Masterpiece Selection Resonating with the Themes of The Chauffeur: ...

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

Dir: John G. Blystone

A fascinating piece of cinema that shares thematic elements.

Dir: John G. Blystone

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

A visual fragment from the archive: The thematic resonance of The Yellow Dog Catcher perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.