Cinematic Discoveries Resonating with the Themes of The Millionaire...

Dir: Jack Conway

From a Montana mining camp, a young man progresses to the society heights of New York, making his mark publicly as a dancer, but secretly as a gentleman burglar.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Beckoning Trail perfectly mirrors the editorial trajectory of our deep dive.

New York playboy Carter Richmond inherits the family fortune, but it doesn't take him long to blow it. All that's left is an abandoned mine in California, so he travels west to see if he can get anything for it. He finds that a miner, Big Him Helton, and his pretty young daughter Mary have been "squatters" at the site for years, and a neighboring miner, Placer Murray, has been trying to run them off so he can take it over himself. Mary accidentally shoots Carter, thinking him to be one of Murray's men. As she nurses him back to health, they begin to fall in love. Complications ensue.

Dir: Jack Conway

In a seventeenth century New Mexico village, after Indians attack and kill everyone except two monks and a baby named Manuel, the neighboring Penitentes, a violent, fanatical Catholic sect, lay claim to all property, including the estate belonging to Manuel's family. Years later, during a regional fiesta, Father David, the local religious leader, notices the striking Manuel, now grown, and questions the Penitentes' chief about his background. Fearing exposure, the chief induces his followers to choose Manuel as their annual sacrificial victim, to be crucified on the upcoming Good Friday. Dolores, Manuel's sweetheart, attempts to sway him from the group, but he insists on participating in the ceremony. At the urging of Father David, Colonel Banca orders his troops to stop the ceremony, and Manuel narrowly escapes crucifixion. Later, the confession of one of the old monks reveals the true identity and heritage of Manuel.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Penitentes perfectly mirrors the editorial trajectory of our deep dive.

On the South Sea island of Somona, an American rough-and-ready hero, Sylvester Todd, punches a German prince for insulting Lady Diana Loring of England. Sylvester flees the island, and at the request of an English official, sails to another province to help quell a native uprising. The German foreman of an English platinum mine on the island plans to destroy it with the assistance of the natives. When Lady Diana arrives, Sylvester takes her and several other English friends to a chateau for safety, but the building is surrounded by the rebels. Sylvester escapes to a wireless station and sends off an appeal for help. The party is rescued by an American warship, after which Sylvester and Diana marry.

Dir: Jack Conway

When bachelor friends David Clark, Dick Porter and Jerry Mathers agree to adopt Belgian war orphans, David unexpectedly finds himself the guardian of a little girl, Rene Lescere. After David is pursued by Mrs. Hardwick, a divorcee, Rene is determined to find him a more suitable wife and introduces him to Emmeline Warren. David and Emmeline are engaged, but the engagement is broken after Emmeline meets Jerry, her old beau, and their romance is rekindled. David, sad but resigned, sends Rene to boarding school and retires to his hunting lodge with Dick Porter. Later, Emmeline and Jerry, now married, visit the lodge and suggest that Rene accompany them on a trip abroad. At the moment of parting between Rene and her guardian, both realize that they love each other and Rene becomes David's wife.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of A Diplomatic Mission perfectly mirrors the editorial trajectory of our deep dive.

Warren Neale, an expert civil engineer, is working on the first transcontinental railroad when he rescues Allie Lee after her family has been killed by an Indian massacre. Through Warren's care, the girl recovers and their friendship ripens into love. Warren leaves Allie at trapper Slingerland's cabin when he goes to the nearby town of Benton to buy provisions. In his absence, Jose Durade, claiming that Allie is his daughter, goes to the trapper's cabin, kills Slingerland and abducts the girl. Returning to find Allie gone, Neale, half crazed, searches for her until he collapses in exhaustion and is cared for by "Beauty" Stanton, the dance hall mistress who loves the engineer. Beauty learns that Durade is holding Allie at his dance hall, rescues the girl and brings her to Neale. Durade, in revenge, gathers his gang together at Beauty's place where in the ensuing battle, both Durade and Beauty are mortally wounded. In her dying moments, Beauty offers the lovers her blessing and they set out together to finish Neale's work on the U.P. Trail.

Dir: Jack Conway

Aside from the fact that Polly had red hair in abundance, she was not otherwise an exceptional child, save for one thing. She was willing to work and slave, if need be, to keep her baby brother, affectionately termed "The Lump," from being sent to the poor house. So she did housework and prepared breakfasts for John Ruffin, an attorney, and Hon. Gedge-Tompkins. John Ruffin's sister, Lady Osterly, has separated from her husband, and he holds their child. When Lady Osterly calls on Ruffin she is struck with the remarkable resemblance Polly bears to her own child. Ruffin and Lady Osterly formulate a plan to come into possession of her daughter, by using Polly as a substitute. When they offer Polly twenty sovereigns to go to the Duke of Osterly's home and impersonate the other child, the amount of money fairly staggers Polly and she accepts. By changing the children when the child of the Osterly's is out riding with her nurse. Polly gains access to the Duke's home and the Osterly child comes to John Ruffin's apartments to stay until her mother can get her ticketed to the continent and travel away with her. Polly does the best she can under strange conditions, but despite her resemblance to the Osterly child, the servants are suspicious and the Duke falls to wondering what has happened. Young Lord Ronald, visiting the Duke, is above all suspicious of Polly. The Osterly girl is under similar suspicion at Ruffin's home. "The Lump" positively declines to have anything to do with her. There is a blunder in the preparations Lady Osterly and John Ruffin make for the European trip. Polly disregards positive instructions and leaves the Osterly mansion before plans can be worked out. The Duke follows Polly in his automobile, searching for her in a nearby park where she has liked to go with young Lord Ronald to play. Finding Polly where he thought he would the Duke carries her back to his home. Here John Ruffin directly arrives, to tell the Duke that his wife and child must, by that time, be well on their way across the Channel. Lady Osterly, through miscalculation, has become worried because Ruffin does not arrive with the tickets and telephones him at the Duke's (her husband's) home. The servants call the Duke in answer to the summons and thus husband and wife find themselves talking to each other, much to their mutual surprise, as well as secret delight. As a result of this accidental 'phone call, a reconciliation is effected and everything ends happily for everybody, including Polly Redhead, who has made a great conquest of young Lord Ronald's heart.

Dir: Jack Conway

A visual fragment from the archive: The thematic resonance of The Little Orphan perfectly mirrors the editorial trajectory of our deep dive.

A secretary (Gloria Swanson) uses her boss to get money for her unfortunate sister (Ann Kroman) but eventually falls in love with him.

Dir: Jack Conway

Judge of the Circuit Court, Camden McClure is a extremist advocate of law enforcement until he kills his brother during a fight. Fleeing from his crime, the judge hires Cal Nelson as his guide through the Western badlands. While crossing the desert, they meet Mary Jackson, who is lost and exhausted. Mary recovers, but the judge suffers heat stroke and, in his delirium, confesses his crime to Mary. To ease his guilt, Mary admits that she is a murderer, too, and the couple decide to get married. However, when the judge reads that his brother is alive, he once again adheres to the letter of the law and denounces Mary to the authorities. Cal, who has fallen in love with Mary, carries her to the desert to escape the sheriff, and there Mary admits that she fabricated her crime to relieve the judge. The judge then discovers that his brother is actually dead, and follows the fugitives into the desert, but is killed in a sandstorm, thus freeing Mary to wed Cal.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.