Must-Watch List in the Vein of The Cowboy Counsellor: Cult Guide

Dir: George Melford

At the opening of the story Daniel Slade is working in a mine and, though not positively in need, he and his wife live in comparative poverty. Slade is a man filled with ambition, but his wife is contented and absorbed in her love for her husband. By a fortunate accident he discovers a gold mine, and with his newly acquired wealth, immediately sets out to make a position of influence for himself in the world. His aggressive personality and ability at once attract attention, these qualities being combined with wealth, and the possibilities of a political career are pointed out to him by Senator Strickland. Slade has no sooner established himself in his new surroundings than he comes to feel that his wife does not know how to take advantage of their altered circumstances. She is still the same simple, home-loving person. In the course of time he becomes attracted to the Senator's daughter, who, like himself, is of ambitious temperament. In fact, though she does not love him, she agrees to marry him if he obtains a divorce from his wife. The concluding episodes of the story show how the wife rescues her husband from his unpardonable folly, and how, much chastened, he finally persuades her to come back to him. He has now become the chief executive of the State and Mary at last takes her place as the Governor's Lady.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of Out of the Darkness perfectly mirrors the editorial trajectory of our deep dive.

Helen Scott has been left the sole owner of the Scott Canneries by her father's death, but being too busy with social duties, she leaves the handling of the industry's business to her hard-fisted uncle and only calls upon him when she needs money. Harvey Brooks, manager of the canneries' Tampa branch, is a hard-working young man with new ideas of social welfare. He has hundreds of people in his employ working under most unfavorable conditions for starvation wages. He has pleaded with Helen Scott and her uncle to better the working conditions but has always been ignored. During the height of the social season, Helen goes to Palm Beach, Florida with a party of friends for the yacht races. While sailing her sloop one foggy night, it is run down and sunk by a large schooner, a fruit carrier for the Scott canneries. Helen is rescued from the sea by the captain of the schooner. The heiress is stunned by a blow on the head, received at the time her sloop was struck. When she recovers she is unable to remember her name or her identity. The schooner captain takes Helen to his home, and when she has recovered, his daughter, who works in the cannery, secures Helen a position beside her at the cutting table. Brooks, hearing of Helen's accident and loss of identity, takes an interest in her and she is attracted by his kind manner. Labor leaders are urging the cannery workers to strike and place the blame for the conditions upon young Brooks. One night Brooks is slugged and bound to a chair in his frame office building and the plant is set on fire by the excited workers. Helen rushes through the flames to his aid and as she unbinds him she is overcome by smoke and falls unconscious by his chair. Brooks carries her to safety through the burning buildings and returns her to the schooner captain's home. While they are both recovering from their burns a detective, employed by the uncle, locates Helen. The shock of the fire and the burns has slightly restored Helen's memory and the clever detective finally brings her to realize who she really is. Helen is in love with Brooks and he with her, believing that she is a poor factory girl. The heiress realizes that Brooks hates the real Helen Scott for her indifference to the workers. When he has recovered she meets him alone, tells him she is Helen Scott, and breaks down his wall of hatred and together they go to help their coworkers.

Dir: George Melford

The story relates the attempt of a group of machine politicians at Washington to ruin Matthew Standish, an insurgent who has made himself so strong with the people that he is in a position to defeat the Mullins bill, fostered by a corrupt ring in Washington, in favor of certain railroads. The leaders of this ring are Jim Blake, the boss of the party machine, and his son-in-law Mark Robertson. Standish is being hailed throughout the country as the exponent of morals and virtue, and Blake realizes that the only way to defeat him is to find some blot on his record in the past. He puts a detective to work, who, by bribing Standish's former secretary, finds out that some years ago Standish became involved with a young woman of good family, but for some reason he did not marry her. Blake realizes that skillfully handled, this story could be made to ruin Standish's career, but without the woman's name it will look like a campaign lie. So the entire machine bends its energy to discovering the woman's identity to prove the story. To accomplish this, they lay a trap that they think will make Standish try to warn the woman by telephone. He is deceived and does telephone the woman to be on her guard, calling the number Plaza 1001. Wanda Kelly, telephone girl at the Keswick, has been told of the plan by Blake, who believes that she can be bribed to give him the telephone number. After Standish telephones, Blake's son-in-law Robertson comes in to 'phone his home in New York, calling the same number that Standish has just called. Wanda, the operator, sees that the woman in the case is really Blake's daughter and Robertson's wife, and besides refusing to give the number, destroys her record sheet. Mrs. Robertson arrives from New York and is driven to desperation when Standish informs her that, though he has tried to protect her, he needs to give her name to Blake and Robertson if they continue striving to ruin him by this story. The subsequent events leading to the conclusion of the drama and the defeat of the offensive Mullins bill in Congress are stirring in the extreme. Once again the telephone girl interferes in the plot by disconnecting the wires when the "ring'' politicians, driven to their last ditch, are trying to telephone a newspaper to release the story even without the woman's name. She keeps her courage after this, even when threatened with arrest and criminal prosecution. It is the woman herself who finally comes to the rescue and refuses to see the little telephone girl made to suffer further on her behalf. This terrible revelation makes Blake and Robertson see what a veritable heroine she has been and even leads to the happy consummation of a romance between the telephone operator and Jim Blake's son.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Woman perfectly mirrors the editorial trajectory of our deep dive.

Major Dean's developed mental powers have enabled him to give demonstrations in thought-suggestion. Interested in character types, the major, who is an army surgeon, visits a notorious dance hall owned by Lorenzo. The surgeon is struck by the beauty of Mabel, one of the dance hall girls. Mabel lives in deadly fear of Lorenzo. Due to the interest he takes in her Major Dean again demonstrates his wonderful power of mental suggestion by causing the girl to lay down the glass she raised to her lips. Later, a fight is started in the dance hall. All lights are shot out. Mabel is stunned by a bullet. Seizing her in his arms, Major Dean takes her to his home. The following morning finds the girl still unconscious. Major Dean's diagnosis leads him to believe that due to the wound caused by the bullet, a pressure on certain brain cells has wiped all memory of the past from Mabel's mind. Realizing that despite her condition, the girl's subconscious mind is capable o£ registering impressions, the surgeon forces upon Mabel's mind the thought she is, and always has been, his daughter. The girl is possessed of this belief when she recovers. She later accompanies Major Dean to the western army post to which he has been assigned. Sergeant Whitney, an old soldier, is stationed at the post. The man is struck by the wonderful resemblance which Mabel bears to his daughter who, several years previous, had been enticed from her home by a gambler. Although Whitney has never seen the man, he has vowed to find and kill him. Meanwhile, Lorenzo learns what has become of his former victim. Resolved to regain her, he leaves for the west. Arriving at the army post, Lorenzo demands that Dean surrender Mabel. Knowing the girl will not recognize the man, the surgeon allows her to comfort him. Mabel shrinks from Lorenzo in repulsion. Suspecting the truth, Lorenzo later waylays his former victim while she is out riding and endeavors to revive in her mind the memory of her life with him. At the same instant, Major Dean is obsessed by a sense of impending danger. The surgeon gazes out of the window through a pair of field glasses. He discovers Lorenzo talking to Mabel. Aware of the man's nefarious scheme, Major Dean concentrates his powerful will in an effort to so influence Mabel's mind as to enable her to withstand Lorenzo's hypnotic influence. The girl, who had been wavering, receives the message emanating from the major's mind. It causes her to shrink from her former master with the assertion she has no recollection of the incidents he has mentioned. The opportune arrival of Sergeant Whitney prevents Lorenzo from seizing Mabel and carrying her away. That night, Lieutenant Sibley, a young army officer who has fallen in love with Mabel, asks the major for her hand. Feeling it to be his duty, Dean informs Sibley of the girl's past. The surgeon declares it is his belief that Mabel is the daughter of Sergeant Whitney, and that Lorenzo is the man who enticed her from home. So great is his love, that Sibley vows to marry Mabel in spite of what has happened. Unknown to the two, Whitney has overheard the story. Mad with hate, he seeks Lorenzo. Unaware of his impending doom, Lorenzo resolves to make one supreme effort to regain Mabel. Seated by his window, the man fixes his mind upon Mabel with every ounce of power he possesses. Although fast asleep, the girl's mind receives the command sent forth by her former master. As though in a trance, she dons her clothes. Again the sense of danger overcomes Major Dean. He hastens towards Mabel's room. Just at this instant, Whitney enters Lorenzo's room. The rage-maddened father engages the gambler in a death struggle. While this combat rages, Mabel stands as though petrified. Securing possession of Whitney's revolver, Lorenzo shoots, wounding the old soldier mortally. Although he has received his death wound, Whitney's consuming hatred gives him strength to continue the struggle. A sudden twist, and the sergeant secures a vise-like grip on Lorenzo's throat. He forces the man back towards the bed. Mabel awakens with a start. In answer to Major Dean's anxious query, she replies that a bad dream had caused her to walk in her sleep. In Lorenzo's room, Whitney draws back from the silent form on the bed. The soldier attempts to reach the door, but his strength fails. The man staggers and crumples to the floor.

Dir: George Melford

The Lamberts give a charity ball for the benefit of the Widows' and Orphans' Fund. Captain Doane is among the guests. The young officer is in love with Jane, the general's daughter. During the affair, he secures her consent to be his wife. Jane's parents both favor Doane's suit. General Lambert places the box containing the receipts of the ball on his library tale. A moment later he is called away. At the same time, Jack, his son, loses heavily at cards to a professional sharp. The man holds several I.O.U.'s for which he demands payment. Desperate, Jack promises to let him have the money at once. The boy hastens home. Entering the library, he sees the cash box. Abstracting the money. Jack gives it to the gambler, who waits outside. General Lambert receives a telegram, stating that war has been declared between Great Britain and the Boers. He spreads the news. The general relates an incident of the first Boer campaign, telling how one of his comrades had been treacherously slain by the Boers. Turning to Jack, the father bids him avenge the man's death in the coming fray. Jack, however, confronts the knowledge that he is a thief. Entering the library he desperately searches for a way out. He decides upon the course he must follow. Writing a confession of his guilt, the boy places the note where it can be found and then picks up a revolver. Doane enters the room and views the proceedings in amazed silence. He grasps Jack's hand, just as the boy is about to shoot himself. Jack breaks down. The note tells Doane the whole miserable story. He promises Jack to find a way to clear him. General Lambert and the board of trustees enter the room after Jack leaves. They are about to look for the money, when Doane announces that he has stolen it. Shocked, the general calls in the guests and tells them the story. Jane is brokenhearted at her lover's supposed dishonesty. Disgraced, Captain Doane returns home where he receives a note, demanding his resignation. He complies with the order. The next day, he sees his beloved regiment leave for the front. Another officer marches past, in command of the company that was his. His health undermined by the strain, Doane is stricken with brain fever. When her recovers, a few weeks later, the man enlists under an assumed name and is sent to the Transvaal. By rare good fortune, Doane meets Jack. The young officer recognizes in the private, the man who had saved him from disgrace. Jack succeeds in securing Doane as his orderly. The two armies meet in a terrific battle. The Boers, under General Jaubert, successfully hold the British in check. Lieutenant Lambert is sent to one of the British commanders with dispatches. He is accompanied by Doane. On their way they discover a Boer force creeping upon the British flank. Their warning saves the English troops from destruction. From the top of a hill, the Boers under Jaubert are inflicting terrible punishment upon the British by means of heavy siege guns. A charge gradually drives the Boers back. The British succeed in dislodging their foe from shelter by means of the hail of death from rapid-fire guns. With a superb rush, the English gain the ton of the hill and capture the battery that has inflicted the most damage. Jack and Doane are foremost in the fray. The battery is blown skyward. Jack and Doane's unusual valor win them the commendation of the general in command. Doane wearily returns to his tent. His mind goes back to the night of the ball. His hand wanders to the pocket over his heart and brings to view the picture of Jane. Sadly he gazes upon the face of the girl whose love he had surrendered. With a sigh, the man replaces the picture in its resting place. In another tent, a totally different scene is transpiring. Torn by his conscience, Jack is penning a confession which exonerates Doane, whom he has grown to idolize. Leaving his tent, he hands the letter to Doane, requesting him to keep it in event of his death. He informs his savior that should death overtake him on the field, he wishes to die with the knowledge that he had made reparation. Doane watches the boy depart. He slowly tears the letter to pieces. That day another attack is made upon the Boers. The hills are covered with the heavy smoke of artillery and thousands of rifles. The Lancers sweep the enemy before them in a heroic charge. Jack, leading a bayonet charge against a Boer battery, is struck by a bullet and falls. Fighting like fury, Doane rescues the boy and carries him off the field. Immediately afterward, Doane wires the Lamberts, telling them of Jack's injury. Upon receipt of the message, Jane immediately announces her determination to go to her brother's side. Her father's influence enables her to go to the front as a Red Cross nurse. She reaches Jack's force and is assigned to his hospital tent. As she enters the tent, she sees Doane bending over her brother. Doane is electrified at the sight of his sweetheart. Remembering the offense with which he was charged, the girl draws back in contempt. Jack sees the movement and realizes what caused it. With tears streaming down his face, and despite Doane's efforts to stop him. the boy confesses his story. Thunderstruck, Jane stares at Doane. The man turns away in distress. The next moment. Jane's hand is on his arm. She pleads with him for forgiveness. Surrounded, and facing defeat, the Boers fight with the desperation born of despair. Again and again their fire sweeps the charging British, mowing them down like grass. From the overlooking hills the batteries of the English hurl their deadly missiles in the midst of the shelters which cover the Boers. Doane, assigned to one of the batteries, imbues his comrades with heroic spirit. Time and again the Boers strive to capture the battery, their rifle fire brings the men down one by one. Doane finally remains the sole survivor, but the battery still belches forth the shots placed in it by the men who had manned them. A Boer shell lands next to Doane's gun and explodes. When the smoke lifts, the hero strives in vain to arise. Blood gushes from his eyes. Jane is by her brother's bedside when Doane is brought in on a stretcher. She anxiously hovers over the doctor as he examines the man. The surgeon finally declares that while Doane will recover, he will be blind for life. The girl nurses her sweetheart and brings him back to health. Jack tells his story to the commanding officer. He reveals Doane's nobility and the sacrifice he had made. When Doane recovers the story of his heroism has been spread broadcast. The War Office reinstates him to his former rank and in addition Doane receives a medal of valor. Jane is by her hero's side when the emblem is placed upon his breast.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Invisible Power perfectly mirrors the editorial trajectory of our deep dive.

Despite her love for penniless Dirck Mead, Lorraine marries wealthy Aaron Roth to save her family from financial ruin. Roth is a swindler and when trying to escape the wrath of the law, he jumps from a ship and is declared dead. Mead, now a diamond magnate, finds Lorraine in New York, marries her and takes her to live in South Africa, where, as it happens, Roth, who survived his leap from the ship, is currently conducting his shady business. Roth discovers Lorraine's situation and threatens her with exposure, and Lorraine is about to leave Mead when she learns of Roth's plan to steal a valuable diamond that Mead is escorting to the city. Summoning help, Lorraine reaches Mead in time to thwart the robbery. Roth is killed in the fight, and Lorraine is spared the task of resolving her marital status.

Dir: George Melford

A fascinating piece of cinema that shares thematic elements.

Dir: George Melford

A visual fragment from the archive: The thematic resonance of The Boer War perfectly mirrors the editorial trajectory of our deep dive.

A young man joins the French Foreign Legion and is sent to Algieria, where he becomes a target for hatred by his commander. However, the commander has a change of heart when he realizes who the young man is.

Dir: George Melford

Sue Wells husband Tom works as a shepherd, is sick of being poor, living in the shadow of Mr. and Mrs. James Peabody's opulent estate. When the Peabodys leave for a vacation, Sue and Tom carry out a check fraud scheme and take advantage of a loophole in the Peabody's lease, resulting in their becoming the owners of the estate. However, living in the mansion does little to make Sue happy, and when James returns and discovers what she and her husband have done, he kills Tom. He is about to murder Sue, too, when she wakes up, and realizes that her life as a wealthy landowner has been only a dream. James then enters, and announces that he has made Tom the estate manager, which forever ends Sue's financial worries.

Dir: George Melford

Foster sister of the Duchess d'Aubeterre, Madeline, marries Jean Renaud, a French soldier, and has a daughter named Adrienne. Five years later, on a battlefield, Renaud is entrusted by the Count de Moray with jewels and papers proving that Adrienne is his heir. After Moray's death, Renaud gives everything to Madeline and then returns to the battle. Lazarre, who had followed Renaud, then goes to Madeline and demands the jewels. Madeline's refusal awakens Adrienne, but Madeline quiets her by saying that her father is home. When Madeline still refuses Lazarre's request, he stabs her. Later, Adrienne tells the neighbors that her father had just been with her mother. Renaud is sentenced to prison for life, after which the Duchess adopts Adrienne. Many years later, Adrienne re-encounters her father and eventually the true murderer is revealed and Renaud is pardoned.