Essential Cult Cinema Drawn from the Same DNA as The Case of Sergea...

Dir: Herbert Brenon

Maryland Calvert lives in that section of Maryland divided against itself in the question of secession. Her brother Floyd is so strong a Northern sympathizer that he joins the Federal secret service unknown to his family and enlists in the Southern army to increase his efficiency. Her fiancé, Alan Kendrick, takes a commission in the Federal Army, although his father becomes a general in the Confederate forces. One Thorpe, a discredited Union officer, is given an opportunity to serve the Federal secret service and in that capacity, joins the Confederate army, becoming an aide to General Kendrick, whose headquarters are at the Calvert mansion. Alan Kendrick is among the Northern prisoners taken by the Confederates and when sent for exchange is recognized by Thorpe, whose bitter hatred has been aroused by the part the gallant Unionist had in his former discovery and degradation for conduct unbecoming an officer and a gentleman. Learning the Federal plans of campaign from Lloyd Calvert, who believes him to be a loyal member of the Federal secret service, he takes advantage of this knowledge to attempt the destruction of the Union camp to which Alan Kendrick has been sent, thereby hoping to encompass Alan's death. Thorpe fails, but Alan, taking a desperate chance to visit Maryland Calvert, is captured in a Confederate uniform and sentenced to death as a spy. Maryland Calvert, hysterical over the death of her brother Lloyd, who was shot down while trying to "run the lines" with information, is unconsciously responsible for Alan's denunciation and conviction as a spy. When she realizes his situation, Maryland braves the hazardous ordeal to reach the Union lines and secures from General Hooker a written request upon General Kendrick to delay Alan's execution until facts may be presented proving his innocence of espionage can be established. Her return finds General Kendrick dead on the battlefield, the treacherous Thorpe in supreme command and Alan imprisoned in a church awaiting momentary execution. When Maryland presents her letter to Thorpe he realizes his supreme opportunity for revenge is at hand. He orders a squad to dispatch Alan and proceeds to force his unwelcome attentions upon Maryland. With her lover standing bound before her awaiting death, Maryland is driven to such a frenzy that she plunges a bayonet into Thorpe. He falls unconscious and she releases Alan, gives him Thorpe's hat and coat as a disguise, and bids him fly for his sake as well as her own. A moment later when Thorpe regains consciousness and orders an alarm sounded. Maryland recalls that the old church-bell is the agreed tocsin. Dashing up the creaking stairs she reaches the highest spot in the belfry and clinging to the enormous clapper swings from it in its dizzy flight, using her frail hands as a muffler to kill all sound. The deaf sexton tolls away at the rope unconscious of the fact his labor is in vain. Maryland is made a prisoner and is about to be executed in her own home, when Alan appears at the head of the Union troops. Thorpe would use her as a shield to compel Alan to fire upon his beloved or abandon the attack, but at the crucial moment he is removed from command by order of General Lee, who has learned of his perfidy. Alan Kendrick grants the Confederates a truce to cover their retreat and the drama ends with a blissful reunion of the lovers.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of War Brides perfectly mirrors the editorial trajectory of our deep dive.

Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism.

Dir: Herbert Brenon

In Paris, the beautiful orphan Henriette is kidnapped by the Marquis de Presles, a libertine, leaving her blind and defenseless friend Louise wandering the streets alone. While Mother Frochard, a beggar and thief, forces Louise to beg for her food, Henriette is rescued by the Chevalier de Vaudrey, who loves her. The chevalier's mother, the Countess De Liniere, discovers that Louise is her long-lost daughter and resolves to find her. In the meantime, Mother Frochard's son, a hunchback named Pierre, falls in love with Louise, and when his brother Jacques cruelly beats the girl, Pierre kills him. Just then, the countess locates Louise, and after the girl regains her sight, she is joined with Pierre. The countess then gives her consent to the marriage of her son and Henriette.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Two Orphans perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Herbert Brenon

To a rooming house which has fallen on hard times comes The Stranger, an unknown but gentle man who is given the back room on the third floor. His arrival marks a change in the lives of all the boarders, from the girl resisting her parents' pleas that she marry the lecherous Mr. Wright, to an architect and a pianist, both of whose dreams are near destruction from their own discouragement.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In her third picture, Bara is the wife-vampire.

Dir: Herbert Brenon

When Marcel, a waif, saves master crook Burke from the police, Burke adopts the youngster and teaches him his profession. Years later, Marcel has become a master crook himself, working under the name of Michael Lanyard. His clever work baffles the Paris police, who dub him "The Lone Wolf". The Pack, a gang of criminals, notifies The Wolf that unless he joins them, he is marked for destruction. Lucy, an undercover agent masquerading as a crook to expose the gang, helps The Wolf escape. This inaugurates a series of adventures in which Lucy and The Wolf are pursued by the gang, finally making their escape to England by plane. The Pack follows, only to meet their death in a plane crash. Liberated from his tormentors, The Wolf vows to go straight and marries Lucy.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Passing of the Third Floor Back perfectly mirrors the editorial trajectory of our deep dive.

A sultan agrees to help a wicked witch destroy a mysterious young lady if the witch will bring his young son back from the dead with magic.

Dir: Herbert Brenon

Miriam, a young Russian girl, has an unfortunate love affair and is threatened with disgrace by having a child out of wedlock. Her father induces Gregor Randor, a young musician, to marry her, by paying him a sum of money. The couple migates to the United States, where they are later followed by Miriam's family, including her younger sister Celia. A love affair develops between Gregor and Celia, and despite their efforts at secrecy, Miriam learns about it. Torn between her outraged pride and her love for her young son, she confronts her cheating husband and her sister--to no avail. So she decides to wreak vengeance on them.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.