The Cult Collection Comparable to the Style of The Hungry Heart: Cult Guide

Dir: Robert G. Vignola

Seventeen-year-old William Sylvanus Baxter has fallen madly in love with young coquette Lola Pratt. After he has spent all his money on the fickle girl, she runs off with an older man. Now heartbroken, William contemplates suicide until May Parcher, a friend from childhood, visits him and decides to fall in love with him.

Dir: Robert G. Vignola

A visual fragment from the archive: The thematic resonance of The Knife perfectly mirrors the editorial trajectory of our deep dive.

Kate Tarleton grows up on a Southern plantation and becomes engaged to her guardian, Dr. Robert Manning, a famous surgeon. When Robert, Kate, and her younger sister Mary Lou visit New York, where the doctor wishes to conduct medical experiments, the superstitious Kate goes to the home of a fortune-teller named Stella Hill. Stella, whose principal business is white slave trafficking, drugs Kate and forces her to work in a "den of vice," run by Stella and her accomplice Jimmy Bristol, where she contracts syphilis and goes insane. Robert, Detective Ellis, and a lawyer named Billy Meredith rescue Kate, who recovers her sanity but remembers nothing of her bondage. Robert uses Stella and Jimmy in his experiments and through them discovers a cure for Kate's illness. District Attorney Scott is questioning Robert about the propriety of his experiments when Kate enters and sees Jimmy. Her memory suddenly returns, and she narrates her story to Scott, clearing Robert's name.

Dir: Robert G. Vignola

When rich civil engineer Robert Penfield goes to a small Quaker town in Pennsylvania to supervise a job, he meets Patience, who soon falls in love with him, but Robert is engaged to Edith, who plans to marry him for his money only. To remain close to Robert, Patience returns with him to the city to take a job as his mother's secretary. After Robert and Edith's wedding, and following the birth of their child, Patience takes care of the baby much more enthusiastically than Edith does; in fact, Edith is preoccupied with Paul Dunstan, a former suitor who wasn't rich enough to marry her, but who has since inherited a fortune. Finally, the couple elope, but they both die when Paul's yacht sinks. After the accident, Robert realizes that he loves Patience, and marries her.

Dir: Robert G. Vignola

A visual fragment from the archive: The thematic resonance of The Reward of Patience perfectly mirrors the editorial trajectory of our deep dive.

Society debutante Vivian Tyler is engaged to marry Count Belloto, then meets Dr. Robert Keith, whose work in uplifting the poor has attracted wide attention, she is strongly attracted to him and asks permission to work in his sanitarium, where the poor of the city receive treatment free of charge. There she meets Aggie May, a woman arrested as a streetwalker, and because she wears a locket bearing Dr. Keith's picture, Vivian assumes that the doctor has been responsible for the woman's downfall. Later, Aggie kills herself, and although Vivian witnesses the act, to avoid a scandal she hurries away before the police come. Dr. Keith is arrested for Aggie's death, the locket providing evidence of guilt. Just as he is to be convicted, Vivian rushes into the courtroom and gives the testimony that clears the doctor.

Dir: Robert G. Vignola

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

Dir: Robert G. Vignola

A visual fragment from the archive: The thematic resonance of Her Better Self perfectly mirrors the editorial trajectory of our deep dive.

Anna, who lives with her harsh-tempered aunt, eagerly seizes the opportunity to join a traveling repertoire company. The girl and Darnton, the "villain" in the company, become deeply interested in each other, and because of Anna Darnton conquers his terrible craving for liquor. Later, when the troupe disbands in New York, Anna meets Rita. The girl makes the acquaintance of Marbridge, an agent of the worst type, and only her wit saves her from the man's clutches. Following a quarrel with Darnton, Anna foolishly consents to go autoing with Rita and the fast set with which the latter associates. The auto hurtles over an embankment and Anna alone escapes death. A reconciliation with Darnton follows. Anna obtains a position in the company in which Darnton plays the villain. The girl receives her great opportunity when the star, whom she is understudying, is injured on the opening night. Enwright, the manager, learns of the love between the new star and Darnton. Fearing lest sentiment affect their work, he sends Darnton to head the Chicago company. But the separation depresses Anna so greatly that Enwright orders Darnton to return. The player comes back unknown to Anna and suddenly appears before her at the next performance. The ensuing scene thrills the audience, which never for a moment suspects that the heroine and the villain are secret lovers. But the moment the curtain has descended Anna walks into Darnton's arms. Her lips meet his.

Dir: Robert G. Vignola

Amina loves Rudolph and turns the powerful Count Wolfenstein down when he proposes to her. In a jealous rage, Wolfenstein throws Rudolph into a dungeon. Meanwhile, Hertzog, "The Black Crook," has a deal with the devil: he must hand over to Satan one soul each year or find himself banished to Hell. With only 24 hours left before the year ends, Hertzog focuses all of his attention on Amina and Rudolph, believing them to be weakened from despair and therefore easy prey.

Dir: Robert G. Vignola

A visual fragment from the archive: The thematic resonance of Great Expectations perfectly mirrors the editorial trajectory of our deep dive.

One moment before she dies, the aged, philanthropic, and universally respected Duchess of Maldon sees her life flash before her. As Madge, a young gypsy woman, two men fight for her, after which the winner, John, forces her to marry him. Then Madge deserts John and begins a romance in England with Harold, the youngest son of the Duke of Maldon. Soon, however, Harold fights with his older brother, who has criticized the affair with a married woman, and, believing that he has killed his brother, Harold leaves Madge behind and smuggles himself out of the country. Years later, Harold, who has found out that his brother did not die, meets Madge once again, and, determined not to let him leave her a second time, Madge kills John so that she and Harold can marry. Successfully covering up past scandals, Madge and Harold begin a life so sedate and distinguished that they quickly become England's model couple.

Dir: Robert G. Vignola

Molly McGill, a scrub-woman, labors long hours so that her children will not have to face life in the slums. Driven to desperation after her husband and baby daughter are killed in the streets, and fearful that her little son Jimmy will suffer the same fate, Molly accepts the proposition of Harvey Brooks, a broker in one of the offices that she cleans, to become his mistress. Keeping her life a secret from her son, she places him in a vocational school. When Jimmy finishes his education, Molly returns to her life as a scrub-woman. Then one day she reads in the paper of an heroic act performed by Jimmy, who is now a fireman. Unable to resist temptation, she creeps past the fire station where she sees Jimmy with his sweetheart, Dora Palmer. Later the girl seeks employment as a stenographer in Brooks's office where Molly is again working, and she keeps a watchful eye on Dora. True to Molly's suspicions, Brooks attacks Dora and Molly springs to her aid. In the ensuing fight, Brooks is killed and a fire breaks out. Jimmy comes to the rescue, but there is time to save only one of the women; and so Molly is left behind to die in peace, knowing that her son has escaped the slums.

Dir: Robert G. Vignola

Lester, returning from Mexico, becomes interested in Helen, a girl whose life he had saved. Helen, according to her uncle, Vanderhoff, is insane. Dr. Luchow, Lester's friend, confirms Vanderhoff's statement. Upon returning home, the author finds that the Vanderhoffs have rented the adjoining cottage. The writer sees Helen drop a note. Picking it up, he finds the paper blank. Lester's window faces Helen's window. That night, the girl informs him in pantomime that the note contains a message written in milk. Scorching brings the message into view. As the result, Lester learns that Helen is the victim of a foul plot on the part of her uncle who desires to obtain her fortune. The girl drops a notebook which contains the details. The author is thus informed that Vanderhoff, by keeping his niece drugged with a loco weed preparation, succeeds in fooling the physicians who examine her. Lester breaks into the Vanderhoff house the following morning. He is discovered by Jose, who knocks the author unconscious and places him in the room above the dining room. Vanderhoff hastens his preparations to place Helen in the insane asylum. Dr. Luchow calls for the purpose of preparing the papers. Lester, using the top of a ventilator, saws away at his bonds. The blood from his bruised hands drips down upon Luchow's paper and the doctor soon becomes aware of what is going on. Jose attacks Lester just as the latter gains his freedom, but Dr. Luchow's timely arrival saves his friend. The Mexican and Vanderhoff endeavor to make their get-away in an auto, but an explosion, which wrecks the machine, ends their villainous careers.