The Cult Collection Inspired by the Vision of The Cruise of the Jas...

Dir: James W. Horne

A series of 25 2-reel Western thrillers in which a cowgirl aids the cause of justice and humanity in the Old West, often aided by her fiancé and her rancher father. Each episode tells a complete story in itself.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Bull's Eye perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

Adam, the proprietor of a country hotel, loses his heart to Nell, a soubrette. Unknown to the old man, the girl and his son Jack were formerly sweethearts, but had quarreled because of her refusal to leave the stage. Knowing of Adam's love for Nell, Mason, the leading man, and Eppstein, the manager, induce him to finance the show. This is on its last legs. The members of the company stop at Adam's hotel while in Preston and thus Nell meets Jack again. Upon her refusal to give up the stage, Jack angrily leaves her. When the show departs early next morning, Adam goes with it. Nell is fascinated by Mason and the latter plays her against Clara, who also fancies she loves him. Nell does not know that it is Adam's money which is backing the show. When she does discover the manner in which the old man is being fleeced, she promptly declares her intention of quitting the company. The conspirators vainly plead with the girl. Desperate, Mason and Eppstein kidnap Adam and wire Jack in the old man's name asking him to telegraph $600. His suspicions aroused, Jack determines to investigate. In the meantime, Nell has discovered Adam's predicament. Securing assistance, she rescues him just as Jack arrives. In gratitude, Adam advances enough money to send all the members, with the exception of the plotters, home. Nell, sick of the stage, returns to Preston with Jack and his father. The latter learns of their love affair, and concealing his own love, gives them his blessing.

Dir: James W. Horne

Two women finally tire of being taken advantage of by men, and vow that they will stop these cads from preying on helpless young girls.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Barnstormers perfectly mirrors the editorial trajectory of our deep dive.

Young clubman Bob Gilmore is called by telephone to his home, where his parents are giving him a birthday party. He overhears one of the male guests make a slurring remark about his mother's appearance, and punishes him right there, throwing the entire gathering into an uproar. Later in the evening he assumes guilt for a check which had actually forged by his foster father, in order to save the mother's feelings, but obtains a written confession from the guilty man for future use if necessary. Learning that he had been adopted from a foundling asylum in infancy, Bob decides to go to New York to see if he cannot learn his real name, which he understands begins with "Mor." He disguises himself and enters many homes, attired in evening clothes, and is soon known to the police as "The Midnight Man." In the meantime he has come into contact with members of the White Circle gang, and has many close physical encounters with them.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of The Social Pirates perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: James W. Horne

In the Australian outback, a young woman falls for a dashing bandit known as Stingaree, who is actually a wealthy Englishman cheated out of his fortune by his greedy brother.