Rare Cinematic Gems Exploring the Legacy of The Heritage of the Des...

Dir: Irvin Willat

A fur smuggler's daughter asks to accompany him on his trip to the US to sell his furs. She falls for Robert, a young man who has recently been dumped by his girlfriend for a rich man. She and Robert fall in love, but her father suddenly takes her back to Canada to avoid tax agents. Robert searcher for her for a year, and when he finally finds her, he must fight both her father and her father's gang for her. Complications ensue.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

During World War I, a professional thief known as The Lone Wolf is assigned to steal a cylinder with important information from behind the German lines and bring it to Allied intelligence headquarters. However, German agents set out to stop him, headed by the man who was responsible for the death of the thief's sister.

Dir: Irvin Willat

Nance Pelot is bravely trying to support herself and her father Joe, the town drunk, by playing piano in an unsavory roadside inn owned by Larry Shayne. Chet Todd, the son of a shop owner, is in love with her, but her reputation has been sullied by her profession, so Chet's mother disapproves of her. Nance inherits a small farm from her mother, and when Shayne discovers that the property is valuable, he plots to cheat her out of her inheritance. After a series of misadventures, including a revival meeting and a blinding snowstorm, Joe stops drinking and Chet rescues the farm from Shayne. When Nance sells the property, she gains a respectable income, as well as the respect of the community and her future mother-in-law.

Dir: Irvin Willat

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

The Zeppelin's Last Raid concerns the conflict of a youthful commander of a German airship engaged in bombing raids, whose sweetheart is a member of a rebel group working to overthrow the German Kaiser towards the end of World War One.

Dir: Irvin Willat

Marie Dubois, deeply in love with young lawyer Claude Lescuyer, entrusts her honor to him, but shortly before the birth of their child, he abandons her. In order to legitimize her daughter Claudine, Marie weds Flambon, the brutal owner of a Paris café. Eighteen years later, Flambon orders Claudine to work in the café, where she falls in love with Gaston, a waiter. Because Flambon owes a large sum of money to Jean, the café's former proprietor, he promises him the hand of his daughter in marriage. Claudine refuses to part with Gaston, which so enrages Flambon that he beats the girl and nearly kills Marie. To save her mother's life, Claudine shoots her stepfather and is subsequently tried for murder. The prosecutor, Claude Lescuyer, learns to his shame that the defendant is his own child, and in the courtroom, he names himself as the guilty man. The jury exonerates Claudine, and she is united with Gaston.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.