The Definitive Guide Deeply Connected to The Girl of My Heart: Cult...

Dir: Edward LeSaint

Inez de Pierrefond's mother forces her to marry a wealthy man who proves to be such a brute that after he is killed in a drunken brawl, Inez swears that she will never marry again. Later, she falls in love with John Hemingway, an Iowan who has come to Paris to study architecture, but when she tells him her views on marriage, he leaves her in shock. His friend, Charles Abbey, convinces him that Inez's ideas are quite logical, and for a time, the two live together in perfect happiness. Upon the couple's return to Delphi, Iowa, however, the town gossips assume that the beautiful and cultured Parisian is an adventuress, and when they learn of her book, Free Love , they call a meeting to inform John's mother of Inez's low character. Hearing of their plan, Inez roundly denounces the villagers as hypocrites and then explains her views to Mrs. Hemingway, who lovingly forgives her. Mrs. Hemingway's tender devotion to her son so moves Inez, however, that she eventually consents to the marriage ceremony.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Victoria Cross perfectly mirrors the editorial trajectory of our deep dive.

Maj. Ralph Seton is a British army officer stationed in Cawnpore, India, when the Sepoy Rebellion--a mutiny of Indian soldiers in the Brtitish army in India--breaks out in 1857. He receives the prestigious Victoria Cross--the highest decoration that can be awarded to a British soldier--for his actions in battle. However, after a night of drunken debauchery, he is stripped of the honor and disgraced in front of his love, Joan Strathallen, the daughter of his commanding officer. When Indian rebel leader Azimoolah instigates an uprising by the natives and has Joan kidnapped, Seton sets out to redeem his honor and save the woman he loves.

Dir: Edward LeSaint

Dick Brown kills himself in front of Adele Durant after she rejects him and Dick's friend Robert Bradley threatens to accuse her of murder unless she places her life in his hands. He leaves her at a dance hall in an isolated spot in Mexico, where she falls in with a group of bandits planning to seize an American mine. Learning that the brigands plan to kill the lone mine owner, she warns him of their approach and discovers that he is none other than Bradley, whom she loathes. They flee together but are captured and held with other prisoners of the gang. While Bradley goes for help, bandit Pedro Vasquale threatens to kill the prisoners unless Adele comes to him in his cabin. When he embraces her, she stabs him. Bradley, recognizing her noble character, marries her.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Bird of Prey perfectly mirrors the editorial trajectory of our deep dive.

Hal, now fully grown, leaves his wife Edith and his estate in England to return to the land of his Indian mother. There he works for the rights of Indians in a land deal which pits him against David Ladd, the wily reservation agent who is secretly in collusion with the asphalt trust which is trying to rob the Indians. Hal falls in love with Wah-na-gi, the Carlisle graduate who has returned to teach at the agency school, but he is too honorable to conceal that he is already married. Upon the death of his father, Hal returns to England as Lord Effington to discover that Edith loves Lord Yester and wants a divorce. Hal gladly agrees, but when the family physician informs him that Edith is addicted to morphine and his presence may save her life, Hal consents to stay. Returning to America to testify in a lawsuit against the asphalt trust, Hal regretfully informs Wah-na-gi that he cannot leave his wife. The Indian maiden goes off in the snow to kill herself by the grave of Hal's mother when Hal receives a message that Edith has died from an overdose of morphine. Hal rushes into the snow, overtakes Wah-na-gi and asks her to marry him.

Dir: Edward LeSaint

Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Squaw Man's Son perfectly mirrors the editorial trajectory of our deep dive.

When his fiancée commits suicide after being used by an American artist, a Japanese art dealer seeks to get vengeance by seducing the artist's wife.

Dir: Edward LeSaint

The city editor remarked to his star reporter, Jimmie, "This is the biggest steal that any corporation tried to put over the municipality. Run it down, break it up, and you will own the shop." Jimmie went after the new assignment fast and furious, and the front page of his paper began to attract the attention of the populace to a new condition of affairs, in which a railroad trust appeared to be hiding behind an innocent application made by a coterie of seemingly disinterested citizens, all of whom were associated with big corporations. Councilman Blake, a cold-blooded politician, led the controlling faction of aldermen, and while he had long been a "suspect" nobody was clever enough to "put it over on him." At the preliminary council meeting only a single vote was required to give the "people's property" to the railroad trust. The lacking vote was Black, who, knowing his previous power, reserved his right to hold the big job in leash. At this point in the game, grim Grayson, the head of the railway trust, came to the city secretly, just as Blake expected he would, praying for a conference. In the interim Reporter Jimmie met and impressed Alice, Blake's stenographer, who felt the power of his personality, and could not restrain her interest in the story that was unfolding as he came day after day for interviews. When she learned that Councilman Blake was to be a guest that night at Grayson's country home she "tipped it off" to Jimmie by 'phone. He managed to get unobserved into Grayson's house and his sharp ears overheard the conclusion of the bargain between the councilman and the magnate. Blake hurried away, and Grayson sat down to enjoy reflecting that he had the winning of the franchise fight in his pocket, signed for a certainty by Blake. The alert Jimmie leaped upon him, bound and gagged him, and, possessing himself of the precious document, escaped from the house and made a run for his horse he had concealed in the shrubbery. He ran into the husky secretary of Grayson and handed him a punch on the point of the jaw and then proceeded to his horse. The secretary, however, rallied for the count and took a shot at Jimmie, that came so close that it made a brain bruise across his brow. Grayson's man staggered to his feet, rushed to the house and found his master trussed up like a stuffed turkey. He released him, learned the truth of the raid, and consequently, upon his master's demand, rushed for his automobile. The wounded reporter rode madly on and then the automobile came flashing into the scene. Jimmie tried out all the tricks at his command in fox chasing, in cutting across ploughed fields and taking down narrow, rough lanes, but Grayson's car ate up the miles savagely and came closer and closer. Now they were in the city limits, and on a shaded boulevard the car caught up with the tired rider and his foam-flecked steed. Jimmie was dragged from his horse, and was about to be thrown in the car and carried away when a mounted patrolman appeared and asked impertinent questions. Jimmie thrust the document in the officer's hand, when Grayson declared his identity and insisted that a valuable document had been stolen from him. The patrolman glanced at the document and the significance of it appealed to him so powerfully that he handed it back to Jimmie and told him to "Beat it." Then he compelled the frantic Grayson and his huskies to conform with the speed laws so he could trot alongside their automobile through the park. Things were happening in the City Hall in the interim and likewise at the newspaper office, a sort of expectant hush that comes before great news "breaks." The editor was about to order the presses to start, giving up the expected scoop as too late, when Jimmie with a bloody handkerchief bound about his brow, and the knock-out document in his hand, staggered into the office with his smashing story. It was a big thing and the bold-face type played it up scare-heads. The scene shifted to the council chamber. Blake concluded his speech and the voting was about to begin, when Jimmie darted into the room and pushed the "extra" under the nose of the astonished Blake, and then passed other copies around so quickly that the great franchise steal died a-bornin'. Blake's pretty stenographer was at work early that morning when the telephone rang and she recognized the voice, unmistakably Jimmie's that said, "Hello a friend is talking. Will you marry me?" It wasn't hard to guess the answer, and when the orange blossoms bloomed upon her brow two months later, the newspaper that Jimmie helped to the greatest scoop of the time was heavily represented both in "among those present" and the bridal gifts.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Three Godfathers perfectly mirrors the editorial trajectory of our deep dive.

Hugh Payne owns and operates a mine in the West, supporting his brother Larry's luxurious life style. Hugh has nurtured Abby Hope, a young girl with whom he has fallen in love. When Larry comes to visit, he and Abby decide to get married, and to spare Abby's feelings, Hugh pretends that he is infatuated with another woman. When the building in which they are staying breaks out in flames, Hugh rescues Larry and Abby from the fire. Larry, finally realizing that Abby really loves his brother, confesses that her love is returned by Hugh, and the two are united.

Dir: Edward LeSaint

Makino works for Kayosho, a Japanese curio dealer in America. To reward Makino's dedication, Kayosho sends for Toki-ye, a picture bride. Upon arrival, she is married to Makino in a civil ceremony. However, Kayosho intends to keep Toki-ye for himself. This angers Goto, another employee. Kayosho was betrothed to Goto's niece Hana. One day Kayosho is found dead in a pool.

Dir: Edward LeSaint

Stuart Kirkward, a wealthy miner, has built a magnificent house in preparation of his marriage to Peggy Carter, who elopes on the eve of her wedding with George Rothwell, a mining promoter, who is already married. At the station they meet Rothwell's wife, who tells Peggy the truth about him. Peggy in endeavoring to escape from the unpleasant scene rides away on her horse, only to be followed by Rothwell. Both meet with an accident, are hurled to their doom over a steep cliff. Just before this, Stuart had assumed the guardianship of a little daughter of a friend of his, and in connection with the accident he finds himself with the girl on his hands. He sends her away to boarding school, where she meets the son of George Rothwell, the man who had eloped with Stuart's intended bride. When the girl, whose name is Renee, comes back from school to her guardian, he finds that she has grown to be a full-fledged lady, and begins to feel more than a fatherly affection for her. Some time later, at a house party, Stuart is led to believe that she loves the son of George Rothwell, and, although bearing in mind that he is the son of the man who was his bitterest enemy, he decides to give the boy a chance. It is here that he makes the great discovery that, instead of Rothwell, Jr., it is he whom Renee loves. All the past is forgotten and they turn their thoughts to the future.