Hidden Genre Gems In Alignment with the style of The Power God: Cul...

Dir: Francis Ford

During the Civil War, a young man joins the Union army. His sweetheart's brother, on the other hand, joins the Confederate forces. During a battle the Confederate is captured and brought to the young Union officer, who recognizes him, and later allows him to escape. For that action he is tried for treason, convicted and sentenced to hang. All that remains now is for President Abraham Lincoln to sign his death warrant.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of The Avenging Trail perfectly mirrors the editorial trajectory of our deep dive.

Lumberjack Gaston Olaf is newly arrived in the lumber camp of Havens Falls, but it isn't long before he finds himself coming to the rescue of the lovely Rose Havens, who is being pursued by the nasty Lefty Red. Impressed by Olaf's actions, lumber boss Dave Taggart hires Olaf to be foreman of his band of rogue lumbermen. Taggart, however, has his own plans for Rose, and not the same kind that Lefty had--he's after a valuable stand of wood on Rose's property and hatches a scheme that will allow him to not only get the wood but the land it stands on and Rose's safe in the bargain. while ensuring that both Rose and Olaf remain unaware of his plan.

Dir: George B. Seitz

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of Velvet Fingers perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Francis Ford

Clay Norton and Duke Fuller are partners in a mining venture and have several claims, none of which have proved particularly successfully but do have promise. They are both in love with Agnes, and Clay wins her hand. While he is away in a nearby town to buy a wedding ring, Jim Butts, who has the territory's best mine, dies and Duke jumps his claim and sells it for $10,000, and the widow Butts is left penniless. When Clay, on his return, finds out what Duke has done, he demands his partnership share of $5,000 and tells Duke that they should see the widow and give her the money to go East so she will cause them no trouble. They visit her together and Clay tells her he will give her $5,000 and forces Duke to do the same. Overcome with the shock of the good fortune, the widow faints, and Duke, furious at being tricked, rushes from the cabin and meets Agnes, who is on her way to meet Clay. He takes her to the door of the cabin where she sees the widow Butts in the arms of her sweetheart. Misunderstanding the situation and being told by Duke that Clay is unfaithful to her, she breaks off their engagement.

Dir: Francis Ford

A visual fragment from the archive: The thematic resonance of The Mystery Ship perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Francis Ford

Episode 1: "The Broken Coin" Kitty Grey, a reporter, leaves her office for lunch. On her way to the restaurant she sees in an old curiosity shop half of a broken coin, inscribed in Latin. The name "Gretzhoffen" attracts her attention, and she buys the coin. On her way out of the shop she drops the papers she is carrying, which are picked up and handed to her by a foreign-looking man, who had been watching the coin before Kitty came along. Kitty goes on her way and the man enters the shop to buy the coin. He is told by the proprietor that the young lady who just left the shop bought it. Kitty, thinking she has material for a good story, forgets about lunch and goes to her room for an old article she has written regarding the poverty-stricken Kingdom of Gretzhoffen, and with the aid of a Latin grammar, translates the inscription on the coin, which reads: "Underneath flagstone of north corner torture cham he found treasures valuable s the kingd Gretzhoffen Mi." Tis arouses her imagination to such an extent that she hurries back to her office and asks the editor to give her three months to go to Gretzhoffen and locate the other half of the coin. In the meantime the mysterious looking foreigner has followed Kitty to her home, entered her room while she was at the office and ransacked everything in general, looking for the coin which Kitty, at that moment, had in a chamois bag around her neck. He leaves, disgusted. Everything ready for her departure, Kitty goes aboard the boat, where she comes face to face with the foreigner. After dinner Kitty falls asleep in her stateroom, after making sure that the half coin is safe. She awakens suddenly to glimpse the profile of a man at the porthole of her compartment. He disappears as she sits up. Realizing something is wrong, Kitty, after making sure no one is watching her, takes the coin, her passport and other valuables from the bag and hides them in her stocking. After another cautious survey she returns to bed. Sometime later she is awakened to find a hand holding her chamois bag disappear through the porthole. She runs to the porthole just in time to see the form of a man disappear around the bow of the boat. Realizing the bag contained only her handkerchief and an American half-dollar, and that the coin is safe in her stocking, Kitty locks the porthole and retires for the night. She sees no more of the strange foreigner, and arrives safe in Gretzhoffen. On investigating, with the help of the American Consul, Kitty finds that the Kingdom of Gretzhoffen is a very poor little principality, ruled by a puppet king, Michael the Second, who is under the power of a supposed friend, Count Frederick. Frederick, in reality, is the pretender to the throne occupied by the puppet, and uses Michael, under the guise of friendship, to further his own plans and to ascend to the throne of Gretzhoffen. The financial straits of the little kingdom are due to the fact that gold scripts and jewels belonging to Michael's father, the old King Michael the First, have been missing since the death of the old king, and the only clue to the missing valuables is half of a broken coin, inscribed in Latin, and given to the present king by an old servant of Michael the First's on his, the servant's, deathbed. Michael, the puppet, has, after a fashion, tried to locate the other half of the coin. Count Frederick, knowing of the coin and its value, procures it, through the aid of his valet and accomplice, Grahame, and determines to find the other half, dethrone Michael, and ascend the throne, a rich ruler of Gretzhoffen. Thanking the consul for the information, Kitty bids him good-day and strikes out for the hotel. In the meantime, Roleau, the foreigner who followed Kitty on her trip and is, in reality, a hireling of the unscrupulous Frederick, reports to his employer with the bag he has obtained from Kitty on board the liner. Frederick is greatly angered at finding the bag minus the precious half coin and beats the cringing Roleau. Frederick, quickly forgetting Roleau, sets about to find another way to get the coin. Kitty, in a taxi on her way home, sees a man stagger from the back door of a fashionable house, trying to cover his blood-stained face with his coat sleeve, and stopping her car near the man, she gets out and tries to help him.

Dir: Perry N. Vekroff

A visual fragment from the archive: The thematic resonance of A Man from Nowhere perfectly mirrors the editorial trajectory of our deep dive.

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: Francis Ford

While waiting in a hotel lobby for instructions from his government, Ludwig Schumann, an agent of the Black Legion, is enchanted by Marion Washburn, the daughter of a Texas senator. As he is about to speak to the girl, Schumann is stunned to see a young American enter who could be his double. The American is James Walbert, whom Schumann's contact mistakes for the agent. The contact passes to Walbert a photograph of a woman spy, Wanda Bartell, whom the agent is to meet aboard a steamer. Walbert realizes the mistake and determines to protect his country. After overpowering Schumann, Walbert rushes to the steamer where he meets Wanda. Also aboard are Marion and her fiancé, Herbert Cornell, a Washington fop who is trying to prove his earnestness by transporting secret plans to New York. Arriving in New York, Wanda and Walbert report to the Black Legion headquarters where they are instructed to procure Cornell's plans. Wanda succeeds in drugging Cornell, but Walbert intervenes, seizes the plans and returns to headquarters, intent upon smashing the organization. He is greeted by Schumann, who has exposed the spy, and is hopelessly outnumbered until the police arrive, having been summoned by Marion.

Dir: Francis Ford

Episode 1: "The Leopard's Mark" "Peg o' the Rine" opens with a prologue depicting the arrival of a circus in a small town, the detraining, selection of the location, erection of the tent and the preparation of all of the paraphernalia for the exhibition of the show. As the hour of the performance approaches, we are introduced to Peg, known as Peg o' the Ring, an aerial performer; Flip, her guardian and supposed father; Pierre Durand, an athlete, her lover; Big Bill Barnen, who runs the show; and Polo, an athlete and tumbler, preparing for their work in the ring. As Peg and Durand go to their dressing rooms Big Bill Banen meets Flip and tells him that he would like to see him before the day is out. In his office in one of the circus wagons Barnen tells Polo, his henchman, that for certain reason he would like to have Flip out of the way. Polo is agreeable. When Flip comes in Barnen sends everyone else out of the office and brings the conversation around to Peg. He is the only one in the circus who suspects that she is not Flip's daughter. After telling Flip that he is getting too old for the circus stunts, he suggests that he might keep him if he will tell him who Peg really is. Flip refuses and comes very near being throttled by Barnen. Flip leaves the wagon after telling the manager that he holds his whole future in the palm of his hand. Barnen resolves to get Flip out of the way, and tells Polo to pull a horse whip when Flip is in the ring that night doing his big jump, Polo obeys his orders implicitly, and Flip is fatally injured in his jump. Realizing that his hours are numbered he calls Pierre to him and starts to tell him who Peg really is. All unknown to them Big Bill Barnen is listening to them. "Years ago," says Flip, "we were in winter quarters. La Belle, the wild animal queen, had been feeling depressed for some time. I was nothing to her but a friend, but she was all the world to me. I was the only one in the circus who knew that she was secretly married to Dr. Lund, owner, but for reasons of his own the doctor had decided that the marriage must be kept a secret. It was this fact which made La Belle so downhearted. I tried in every way to cheer her up, but I knew in my heart that there was another woman in the doctor's life. I loved her too well to tell her, but I never had the courage to tell her of my love. I had watched over her like a child, and I cautioned her frequently against taking such chances in the cage with her wild animals. And that very night, it was the opening performance of the season, the big cats jumped on her, and before the trainers could get into the cage she had been dangerously hurt. How dangerously, none of us knew at the time. They took her into my tent, and she lay in my arms weeping. The first episode ends at this point with the question, "Who is Peg?"