Recommendations
Senior Film Conservator

The evocative power of The Figurehead (1920) continues to haunt audiences with its character-driven intensity, the artistic provocations of The Figurehead demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Drama excellence.
The visceral impact of The Figurehead (1920) stems from to transcend the limitations of its 1920 budget and technology.
In the city of Bolton, party politics are in the control of two men, Jim Durfee and Gordon Freeman, who intend to keep it that way by running a "figurehead" for mayor. They decide upon Sheridan Dows, known as "Sherry," a young society dilettante, who surprises the political bosses by taking his responsibilities seriously. Aided by Mary Forbes, a girl who works in the settlements, Sherry slowly gains popular support. Alarmed at the threat that he is beginning to pose, Durfee and Freeman plot to eliminate Sherry from the race by framing him in a compromising situation with Mary, but Sherry outwits them. That failing, Durfee plants scurrilous articles about Sherry in the paper, turning popular opinion against him until Mary persuades the paper's editor to refute the attacks. Regaining his popular support, Sherry wins both the election and Mary.
The influence of Robert Ellis in The Figurehead can be felt in the way modern Drama films handle character-driven intensity. From the specific lighting choices to the pacing, this 1920 release set a high bar for atmospheric immersion.
Based on the unique character-driven intensity of The Figurehead, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View Details
Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
View Details
Dir: Robert Ellis
In his effort to ensnare Paula, an American girl studying music in Paris, Darcelle intercepts her mail and steals the money sent her from America. When financial reverses beggar the Farrells, they send Paula her passage money and urge her to return home. This money is stolen by Darcelle. Desperate, and anxious to aid her mother and sister, the girl falls a victim to the scoundrel's wiles. Mrs. Farrell dies, believing that her daughter has achieved success abroad. Marjorie, Paula's sister, unexpectedly comes to Paris to live with her. Paula endeavors to hide her secret, but it is revealed when Austin, a young American who loves her, learns of the girl's affair with Darcelle. Late that night, half-crazed as the result of the denouement, Paula visits a cafe and witnesses a performance of the "Dance of the Apaches." The fate which is meted out to the male Apache deeply impresses the girl. During her absence, Darcelle, whose eyes have turned towards Marjorie, enters Paula's apartment. Confronted by the scoundrel, Marjorie stabs and mortally wounds herself to escape him. Darcelle flees just before the elder sister returns. Dying, Marjorie tells her story to Paula. Remembering the fate dealt out to the Apache, the girl vows to slay her sister's murderer. The police have been looking for Darcell, and the man takes refuge in Paula's apartment. The girl's attempt to slay him fails. Austin, who is aiding the police, enters the apartment with the latter just in time to save Paula's life. Darcelle leaps from a window in trying to escape and is killed. Austin learns Paula's story and forgives her.
View Details
Dir: Robert Ellis
Elderly, crippled millionaire Cyrus Cairns, is a great admirer of dancers, brings Gay Raydon, a young ballerina, to live with him. Also in residence is Hal Crofton, an athlete hired by Cairns to be his physical therapist. Cairns soon falls in love with the beautiful Gay, who does not reciprocate his affections but loves Hal instead. Dolores, Gay's benefactress and a devoted friend of Cairns, forces her to marry Cairns, however, and Hal, devastated by the marriage, vows to leave the mansion. Gay announces her desire to go with him, but Zarth, the valet and another admirer of Gay, overhears her declarations and reports the news to Cairns, who, in a fit of jealous fury, locks the couple in a room to starve them to death. Cairns leaves for his townhouse but after a few days has a change of heart and notifies the police. The miserable old man kills himself, and the authorities overpower Zarth as he struggles with Hal for possession of Gay.
View Details
Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
View Details
Dir: Robert Ellis
Publisher of the influential newspaper, The Record , Martin Drake, supports Prohibition because of his own secret battle with alcohol. Ned Medford, a powerful politician who represents the liquor interests, is infatuated with Martin's wife Esther, and when Martin enters the room as Medford is seizing her in his arms, he mistakenly believes that she is being unfaithful to him and goes on a drinking spree. One of Medford's henchmen kidnaps Martin to prevent him from publishing information that would implicate Medford in a plot to destroy the publisher. Reporter Tip O'Neill rescues Martin and writes up the story, while Martin goes to Medford's apartment, just as Medford is attacking Esther, who had gone there to plead her husband's case. After a vicious fight in which Medford is defeated, Esther explains everything to her husband, and his shadows of doubt are banished.
View Details
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
View Details
Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
View Details
Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
View Details
Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
View DetailsAnalysis relative to The Figurehead
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Into the Light | Gothic | Abstract | 89% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| The Apaches of Paris | Ethereal | Abstract | 89% Match |
| The Glory of Youth | Gritty | Linear | 93% Match |
| The Devil's Riddle | Ethereal | Dense | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Ellis's archive. Last updated: 6/26/2026.
Back to The Figurehead Details →