The Definitive Guide Inspired by the Vision of The Iron Horse: Cult...

Dir: John Ford

Cheyenne Harry and his pals, bent on helping their friend Rawhide Jack, attend a rodeo with the intent to win the prize and to hand the winnings over to Jack. Harry is the successful winner and after the rodeo the boys get drunk and fall asleep.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Outcasts of Poker Flat perfectly mirrors the editorial trajectory of our deep dive.

The owner of a gambling hall is entrusted with the care of a pretty young girl. He falls in love with her, but he must decide whether to let her go to his best friend, with whom he believes her to be in love, or to try to win her for himself.

Dir: John Ford

This is the same plot as Three Godfathers. Three outlaws rescue a baby in the desert and with barely any water left try to return to the town in which they just robbed a bank.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Marked Men perfectly mirrors the editorial trajectory of our deep dive.

A ranch foreman battles a rich stockbroker for the affections of a beautiful young woman.

Dir: John Ford

A grizzled hero is revisiting the town of his youthful exploits.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Bucking Broadway perfectly mirrors the editorial trajectory of our deep dive.

A man declined admission to fight in the American Civil War joins a gang of marauders and winds up as a fugitive.

Dir: John Ford

"Cheyenne Harry", owner of the biggest cattle ranch in his corner of the West, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, "Cheyenne Harry" goes East and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter Helen and her guests, he invites the "uncouth" Westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Last Outlaw perfectly mirrors the editorial trajectory of our deep dive.

A mother is convinced her son is a ranch owner when in fact he is an outlaw, and she just saves him from hanging.

Dir: John Ford

A cowboy must save his girlfriend from captivity and then cross the desert on foot with a single waterhole on the way.

Dir: John Ford

Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.