Visionary Picks In Alignment with the style of The Phantom Pinto: C...

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of The Mystery Ship perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Francis Ford

An Indian scholar seeks an American colleague who is working on a powerful explosive, trying to get to his formula by taking advantage of his drinking problem.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of The Craving perfectly mirrors the editorial trajectory of our deep dive.

Clay Norton and Duke Fuller are partners in a mining venture and have several claims, none of which have proved particularly successfully but do have promise. They are both in love with Agnes, and Clay wins her hand. While he is away in a nearby town to buy a wedding ring, Jim Butts, who has the territory's best mine, dies and Duke jumps his claim and sells it for $10,000, and the widow Butts is left penniless. When Clay, on his return, finds out what Duke has done, he demands his partnership share of $5,000 and tells Duke that they should see the widow and give her the money to go East so she will cause them no trouble. They visit her together and Clay tells her he will give her $5,000 and forces Duke to do the same. Overcome with the shock of the good fortune, the widow faints, and Duke, furious at being tricked, rushes from the cabin and meets Agnes, who is on her way to meet Clay. He takes her to the door of the cabin where she sees the widow Butts in the arms of her sweetheart. Misunderstanding the situation and being told by Duke that Clay is unfaithful to her, she breaks off their engagement.

Dir: Francis Ford

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of A Man from Nowhere perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Francis Ford

Lumberjack Gaston Olaf is newly arrived in the lumber camp of Havens Falls, but it isn't long before he finds himself coming to the rescue of the lovely Rose Havens, who is being pursued by the nasty Lefty Red. Impressed by Olaf's actions, lumber boss Dave Taggart hires Olaf to be foreman of his band of rogue lumbermen. Taggart, however, has his own plans for Rose, and not the same kind that Lefty had--he's after a valuable stand of wood on Rose's property and hatches a scheme that will allow him to not only get the wood but the land it stands on and Rose's safe in the bargain. while ensuring that both Rose and Olaf remain unaware of his plan.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of The Mystery of 13 perfectly mirrors the editorial trajectory of our deep dive.

Ralph Avery and Robert Young, who are partners in a munitions factory, are both in love with Molly Carson. When the government investigates their company for stealing secret wartime plans, Ralph hides the evidence in Robert's desk, which leads to his conviction for treason and a twenty-year prison sentence. While Robert is incarcerated, Ralph steals one of Robert's formulas and becomes wealthy. He also marries Molly, who gives birth to a daughter named Lucille. As a grown woman, Lucille learns what her father has done from her mother, whose dying wish is that Lucille make amends to Robert, who eventually is able to take the formula to Europe to aid in the war effort.

Dir: Francis Ford

Frederick Fielding secretly marries his neighbor, Marguerite Quinn, and gives her his signet ring, even though her mother and father are enemies of his parents. The young groom then travels to the coral-rich island of Crimson Shoals, which is owned by his father, Thomas. Years later, Frederick, a prosperous owner of the island, grieves upon learning his wife has died, but is soon preoccupied with the theft of its coral reserves. Suspecting foreman Jack Quinn, Frederick and Thomas sail for the island. Helen, a member of Frederick's crew, falls in love with Jack and discovers that Rex Burke, the company auditor, is responsible for the theft. After a series of adventures and fights, Jack drops a charge of dynamite from an airplane, destroying the submarine Rex used to steal the coral. Frederick notices that Jack is wearing Marguerite's signet ring, and realizes that they are father and son, enabling Jack and Helen to continue their romance.

Dir: Francis Ford

Episode 1: "The Leopard's Mark" "Peg o' the Rine" opens with a prologue depicting the arrival of a circus in a small town, the detraining, selection of the location, erection of the tent and the preparation of all of the paraphernalia for the exhibition of the show. As the hour of the performance approaches, we are introduced to Peg, known as Peg o' the Ring, an aerial performer; Flip, her guardian and supposed father; Pierre Durand, an athlete, her lover; Big Bill Barnen, who runs the show; and Polo, an athlete and tumbler, preparing for their work in the ring. As Peg and Durand go to their dressing rooms Big Bill Banen meets Flip and tells him that he would like to see him before the day is out. In his office in one of the circus wagons Barnen tells Polo, his henchman, that for certain reason he would like to have Flip out of the way. Polo is agreeable. When Flip comes in Barnen sends everyone else out of the office and brings the conversation around to Peg. He is the only one in the circus who suspects that she is not Flip's daughter. After telling Flip that he is getting too old for the circus stunts, he suggests that he might keep him if he will tell him who Peg really is. Flip refuses and comes very near being throttled by Barnen. Flip leaves the wagon after telling the manager that he holds his whole future in the palm of his hand. Barnen resolves to get Flip out of the way, and tells Polo to pull a horse whip when Flip is in the ring that night doing his big jump, Polo obeys his orders implicitly, and Flip is fatally injured in his jump. Realizing that his hours are numbered he calls Pierre to him and starts to tell him who Peg really is. All unknown to them Big Bill Barnen is listening to them. "Years ago," says Flip, "we were in winter quarters. La Belle, the wild animal queen, had been feeling depressed for some time. I was nothing to her but a friend, but she was all the world to me. I was the only one in the circus who knew that she was secretly married to Dr. Lund, owner, but for reasons of his own the doctor had decided that the marriage must be kept a secret. It was this fact which made La Belle so downhearted. I tried in every way to cheer her up, but I knew in my heart that there was another woman in the doctor's life. I loved her too well to tell her, but I never had the courage to tell her of my love. I had watched over her like a child, and I cautioned her frequently against taking such chances in the cage with her wild animals. And that very night, it was the opening performance of the season, the big cats jumped on her, and before the trainers could get into the cage she had been dangerously hurt. How dangerously, none of us knew at the time. They took her into my tent, and she lay in my arms weeping. The first episode ends at this point with the question, "Who is Peg?"