull found in the ruins forms the basis for a murder charge brought against dull-witted Manny by the town constable. Mrs. Lehr believes him guiltless, but can't prove his innocence, and the children "just know" he never killed Job or anybody else, but, like their mother, can't prove it. Mrs. Lehr seeks Daniel Whitcomb's aid, but he refuses her plea and states his belief that Manny is guilty. This breaks up his love affair with Mrs. Lehr and earns him the dislike of her daughters. Manny is tried and convicted, wholly upon circumstantial evidence, and he's being led to the electric chair when the girls arrive with the supposed victim Job, whom they had accidentally found and who knew nothing of Manny's predicament. Everything is cleared up and Katherine and Jane get a new daddy.