Visionary Picks Drawn from the Same DNA as The Long Chance: Cult Guide

Dir: Jack Conway

Aside from the fact that Polly had red hair in abundance, she was not otherwise an exceptional child, save for one thing. She was willing to work and slave, if need be, to keep her baby brother, affectionately termed "The Lump," from being sent to the poor house. So she did housework and prepared breakfasts for John Ruffin, an attorney, and Hon. Gedge-Tompkins. John Ruffin's sister, Lady Osterly, has separated from her husband, and he holds their child. When Lady Osterly calls on Ruffin she is struck with the remarkable resemblance Polly bears to her own child. Ruffin and Lady Osterly formulate a plan to come into possession of her daughter, by using Polly as a substitute. When they offer Polly twenty sovereigns to go to the Duke of Osterly's home and impersonate the other child, the amount of money fairly staggers Polly and she accepts. By changing the children when the child of the Osterly's is out riding with her nurse. Polly gains access to the Duke's home and the Osterly child comes to John Ruffin's apartments to stay until her mother can get her ticketed to the continent and travel away with her. Polly does the best she can under strange conditions, but despite her resemblance to the Osterly child, the servants are suspicious and the Duke falls to wondering what has happened. Young Lord Ronald, visiting the Duke, is above all suspicious of Polly. The Osterly girl is under similar suspicion at Ruffin's home. "The Lump" positively declines to have anything to do with her. There is a blunder in the preparations Lady Osterly and John Ruffin make for the European trip. Polly disregards positive instructions and leaves the Osterly mansion before plans can be worked out. The Duke follows Polly in his automobile, searching for her in a nearby park where she has liked to go with young Lord Ronald to play. Finding Polly where he thought he would the Duke carries her back to his home. Here John Ruffin directly arrives, to tell the Duke that his wife and child must, by that time, be well on their way across the Channel. Lady Osterly, through miscalculation, has become worried because Ruffin does not arrive with the tickets and telephones him at the Duke's (her husband's) home. The servants call the Duke in answer to the summons and thus husband and wife find themselves talking to each other, much to their mutual surprise, as well as secret delight. As a result of this accidental 'phone call, a reconciliation is effected and everything ends happily for everybody, including Polly Redhead, who has made a great conquest of young Lord Ronald's heart.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Silent Battle perfectly mirrors the editorial trajectory of our deep dive.

Inheriting his father's alcoholism, Lawyer Tom Gallatin goes into the woods to rehabilitate himself. Once there, he loses his way and then meets Jane Loring, who is also lost. They are attracted to each other, but when Jane offers him a drink from a flask, Tom takes more than just a few sips, and then tries to rape her. A search party rescues Jane, after which, sobered by the seriousness of his attempted crime, Tom cures himself of his drinking problem. Later, in the city, Jane and Tom meet again and she forgives him. However, Coleman Van Duyn, who loves Jane, and Nina Jaffray, who wants to marry Tom, decide to make sure that no romance develops. They convince Jane that Tom is already engaged to Nina, but then, guilt-ridden, the alleged fiancee confesses everything to Jane, who quickly goes to Tom and tells him that she loves him.

Dir: Jack Conway

New York playboy Carter Richmond inherits the family fortune, but it doesn't take him long to blow it. All that's left is an abandoned mine in California, so he travels west to see if he can get anything for it. He finds that a miner, Big Him Helton, and his pretty young daughter Mary have been "squatters" at the site for years, and a neighboring miner, Placer Murray, has been trying to run them off so he can take it over himself. Mary accidentally shoots Carter, thinking him to be one of Murray's men. As she nurses him back to health, they begin to fall in love. Complications ensue.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Beckoning Trail perfectly mirrors the editorial trajectory of our deep dive.

Widow Martin struggles to rear her little daughter Nora amid the squalor of the slums yet imbue her with the refinement to which she had been accustomed in her girlhood. Fearing that she is losing the battle, Mrs. Martin decides to turn to her wealthy father, who had disowned her upon her marriage years earlier. To raise funds for the trip, she pawns Nora to Aaron Levovitch, an aged pawnbroker with a heart of gold under his gruff exterior. Upon reaching her father's house, Mrs. Martin falls ill and dies before she can relate her story, and Nora is raised by the pawnbroker until a reporter prints her human interest story of a "jewel in pawn." The girl's grandfather reads the article and claims Nora, then sends her to a fashionable boarding school. Nora longs for her home in the slums and her sweetheart Jimmy, however, and so returns to marry Jimmy in an elaborate traditional Jewish ceremony at the pawnbroker's home.

Dir: Jack Conway

John Fairmeadow has been expelled from a theological seminary because of his evident unfitness for the ministry. He goes West and finally winds up in a lumber camp. Pattie, the pet of the woodsmen, is praying for a parson to come perform her father's burial service--he was killed by a falling tree. Fairmeadow's clerical appearance makes his arrival seemingly providential, for Pattie declares when she beholds him that her prayers have been answered, so Fairmeadow is compelled to conduct the burial service and thereafter pose as a parson. Having gone to the woods to fight out his own battles, Fairmeadow gains help for himself in helping others. The "parson's" reputation as an exhorter has traveled to a nearby camp and he is urged to go there and conduct revival services. Jack Flack, the "boss" of the neighboring camp, objects to Fairmeadow's activities and undertakes to physically expel him from the community. In this encounter Flack comes off second best, and Fairmeadow's record is enhanced. Flack is living with a girl he has enticed from the camp where Fairmeadow makes his headquarters. This girl is moved by Fairmeadow's sermons to leave her environments and return home. She leaves her baby where Fairmeadow will come upon it in the woods, and when the "parson" takes it in his arms and carries it to his home camp, she follows. Going directly to Pattie's home, Fairmeadow is arranging for the care of the child when its mother is discovered by Pattie looking in at the window. Thus mother and child are reunited and Fairmeadow and Pattie go with her to her father's home, where a reconciliation is effected. Flack comes to the camp to find the girl and have vengeance upon the "parson." One of the converts Fairmeadow has made kills Flack in a fight, and the "parson'" witnesses that the deed was committed in self-defense. While Fairmeadow has been at the neighboring camp, his congregation has built him a church and cabin to live in, and soon after his return the "parson" is called upon to perform a marriage. Then it is that he makes clear his standing; that he has studied for the ministry but has never been ordained. When one of the lumbermen leaves the woods to visit his mother, he goes to Fairmeadow's father, who is a Bishop, and explains how matters stand with his son. The Bishop hastens to the lumber camp, ordains his son and performs two marriages, one of which unites Fairmeadow and Pattie.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of A Jewel in Pawn perfectly mirrors the editorial trajectory of our deep dive.

Judge of the Circuit Court, Camden McClure is a extremist advocate of law enforcement until he kills his brother during a fight. Fleeing from his crime, the judge hires Cal Nelson as his guide through the Western badlands. While crossing the desert, they meet Mary Jackson, who is lost and exhausted. Mary recovers, but the judge suffers heat stroke and, in his delirium, confesses his crime to Mary. To ease his guilt, Mary admits that she is a murderer, too, and the couple decide to get married. However, when the judge reads that his brother is alive, he once again adheres to the letter of the law and denounces Mary to the authorities. Cal, who has fallen in love with Mary, carries her to the desert to escape the sheriff, and there Mary admits that she fabricated her crime to relieve the judge. The judge then discovers that his brother is actually dead, and follows the fugitives into the desert, but is killed in a sandstorm, thus freeing Mary to wed Cal.

Dir: Jack Conway

From a Montana mining camp, a young man progresses to the society heights of New York, making his mark publicly as a dancer, but secretly as a gentleman burglar.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Measure of a Man perfectly mirrors the editorial trajectory of our deep dive.

Chattfield Bruce, In China to buy goods for an American firm, Chattfield Bruce is impressed by the conduct of Wong Lee, a pirate who plies his occupation solely for the purpose of giving to the poor the rice and treasures he steals from the rich. The Chinese pirate has been particularly active in his depredations against the rich shipowner, Fong Wo Chong. The merchant offers a reward for the pirate's apprehension and Caglioni, one of Wong Lee's henchmen, betrays his master. Bruce discovers the fact in time to notify Wong Lee. In gratitude, the pirate gives the American a ring guaranteed to give the wearer the allegiance of Chinamen in any part of the world. When Bruce returns to America he resumes his position in good society and becomes noted for his generosity to the poor. He is reputed to receive large incomes from his estates, but in reality Bruce has adopted the Wong Lee method of equaling the wealth of the world. Wong Lee's son comes to New York and opens a store in Chinatown, as the base of operations for Bruce's activities. To provide himself with an occupation that will give him wider scope for his practicing his peculiar style of philanthropy, Bruce retains his position with Nathan Goldberg, a merchant with social aspirations for his daughter. Marjorie Woods, a schoolmate of Miss Goldberg, arrives from Europe with Sir Archibald Bamford, a bankrupt nobleman, following closely in her wake, his eyes upon the fortune Miss Woods is reputed to possess. Goldberg has purchased for his daughter a string of pearls of great value. There is arranged a lawn party by the Goldbergs as a welcome to Marjorie. To this the Goldbergs invite everybody listed in the social register. Goldberg hires detectives to guard the pearls. Unknown to Bruce, Wong Lee's betrayer has come to America and Caglioni is now a member of the local detective force and in charge of the arrangements for protecting the Goldberg pearls. Bruce has arranged that Wong Lee's son shall act as one of the waiters at the garden party. At an opportune time Bruce gets the Goldberg pearls into his hands, and clumsily drops them to the ground, when, in picking them up, the young Chinese man substitutes worthless imitations for the string of expensive pearls and slips the real ones into his wide sleeve. The Goldberg pearls were intended to be subsequently disposed of through the Chinese man's source of distribution, Bruce to use the proceeds to build a hospital for the infirm and afflicted poor. Bruce and Marjorie have been invited to spend the night at the Goldbergs. Bruce wanders into the Goldberg drawing room in time to witness the burglary of the wall-safe where Goldberg deposited the spurious pearls for safekeeping. Caglioni is concerned in the burglary and has also recognized Bruce as the man who, in China, warned Wong Lee of his danger. Marjorie, restless, wanders into the drawing room and is another witness to the burglary. The girl is mystified by Bruce's strange conduct. Bruce confesses to Marjorie that he is a social buccaneer. Miss Woods induces him to abandon his peculiar pastime and become a good, dutiful husband.

Dir: Jack Conway

In a seventeenth century New Mexico village, after Indians attack and kill everyone except two monks and a baby named Manuel, the neighboring Penitentes, a violent, fanatical Catholic sect, lay claim to all property, including the estate belonging to Manuel's family. Years later, during a regional fiesta, Father David, the local religious leader, notices the striking Manuel, now grown, and questions the Penitentes' chief about his background. Fearing exposure, the chief induces his followers to choose Manuel as their annual sacrificial victim, to be crucified on the upcoming Good Friday. Dolores, Manuel's sweetheart, attempts to sway him from the group, but he insists on participating in the ceremony. At the urging of Father David, Colonel Banca orders his troops to stop the ceremony, and Manuel narrowly escapes crucifixion. Later, the confession of one of the old monks reveals the true identity and heritage of Manuel.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.