Hidden Genre Gems In Alignment with the style of The Chalice of Cou...

Dir: Rollin S. Sturgeon

Realizing that it would be difficult to support a wife on his meager income, struggling physician Jack Stilling loses his love, Faith Channing, to the wealthy James Winthrop. After Faith and Winthrop marry, they begin to drift apart as Winthrop becomes consumed with his pursuit of social ambition. When her husband falls under the spell of fashionable Hortense Filliard, Faith determines to bear him a child in order to win him back. The infant dies soon after its birth, however, and Faith falls into a deep depression, forcing Stilling to prescribe morphine for her. Winthrop, spurred on by Hortense, conceives of a plan to addict Faith to the drug and then file for divorce. His plans backfire, however, when he becomes a slave to the drug and dies in a fit of delirium. Stilling intervenes in time to spare Faith the ravages of addiction, and the doctor and the woman he never ceased loving prepare for a new life.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Shuttle perfectly mirrors the editorial trajectory of our deep dive.

Bettina Vanderpoel, the charming daughter of New York millionaire Reuben Vanderpoel, departs for England to visit her sister Rosalie, who is married to Sir Nigel Anstruthers, an impoverished English nobleman. Arriving at their dilapidated estate, Betty finds that Nigel not only has wasted Rosalie's fortune, but has treated his wife and their little son cruelly. Betty promptly repairs the estate with her own money and then introduces her sister into English society. In the process, she meets Lord Mount Dunstan, a proud but penniless nobleman who lives in the adjacent estate. Although strongly attracted to Betty, Dunstan avoids her so as not to appear a fortune hunter. An epidemic breaks out among the farmers, and Betty, hearing that Lord Dunstan has died, goes riding late one night to forget her sorrow. Sir Nigel finds her in a deserted hut and tries to attack her, but Lord Dunstan appears, rescues her, and finally confesses his love. Soon after, Sir Nigel contracts apoplexy and expires, thus freeing Rosalie.

Dir: Rollin S. Sturgeon

Poor Molly O'Toole takes a job as housekeeper at the country home of wealthy Mrs. J. Van Ranselear Todd. Arriving at "Castle Crags," Molly is mistaken by the villagers for Mrs. Todd, and decides to continue the masquerade, thus attracting the attentions of Captain Hancock, her wealthy neighbor. Meanwhile Mrs. Todd's roguish son Algernon has purchased a donkey and cart from peddler Joe Holmes and is traveling through the country when he arrives at Castle Crags to discover Molly masquerading as his mother. Deciding not to reveal his own identity or expose Molly, Algernon takes a job as her chauffeur. The two fall in love and Algernon begs Molly to marry him, but she is reluctant to part with the captain's millions. A series of events makes Molly believe that her chauffeur has become a forger on her account, however, and she realizes her love for him. She resolves to give up the captain, but at that point Mrs. Todd arrives, claims Algernon as her son and welcomes Molly as her future daughter-in-law.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Upper Crust perfectly mirrors the editorial trajectory of our deep dive.

Robert Wainwright, arriving in the Argentine Republic to look after his father's business, finds himself in a hotbed of revolution. Stopping at the home of Don Arana, foreign minister to Rosas, the tyrant, he meets and falls in love with Bonita, Don Arana's niece. Bonita favors the rebels and through Wainwright's love for her, wins him to their cause. He communicates with General Urguiza, the rebel leader, but the messenger is intercepted by Tirzo, Rosas' spy. As Tirzo also aspires to the hand of Bonita, he schemes to get Wainwright out of the way, and insinuatingly suggests that he leave the country at once. Wainwright arranges for passage on the first ship leaving for the north, but contrives to escape, after the vessel leaves port. He returns to Don Arana's home, meets Bonita and acquaints her with his plan to join the rebels. She makes him a present of Mephisto, a wonderful horse, and suggests he change his name to Alvarez. Wainwright, now a rebel under the name of Captain Alvarez, so distinguishes himself that he becomes the scourge of the Federals. He is commissioned by General Urguiza to get in communication with Don Arana, who is secretly in sympathy with the rebels, and arrange for the capture of a convoy of a million in currency dispatched to the Federal forces. Captain Alvarez and Don Arana are arranging for the delivery of the convoy when the house is surrounded by the Federals through the work of Tirzo. Captain Alvarez is captured and led off a prisoner. Tirzo remains and promises Bonita to save Alvarez's life is she will marry him. She is about to consent when word comes that the prisoner has escaped. Alvarez returns to Bonita's home, fearful that harm has befallen her, and promises to return again at midnight to make sure of her further safety. Alvarez returns to his command, and captures the million in currency and is on his way to keep his midnight appointment with his sweetheart, when he hears Tirzo plotting with a band of gypsies to kidnap Bonita. Alvarez arrives at Don Arana's first, waits for Tirzo, who comes alone, and in a fight kills the spy whose body is carried off by the gypsies. A band of Federals intercept them, recognize Tirzo, and rush to Don Arana's house, where they capture Alvarez, and he is to be shot at sunrise. In the meantime the Federals are defeated and Rosas, the tyrant, flees for his life. Alvarez, by a trick, induces the Federals guarding him to flee. The rebel forces arrive opportunely, and all ends happily in a picture emblematic of the birth of a new republic.

Dir: Rollin S. Sturgeon

How the lust for power influences and drives lives and destiny.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Captain Alvarez perfectly mirrors the editorial trajectory of our deep dive.

A professor's daughter craves excitement and sends her father on a treasure hunt. The captain leaves him to die on the island and returns for his possessions and the girl. Dick saves her father from the island and comes to her rescue.

Dir: Rollin S. Sturgeon

Abel Manning, an attorney, has spent the greater part of his life waiting for "something big." Joan, his daughter, is teaching school and is of great financial assistance to her father. Senator Kitwell is to hold a big political rally, and Manning is elated because he is to give the address. Geoffrey Daniels returns home for the election, bringing his college chums. He sees Joan and is interested. As Joan's father is making his speech, Geoffrey plays a joke on him, incurring Joan's contempt. In the meantime the Mexicans are scheming for a new government and Gonzales goes to Washington to use his influence in securing an American consul his gang can influence. Kitwell wins, and Manning, believing Kitwell's promise to do something for him, goes to Washington. He is given nothing, however, his funds diminish and Joan finally joins him. Geoffrey is appointed to install wireless stations at some valuable mines in the Mexican country, Gonzales, promising Kitwell an interest in the mines if he will send a consul who will recognize their new government. Kitwell, believing Manning the right man, appoints him, and the latter views this as his great opportunity. As Gonzales endeavors to rope Manning into their scheme, the real man in the old attorney rises against the traitors and he puts Gonzales out of his office. As he is sending a cable to Washington for help, Manning is seized by Gonzales and his men, the cable instrument demolished and Manning threatened with death if he does not join the Mexicans in their revolution. Geoffrey learns of the situation, and that Joan has been taken to Gonzales' ranch, rushes to the rescue just as a company of American marines land and after overpowering the Mexicans, the marines put Manning upon a box and he delivers an oration with great intensity. His loyalty has won for him at last the recognition he has so long coveted.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Destiny perfectly mirrors the editorial trajectory of our deep dive.

A girl's father cannot afford a train ticket, so he ships his daughter by Wells Fargo & Co. Express. He loses his money to a villain and cannot claim his "shipment." The villain attempts to claim her, but the Wells Fargo agent foils the plot and claims her himself.

Dir: Rollin S. Sturgeon

When Amos Divine is retired with a meager pension, his spoiled wife Christina castigates him, but their optimistic daughter Mary Beth, who longs for a musical career, helps them economize. Meanwhile, composer Richard Warner arrives from Vermont, but his hopes of selling his ballads are dashed by publishers who want cheap, trashy melodies. Mary decides to rent the attic room, and Richard, hearing her play, takes it. After Richard accidentally starts a fire while raptly composing, Mary begins to fall in love. Penniless, Richard starts to asphyxiate himself, but Mary brings him biscuits and encourages him to persevere. After Mary finds Richard's song, "The Rainbow Girl," dedicated to his "Loved One," he explains that he cannot marry his sweetheart until he has made good. Mary jealously says that she too has a sweetheart, "Snookums," but they have quarreled. After Mary secretly sells Richard's song to a publisher, Richard, seeing her cry, sends flowers from "Snookums" to effect a reconciliation. When Mary reveals that there is no "Snookums," Richard confesses that Mary is his "rainbow girl," and they embrace.

Dir: Rollin S. Sturgeon

Mildred Manning, known as Middy, is an apprentice in Madame Lizette's fashionable shop. Her beauty is discovered by Madame's brother, George Martin, and she is made a model. One afternoon, she tries on a rejected bathing suit and by adding a touch here and there, makes it into a beautiful creation. Madame then sends her to the beach to carry out a clever advertising scheme. At the shore, Middy is pursued by a reporter and photographer, who have been commissioned by Madame to photograph the girl for calendar advertising. In her flight from the publicity men, Mildred takes refuge in a car owned by lawyer Philip Gordon, who gets into the vehicle and drives off with Middy. Middy, fearing exposure, asks him to drop her off at a fashionable residence. When Gordon later returns to the address to call on Middy, he is puzzled to be greeted by an aging spinster. After Middy's picture appears in the calendar despite her objections, Middy quits her job at Madame Lizette's and threatens to sue to prevent the use of her photo for advertising purposes. At this point, Gordon traces her through the calendar and takes her case, refusing to let her go again until she promises to marry him.