Editor's Top Picks Following the Footsteps of The Blue Fleet: Cult ...

Dir: C.L. Chester

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Tourneur

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

A visual fragment from the archive: The thematic resonance of The White Circle perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Gennaro Righelli

This picture portrays the terrible assault upon Derna, in which the young Italian captain, Adolfo Bertini, was wounded in the forehead and, after a conflict, fell into the hands of the Arabs. This officer managed to protect a young Arabian girl from insult by the Turks, and thus gained the good will of the tribe to which she belonged. When the cries of the news vendors in Naples announced the capture of Captain Bertini his wife lost her senses from the shock. Eminent alienists proclaimed it a case of mental torpor, which could only be cured upon again seeing her husband. Maria, the little daughter of Captain Bertini, planned to go to Africa to find her father. Her mother did not notice her leave taking because of her condition. She disguised herself as a boy and managed to find a place on a merchant vessel. Her good disposition succeeded in gaining for her the affection of everyone. The father was freed and returned with his daughter to Naples. The presence of her husband and child brought the young woman out of her stupor, and happiness once again reigned in the house.

A visual fragment from the archive: The thematic resonance of Number 17 perfectly mirrors the editorial trajectory of our deep dive.

Dir: Perry N. Vekroff

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: Robert N. Bradbury

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Heroine from Derna perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Claude Friese-Greene

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Cynthia of the Minute perfectly mirrors the editorial trajectory of our deep dive.

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: Francis J. Grandon

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.