Cinematic Discoveries Resonating with the Themes of The Microbe: Cu...

Dir: Henry Otto

Lilly Meany, a member of a London underworld gang, poses as a faith healer to fleece wealthy hypochondriacs. On the recommendation of socialite Mrs. Prall, Lord Asgarby beseeches Lilly to cure his young crippled sister Eve. When Lilly mends a broken doll, she inspires Eve's confidence, and soon Eve is cured. Then Lord Asgarby falls in love with Lilly, and she confesses her scheme. He forgives her and they marry.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of The Willow Tree perfectly mirrors the editorial trajectory of our deep dive.

A Japanese girl falls in love with an Englishman who soon afterward departs for the war against Germany in Europe. She endures for four years, awaiting his return.

Dir: Henry Otto

Bess Belwyn, daughter of a criminal who reforms in prison, becomes engaged to District Attorney John Mobley. To save her father from being denounced by his erstwhile accomplice, Bess, unaware of the consequences, becomes involved in a jewelry theft. She then tries in vain to confess and break the engagement. After she marries Mobley, the crook attempts to blackmail Bess, but she confesses everything to Mobley and in the subsequent fracas the crook is killed.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of Lovebound perfectly mirrors the editorial trajectory of our deep dive.

William Claxtonbury, the elderly, lecherous head of the Working Girls' Welfare Association, flirts with his pretty clients and gives plainer applicants an inspirational pamphlet. Claxtonbury's stenographer, Norma Wood, is engaged to George Goodie, a sanctimonious, miserly clerk, who looks forward to her continued employment after their marriage. Determined to have a fling at life, Norma walks out on Goodie and charges a number of gowns to Claxtonbury. In her finery she visits a restaurant, where she meets Oliver Morley. Oliver's sister, Mrs. Sentel, a wealthy widow whose two passions in life are her son Gregory and "the movies," hires Norma for $5,000 to lure Gregory from his portly sweetheart, a delicatessen owner's daughter. Using tips found in How to Win a Man in 48 Hours , written by a "picture vamp," Norma succeeds and Gregory proposes to her. Norma, however, realizes that she has fallen in love with Oliver and confesses all to him. Her love is reciprocated and Norma and Oliver plan to marry.

Dir: Henry Otto

Young bride Patricia Morley's flirtatious ways at a summer resort keep her husband Henry in a state of continual anxiety. At an old-fashioned barn dance, Patricia enacts the role of a chicken breaking out of an egg, and Henry's wrath explodes. After accusing her of being in love with another man, Henry returns to New York and files for divorce. Heartbroken, Patricia sends her friend Victoria French to tell Henry that she is dying. Meanwhile, Patricia goes to a hospital and alarms the staff with her hysterical conduct. Later the nurse discovers that Patricia is bluffing. Henry arrives at the hospital just in time to see Patricia pretending to be nurse to his divorce lawyer, Geoffrey Patten, whose leg is broken. Henry's anger explodes again, but he makes up with Patricia and they go home together. Henry hires the hospital nurse as a detective, causing more complications, but Henry finally is cured of his jealousy.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of The Amateur Adventuress perfectly mirrors the editorial trajectory of our deep dive.

In the South Seas lives Lorelei, who decides to act out her fantasies and poses on the rocks as she sings. From his yacht, Dorian, hears Lorelei's song and goes to investigate. His boat is destroyed on the rocks, and Lorelei cares for him.

Dir: Henry Otto

When oil magnate Thomas Waring receives a letter from his old friend, Mrs. Juliet Smith, suggesting that his beloved daughter Maida spend her vacation at Mrs. Smith's island home, Waring encourages Maida to accept as he has to go East on business. After Mrs. Smith supposedly gets Maida, Waring receives a call from the real Mrs. Smith, who says that Maida has left with an impostor. On the island, Maida lives luxuriously, unaware that her hosts are sending her father ransom notes. She meets Gilbert Spear, camping out, and they fall in love. After receiving no response from Waring, the kidnappers reveal their scheme to Maida and demand that she write to her father. They lock her in when she refuses, but she escapes and leaves the island with Gilbert. Although they are overtaken by the criminals, Waring and the police pull up and the gang is taken into custody, leaving Gilbert and Maida free to pursue their romance.

Dir: Henry Otto

A visual fragment from the archive: The thematic resonance of Some Bride perfectly mirrors the editorial trajectory of our deep dive.

In the sordid shirt factory in which she works, Sadie Hicks dreams of the great outdoors. Surrounded by men of puny minds and flabby bodies, her fancy goes out to great manhood that is strong of mind and muscle. Translated in the language of the shirt factory life she knows best, she finds that she admires a man with a 44 chest. She sees a shipment of 44s all ready to be sent to Arizona, and she writes a little note and tucks it into one of the shirts. On account of a rush order, the box is sent to Canada and the shirt with Sadie's note reaches John Stoddard, a wealthy civil engineer, who prefers the life of the woods to the polite society enjoyed by his family and friends. Good-naturedly, he answers Sadie's note, telling her to let him know if he can help her at any time. Sadie receives the letter on the same day she is discharged from the factory for repulsing the advances of Ferguson, the foreman. She at once telegraphs Stoddard that she is on the way, and takes the next train for his Canadian Camp. He receives the message too late to wire her not to come. Stoddard goes to the station to meet her, intending to put her on a southbound train immediately, but he misses her, as she has left the train at a station nearer his camp than the post-office station. Stoddard finds her, and they start in a canoe for an island hotel where he expects to place her until he can send her away again. But a storm comes up, the canoe is swamped and Stoddard and Sadie are obliged to swim to the nearest stretch of shore. It is a small deserted island, and the two have to spend a day and a night there. The noblest qualities of both are shown, and they fall in love with each other. They construct a raft on which they embark, but it has been flimsily put together on account of lack of materials, and Sadie and Stoddard are capsized again. This time they are rescued by Stoddard's Indian guide, Eagle Eye, who takes them to the camp. They find Larry Livingston at the camp. He is the brother of Estelle Livingston, the society girl whom Mrs. Stoddard wishes her son to marry. He tells them that Mrs. Stoddard and Estelle, who are stopping at the hotel, will be at the camp presently. Sadie feels diffident about meeting these fashionable women, and hides in the woods. Here Larry Livingston finds her. He tells her that if she really loves John Stoddard, it is her duty to give him up to a woman of his own station in life, that it would be only degradation for him to marry beneath him. Sadie persuades Eagle Eye to show her the way to the railroad station. Leaving a note of farewell for Stoddard, she goes to the city and finds work in a restaurant, studying hard in her leisure hours to make herself worthy of the man she loves, and capable of meeting his mother. Stoddard is tireless in his search for her, and at last discovers her. He convinces her that Larry was mistaken, and the two clasp hands in mutual understanding.

Dir: Henry Otto

John spies his girlfriend embracing his brother. Stunned, John deposits the family's money and leaves the country. Years later he returns to find his brother dead, the plantation in ruins, and that he is suspected of stealing the money.

Dir: Henry Otto

Rosalind Chalmers, a New York society girl, goes on an unannounced visit to her friends, the Witherbees, at the Thousand Islands, primarily for the purpose of escaping the unwelcome attention of Reginald Williams. She misses the last boat to their island, and is taken over in the decrepit motorboat of an interesting young man known as Sam. Sam is really William Kellogg, heir to the Davidson millions. During the absence of his uncle, Henry Davidson, Kellogg has broken a handsome vase, and decides to earn the money himself to pay for it. So as One-Cylinder Sam he begins to carry passengers between the islands. On the way to the Witherbee island Kellogg's motor goes dead. Rosalind's hobby is motors, and she puts the engine in working order in no time. When they reach the island the family has retired for the night. Rosalind tries to climb in a window, but sets off a burglar alarm, and runs to escape the people who come to investigate. Startled by shots, she takes a small boat, and goes out into the river. She hears more shots, this time for Davidson Island. From angry voices she learns that the supposed burglars are there, too. Two motorboats set out. Soon the engine of one goes dead, and Rosalind goes to help. Kellogg, whom she knows as Sam, and whom she things is a burglar, is in the boat. But in spite of this she starts his engine for him, on account of the strange attraction he has for her, and aids his escape from the pursuing boat. Rosalind and Kellogg thereafter see a great deal of each other in the simple life of the islands. At a hotel dance he appears in his evening clothes, and after getting Rosalind to dance with him, induces her to go for a short walk in the moonlight. He tells her he is madly in love with her, and that he is going to marry her, with her consent or without it. She still thinks he is a burglar, and is frightened. He picks her up and carries her to his boat, but in mid-stream the boat strikes a submerged rock and sinks. Kellogg swims ashore with Rosalind to his uncle's island. He offers to break into the house and get some dry clothes for her and though still thinking he is a burglar she consents. Kellogg arrays himself in fresh clothes, and is greeted joyfully by his uncle. Kellogg hands him a purse containing the money for the vase, earned by his efforts as "One-Cylinder Sam," and introduces him to Rosalind, who is relieved to know that the man she is going to marry is not a burglar.