The Recommended Vault Parallel to the Artistry of The Road of Ambit...

Dir: William P.S. Earle

Quiet, unassuming dreamer Poque wanders over the country propagating various grades of graft so he can spend his first vacation in the great metropolis, New York. During his ramble he encounters millionaire businessman Vancross, who longs for fame (notoriety). After talking with Poque he decides that he is just the right sort to act as publicity man for him. Poque balks at the idea of making such an unpretentious figure famous, but finally accepts his proposition. He arranges with a girlfriend to strike up an acquaintance with his employer, leading him on for a time, then suing him for jilting her. But things pan out quite differently from the way Poque intended. Instead of trying to get away from his employer, the girlfriend decides to marry him. But Poque gets a good sum of money, so he should worry.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

At a London auction, Princess Sonia bids against her husband, exiled Prince Victor, for a Corot landscape in which incriminating letters Sonia wrote are hidden, but it is bought by Michael Lanyard, who is suspected of being the mysterious, international thief "The Lone Wolf." After Lanyard gives Sonia the letters, she divorces Victor, marries Lanyard, and dies after bearing their daughter Sonia. Years later, Sonia, who thinks she is the daughter of the Princess' maid, is found by Victor, now the leader of an underworld gang of Asian crooks and Bolsheviks. Saying he is her father, Victor brings her to his home, hoping to entice Lanyard to make an appearance. When Sonia discovers the gang's plan to pump poisonous gas into Buckingham Palace and the homes of the wealthy so that Victor would be England's dictator, she tells Roger Karslake, Victor's secretary, whom she loves. Lanyard, who has been posing as Victor's Asian butler, and Karslake, both Scotland Yard agents, capture the gang amid fire and fights.

Dir: William P.S. Earle

Charmian Page has developed a great affection for the child of Sir Richard. When the child is seriously hurt in a car crash that has killed his mother Lady Beverly, who was on her way to see her lover, Charmian persuades her wealthy father to pay for the operation that saves the child. Sir Richard marries Charmian for his child's sake, but remains aloof towards her for the memory of Beverly. When he learns the truth about his late wife's infidelity, he begs for Charmian's forgiveness, realizing she is the better wife.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of The Lone Wolf's Daughter perfectly mirrors the editorial trajectory of our deep dive.

Patty Baring will lose the fine old Washington Square house she is to inherit if her scheming stepfather Josiah Wheeler's plan to acquire it for himself is successful. Cruelly abused by Wheeler, a gambling hall owner, Patty runs away to live with a newsboy named Bobby and his grandfather Herman. There, in spite of her shabby dress and humble companions, she arouses the admiration of Edwin Sayer, the district attorney. Ned, a soft-spoken gambler, desires to possess Patty, and at the instigation of her stepfather, lures her into a gambling den that Edwin has been planning to raid. Patty is arrested, but Edwin secures her release and places her in the charge of his mother. Ned and Josiah are imprisoned, leaving Patty free to claim her inheritance and wed Edwin.

Dir: William P.S. Earle

Bradley, who is happily married and loves his family, is called to London on business. There he meets Mercedes, wife of the Spanish Ambassador. The marriage has been forced upon her, and her husband is cruel. Unaware that Bradley is married, she falls in love with him, and he is also infatuated. His better nature finally prevails, and he returns home and is happy until he receives a photograph from Mercedes. On pretext of business, he again goes back to Mercedes, finds there has been a quarrel, and that the ambassador has struck her. She and Bradley go away together, and while crossing the channel, he inadvertently discloses the fact that he is married. Mercedes unwilling to come between husband and wife, flees to a convent, and Bradley, unable to find her, joins an expedition to the forests of South America. Bradley has written his wife that he is a coward. Her health fails and her father takes her and the children for a trip abroad. The children are attacked by an epidemic of fever, and Mercedes, now a nurse, is summoned. She learns the identity of the family, and, when the boy calls for his father, she starts a search for him. After the crisis, Mercedes who has concealed her identity by use of a veil, wins her fight against a renewal of their relations, and warns Bradley, who has recognized her, to keep his wife in ignorance. Recovering from the fever which has now claimed her, she sees the reunited family depart for America, and knows her heart is empty and closed forever to love.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of The Better Wife perfectly mirrors the editorial trajectory of our deep dive.

Lord Killowen, the landlord of a little village in Ireland, employs Harvey Dowd and his worthless son, Peter, to collect the rents. When Peter arrives at the modest home of Ann, a young lace maker who lives with her aunt and blind grandmother, he makes improper advances towards her, but Killowen, who is motoring through the area, rescues her. Without leaving her a receipt, Peter absconds with the rent money to America, and Ann's family is evicted. Determined to recover her money, Ann follows Peter to New York, where she is befriended by a policeman, who informs her that Killowen has come to America to court the wealthy Eileen Murtagh. Lord Killowen takes Ann to Eileen's home, but the latter, in a fit of jealousy, orders the girl to leave. When Ann returns during Eileen's engagement party, Killowen realizes that he prefers the little lace maker and proposes to her.

Dir: William P.S. Earle

To avoid marrying the elderly suitor her aunt has chosen for her, young socialite Ivis Van Astor decides to hire Horatio Worthington to pose as her husband. She hopes that as a "married woman" she will pique the romantic interest of Norman Kent, who perceives her as a sweet young thing. Ivis and her hired husband go to Newport, where she begins to flirt with Norman, who discovers her ruse and decides to teach her a lesson. He stages a duel over Ivis with Horatio and pretends to die. Once Ivis is properly chagrined, Norman "recovers," Ivis' aunt falls in love with Horatio, and all ends happily.

Dir: William P.S. Earle

Hugh O'Donnell, the town blacksmith and leader among the people, is in love with Molly Conway, who shows her love for Hugh in mischievous pranks at his expense. Lord Percival Cheltenham owns most of the village and is hated for his war on poachers. One day, Lady Mary Thorne, who is visiting Cheltenham, stops at the blacksmith shop to have her horse shod and, impressed by Hugh's rugged manliness, invites him to visit. Molly, overhearing the conversation, follows Hugh to the manor, where she is seen by Cheltenham, who has been drinking, and dragged inside. That night, Cheltenham's gamekeeper shoots a poacher, and the peasants storm the manor in revenge. Hugh holds them at bay and promises to turn the culprit over to the law. Searching the manor for its master, Hugh breaks into the library and finds Cheltenham with Molly. Believing that they are having an affair, the blacksmith attempts to choke the lord until Molly explains that she had flirted with Cheltenham in order to arouse Hugh's jealousy, and all is forgiven.