Rare Cinematic Gems Sharing the Atmosphere of The Gilded Lily: Cult...

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Wesley Ruggles

A visual fragment from the archive: The thematic resonance of The Winchester Woman perfectly mirrors the editorial trajectory of our deep dive.

Anne Winchester is acquitted in court of murdering her husband, and leaves her Nashville hometown for a small community on Long Island, NY. She moves into a boarding house and changes her name to Wharton. She soon falls for David Brinton, a widower who owns the place, and her affections are reciprocated. Alan Woodward, who is after David's daughter Julia, recognizes Anne and threatens to expose her if she tries to interfere with his pursuit of Julia, as Anne knows he is only after her money. Anne nevertheless warns Julia about Alan, but Julia refuses to listen. Anne decides that stronger measures must be taken to save the daughter of the man she loves.

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Wesley Ruggles

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

When World War I breaks out, young West Point cadet Gerald Ackland, who is studying in Paris, joins the French army as a fighter pilot. His French fiancee, Martha Landeau, and her father flee to the family farm, which is near the Marne River, for safety. When German troops take over the area, they raid Marthe's farm and attempt to ravage her--but suddenly, out of the sky, comes a French fighter plane that scatters the Germans--and its pilot is none other than Gerald. However, that's not the end of their troubles, by any means.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Wesley Ruggles

A visual fragment from the archive: The thematic resonance of For France perfectly mirrors the editorial trajectory of our deep dive.

An epic of passion, intrigue, and espionage set in the African Jungle.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.