Rare Cinematic Gems Sharing the Atmosphere of The Policeman and the...

Dir: Bertram Bracken

From Alphonse Daudet's 1884 novel comes a variation: A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of A Branded Soul perfectly mirrors the editorial trajectory of our deep dive.

In a prologue set in ancient Rome, the pagan Valerain attempts to abduct St. Cecilia to his debauched birthday feast, but her spiritual beauty stops him, and he kneels before her. In the main story, Conchita Cordova sings in the cathedral choir in her village of San Miguelito near the Rio Grande. Millionaire oil man John Rannie, whose oil fields have displaced the peasants, desires Conchita, and when he learns that her fiance, Juan Mendoza, has been employed by Adolf Wylie, a German spy, Rannie threatens to expose Juan unless Conchita gives herself to him. Although disillusioned, Conchita decides to save Juan, but as she removes her cross, Rannie is moved by her sacrifice, and begs forgiveness. Meanwhile, the villagers, incited by Wylie, set Rannie's fields on fire. When Juan, thinking that Conchita loved Rannie, throws her cross in the fireplace and places it on her breast as a brand of shame, she rebukes him. After Conchita saves Rannie from being burned by the villagers, he kneels beside her in church. In Rome, Valerain kneels before St. Cecilia.

Dir: Bertram Bracken

A rich society girl holds an Indian boy in contempt, but when an important land deal with his father arises, She pretends to be interested in him, long enough for him to persuade his father to sign.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Primitive Call perfectly mirrors the editorial trajectory of our deep dive.

In Paris, wealthy young American Horace Martinache takes a young flower girl to a hospital after knocking her down in his auto, and leaves money with friends to pay for her education. Years later, when Horace's nephew Eric plans to bring home a young actress whom he met in Europe and wants to marry, Horace's mother and sister ask for his help in breaking up the romance. Horace, an unmarried colonel, indulges them and agrees to court her to make her lose interest in Eric. The actress, Sara St. Ypriex, recognizes Horace as her benefactor and encourages him. Horace, unaware that Sara was the flower girl, falls in love with her. After Eric fails to respond to Sara's cries of alarm when one of her other suitors, Roscoe Vandercourt, tries to attack her, Horace protects her, but Vandercourt escapes. Sara accepts Horace's marriage proposal and Vandercourt, really an international crook, is trounced by Sara's father, who earlier served a prison term because of Vandercourt's treachery.

Dir: Bertram Bracken

In a prologue, blind poet John Milton dictates Paradise Lost to his daughters. Serama, the consort of Lucifer, is driven from Paradise by the Archangel Michael, who commands Conscience to enter human souls to judge and punish them. In the main story, society girl Ruth Somers, a reincarnation of Serama, prepares to marry Cecil Brooke, the wealthiest man of her set. Her guardian, Dr. Norton, an incarnation of Lucifer, constantly accompanies her. Ruth is summoned to the Court of Conscience, where the witnesses, Lust, Avarice, Hate, Revenge and Vanity, testify about Ruth's history of seducing and abandoning men. This behavior resulted in the suicide of Madge, the lover of Ned Langley, whom Ruth enthralled and promised to marry, and also the deaths of two rivals for her love. Ruth is ordered back to earth to learn her sentence. When Ned interrupts the wedding, Ruth scorns him and he shoots himself. After Brooke leaves her, the Court dooms Ruth to live with the torment of remembrance. Ruth sends Norton away, then kneels and repents.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Martinache Marriage perfectly mirrors the editorial trajectory of our deep dive.

To escape the title-hunting suitors with whom her mother and aunt have surrounded her, Barbara Chichester disguises herself as a gypsy, and after buying a gypsy wagon, roams the countryside "in search of Arcady." Meanwhile, the Earl of Chamboyne, beset by title-hunting women, has attired himself in the outfit of an itinerant peddler and set off for the country. After a gypsy tells Barbara that she will marry a traveling man, she meets the Earl when they both seek refuge from a sudden storm in an abandoned hunting lodge. They have a series of adventures together, and fall in love before they reveal their true identities to each other.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Conscience perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Bertram Bracken

A woman leaves her husband and children for mistaken reasons. After being thought killed in a train crash, she returns in disguise to be the children's governess.

Dir: Bertram Bracken

Dr. Guy Hartwell, a young and wealthy Louisiana physician, was a man of strange personality. Five years previous to the opening of the story he married and bestowed sincere love upon his wife. In return she basely played him false and shortly afterward died. From that moment he was a changed man. Embittered against the world, mankind and even distrusting God, the silent and melancholy man lived on. With the doctor lived his widowed sister and her daughter, whom everyone considered as the heir of the physician's wealth. In the same city lived Beulah Benton, who was sent from the orphan asylum out into the world to earn her living as a servant girl, while her little sister Lillian found a home as the foster daughter of a rich lady. At the orphanage Beulah learned to love Eugene, another inmate, but he, too, was adopted by a wealthy family and sent abroad to be educated. He promised upon his return to make Beulah his wife. Beulah yearned to see her sister, but Lillian's foster parents forbade the two to meet. This affected Beulah deeply, but the crushing blow was about to descend. Lillian fell ill, and in spite of every effort of Dr. Hartwell the younger sister died. Beulah, seeing the crepe on the door, forced herself in and for the first time met the doctor. The kindness of his nature was reawakened by the grief-stricken girl, and he took her to his home, attended her through a serious illness, then placed her in school. But Beulah found her new surroundings far from pleasant. While the doctor as yet refused to trust any woman, he treated her with marked respect and consideration, but his sister fearing that the adopted girl would become the heir instead of her own daughter, lost no opportunity to humiliate Beulah. It was more than she could bear, and at last the girl sadly left the doctor's house and returned to the orphanage, but the doctor, however, brought her home again and provided other quarters for his sister and her daughter, both of whom were wholly dependent upon him for support. The years passed and Beulah's lover, Eugene, returned from Europe, a dissipated wretch, his love for the orphan girl forgotten and his hand pledged to the frivolous niece of Dr. Hartwell's false wife. The physician warned the foolish youth to give her up, pleading with him to remain true to his promise to Beulah, but without avail. It was now that Hartwell realized that he himself loved her and declared his affection. Beulah expressed her great gratitude, but still grieving over her false lover told him that she could not return his affections. Hartwell went North and Beulah became a school teacher. An epidemic broke out and people were perishing by the score. Doctor Hartwell returned to the stricken city. The doctor and Beulah met and side by side they fought the ravages of the disease. Clara Saunders a friend of Beulah's fell in love with Hartwell but becomes a victim of the plague, and with her departing breath joined the hands of the two, and bade them be happy. Through comradeship with Beulah, the doctor's faith in God and Man was restored, and his life made still brighter by her voluntary confession of her love for him. Their marriage followed, and Beulah and her husband fearlessly faced the future.