Underground Favorites Mirroring the Impact of The Dodgers: Cult Guide

Dir: Eddie Lyons

Mr. Ups likes the gay life and Mr. Downs is a "stay-at-home." One night when Ups is out sporting and Downs is home in bed, Ups arrives at the entrance of the apartment house at the same time with Downs' wife. Ups' wife, who is at home, hears the cat ransacking the milk cans in the kitchen and thinks a burglar is in the house. Then Mr. Ups and Mrs. Downs arrive and the chase starts. Up and down the dumbwaiter goes Downs and Mrs. Ups, looking for the burglar, one in his bathrobe the other in her pajamas. The mystery is solved and the two couples become the best of friends.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of A Ripping Time perfectly mirrors the editorial trajectory of our deep dive.

Lee is a tailor's apprentice who follows his customer, Eddie, to a social affair. Lee measures up the guests for new clothes. Both he and Eddie lose their trousers and do some tall dodging about among the guests as a result.

Dir: Eddie Lyons

Bernie and Sidney are a buyer and a salesman who smash each other's hats before becoming acquainted. Their wives afterward mix in at a hat sale and later all meet at dinner, when the riot begins again.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Damaged Goods perfectly mirrors the editorial trajectory of our deep dive.

Eddie and his wife have four kittens and the domineering janitor wants to kill them. An uncle and aunt, who are visiting the newlyweds, think the janitor is trying to make away with them.

Dir: Eddie Lyons

Eddie is about to be married, and while he is facing the altar with his prospective bride, Charlotte, Lee, the rejected suitor, bursts into a fit of weeping. He is ejected, but returns and time and time again attempts to break up the ceremony so that he can make the girl his wife. After being tossed out for attempting in different ways to put an end to the wedding, Eddie, Lee, Charlotte and the preacher are escorted to jail. Lee has to look on while the matrimonial knot is tied.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of The Tail of a Cat perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Eddie Lyons

Eddie and Lee are newspaper reporters and Mildred is a vamping Russian countess in a laughable "Bolsheviki" burlesque in which Eddie and Lee find themselves obliged to commit all sorts of crimes, but wake to find it all a dream.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Stop That Wedding perfectly mirrors the editorial trajectory of our deep dive.

A burlesque on the making of a picture based on an Alaskan story.

Dir: Eddie Lyons

The newlyweds buy a rooster and expect it to lay eggs. Food conservation also comes in for some quiet, humorous effects.

Dir: Eddie Lyons

John Smith learns in order to inherit two million dollars from his wealthy aunt, he divorce his wife Lucille, a former vaudeville performer. In order to qualify for his inheritance, John devises the idea of divorcing his wife and then remarrying her. To establish grounds for the divorce, John registers at a hotel with Fannie, the janitor's wife. Their neighbors in the adjoining room are Britton Hughes and his bride Peggy, who are being pursued by the bride's father. The arrival of Fannie's husband precipitates a panic in the two apartments, during which time, John and Peggy are thrown together. At that moment, Lucille arrives and believes that John is guilty of a real affair. Several complications arise until John's aunt appears and tells her nephew that the will was all a test of his love for Lucille, and when the runaway bride and groom are forgiven, all ends happily.