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Dir: Francis J. Grandon

Henri Le Rocque's arrival to an island village causes much consternation when he insists upon advanced rental for the land he owns. Accompanying Le Rocque is his nephew Paul, recovering from the effects of an unfortunate love affair. One day, little flower girl Fleurette visits the Le Rocque estate to make a present of a rare flower and is shot as a trespasser. She is nursed back to health at the mansion, and Paul falls in love with her. However, her former sweetheart, Jacques, appears and persuades Fleurette to run away. As Fleurette returns to the village, she learns that the villagers are planning to storm the mansion and, realizing that she loves Paul, rushes back to warn him. This endears her to Henri, who urges Fleurette to marry his nephew and bring happiness into their lives.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Adventures of Kathlyn perfectly mirrors the editorial trajectory of our deep dive.

Feature version of the thirteen episode serial, _Adventures of Kathlyn, The (1913)_, released three years earlier.

Dir: Francis J. Grandon

The Merediths, in reality much in love, have quarreled and agreed to separate but cannot agree as to the disposition of their little daughter Beryl. All this is opportune for the plans of Spider, a notorious kidnapper and his gang, who plot to steal Beryl while her nurse flirts in the park with one of their pals. The scheme works out as they plan and the child is taken to a deserted gambling den. The father and mother, in desperation, each apply to Babbings, a celebrated detective, although each accuses the other of haying kidnapped the child. Babbings privately suspects Spider's gang, whom he knows to be in town, but intends to make sure, so he has Spider shadowed. His men discover that Spider is receiving telegrams in code. It is necessary to get this code, so Babbings and one of his trusted men go to the hotel where Spider is stopping. Here they are at a loss until Barney, one-time messenger boy, comes whistling into their office to apply for a position with "reglar deetectuvs," and carries Babbings' bag to the hotel. Babbings has noticed the boy's shrewdness and asks him what he can do. Barney replies that he can "hold his tongue and talk deaf and dumb." This appears to please Babbings, who hires the boy at once and starts him to work by telling him to get the code book from Spider's room. The lad, disguised as a bellhop, accomplishes this and Babbings tells him the real plan, which is for Barney to masquerade as a wealthy deaf and dumb boy going to a sanatorium with an attendant. Spider will undoubtedly think this is a nice morsel for himself and will take Barney to the spot where he is hiding little Beryl, thinking to receive still another big ransom. This happens as Babbings has foreseen and Barney finds himself in the deserted house with little Beryl and Spider's gang. He manages to phone his information to Babbings in the night and the latter comes to the house disguised as a member of the gang. He gives the password and all would have been well had not Mrs. Meredith, summoned by the gang for the purpose of wringing money from her, entered and exclaimed his name, warning the crooks. They succeeded in making a getaway, but take Beryl and Barney with them. Barney is nearly discovered in his efforts to speak to Babbings but manages to disarm their suspicions and later signals to a small town sheriff whom he sees reading the notice of the thousand dollar reward offered by the Merediths. The sheriff, however, objects to sharing the reward with Barney and locks him and Beryl in a room while he goes to town to get it. Barney escapes, however, and an automobile race to town follows in which Barney is the victor by a few seconds.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Dummy perfectly mirrors the editorial trajectory of our deep dive.

Justina Howland lives in Mexico near the U.S. border with her uncle Miguel and his son, Luis Alvarez. The uncle plans to have Justina marry Luis in order to get the money which she will inherit. Matters come to a climax when Miguel sends for a priest and announces the marriage will take place at once. Justina escapes on the mule that brought the padre to marry her and crosses the border, where she is given shelter by the soldiers under command of Lieutenant Morton. In the morning she tells her plan to get to her Aunt Betty in Lowell, Mass. The soldiers discover she can dance and get her to dance for them, taking up a collection to take her safely to her aunt. Justina arrives safely and all goes well until Uncle Miguel makes the discovery of Aunt Betty's address on a photograph and comes to Lowell, bringing Luis with him. The two Mexicans arrive at about the same time as Lieutenant Morton's regiment. Betty is delighted to see her rescuer again, and when she learns that he is the local Boy Scout Master, she envies the boy scouts and decides to become one of their number. Miguel hunts up the local sheriff and brings him to Aunt Betty's home to capture the runaway. Miguel asserts that he is the girl's lawful guardian and will force her to marry Luis. One of the scouts has been hurt and brought to Aunt Betty's home, so Justina decides to put on his uniform and gets away through the window, while Aunt Betty holds off the searching party. A long chase follows until Justina finds herself unable to go a step farther and breaks down. The pursuers catch up, and at the same time Lieutenant Morton, warned of Justina's fate, appears. The girl is leaning against a large stone (the state boundary mark) and she unconsciously moves to the other side of it, putting herself across the boundary of New Hampshire. For that reason the uncle is unable to take his ward until he secures a New Hampshire sheriff. While this is being accomplished Morton secures the services of a minister and the little party is turned into a wedding procession, the Boy Scouts forming a lane of honor through which the latest recruit, plucky little Justina, and her new husband, walk.

Dir: Francis J. Grandon

When Roberta Carruthers' father, Capt. Carruthers, is killed in France during the war, she comes to live in the US with her uncle. When she finds out that her uncle is under the impression that his brother had a son and not a daughter, she decides to disguise herself as a male, and calls herself Bob. She becomes a translator for William Faulkner, the governor of the state, and in that capacity exposes a number of German spies. However, Gov. Faulkner manages to meet "Roberta" as a woman, not knowing that she is actually "Bob", his translator--and falls in love with her. Complications ensue.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Little Boy Scout perfectly mirrors the editorial trajectory of our deep dive.

Washington, D.C. society belle Elizabeth Crane gives up her fiance, young diplomat Paul Beale, when she learns that her foster sister Flavia also loves him. After Flavia and Paul marry, they join Elizabeth on a yacht belonging to millionaire Silas Randolph, who wants to marry Elizabeth. The yacht catches fire and Elizabeth and Paul swim to a desert isle. Randolph arrives later and fights Paul to get to Elizabeth, but she stabs him to death. As the months pass, Paul and Elizabeth, believing Flavia dead, rediscover their love and live as if they were married; but Flavia, who was saved by a freight steamer, sees a vision of Elizabeth and organizes a search party. When Elizabeth sees Flavia's boat approach, she tells Paul, who says he wants to remain with her. After she convinces Paul that his child has a right to him, Elizabeth walks into the sea and drowns herself so that Flavia will not know of the island romance.

Dir: Francis J. Grandon

The inventor of the first clock, which would eliminate the use of the village's sacred bell, is sentenced to life imprisonment by the Emperor, but escapes his fate by hiding with a father and his daughter.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Daredevil perfectly mirrors the editorial trajectory of our deep dive.

The daughter of an adventurer in India is kidnapped by a native king, whom she is forced to marry. She has several adventures battling natives and wild animals.

Dir: Francis J. Grandon

Bessie, a girl of the slums, is left an orphan. Her father was a drunkard and during one of his periods of intoxication he killed his wife and then, in trying to escape, was himself killed. Left destitute, Bessie is invited by a couple of youngsters to keep house for them. The two boys earn enough money selling papers to keep up the little establishment and Bessie does the housework. One day as she is playing in the street she is run over by an auto belonging to society lady Mrs. Latham, who feels sorry for her and visits her at the hospital where she is taken. On leaving the hospital Bessie goes to see the wealthy widow, who procures her a position at a modiste's shop. A couple of months later Bessie goes to a cheap dance hall with a friend, where she is noticed by theatrical agent Abrams, who offers her a job as a cabaret dancer and she accepts. While dancing in the cabaret she is noticed by wealthy clubman Shirley Martin, who says that he will make her a great dancer. He introduces her to a manager and all arrangements are made for the Broadway production. Shirley expects a price for his favors, but to his chagrin, he discovers that Bessie is incorruptible. Bessie's debut as a dancer is a success. Mrs. Latham, who has designs on Shirley's money, is jealous of the attentions he is paying the little dancer. She plans to so compromise her that his love will be cured. Accordingly, she invites the two of them on a weekend trip to the country and then, at the last minute, does not go herself. When the two young people arrive at the hotel, they find rooms engaged for Mr. and Mrs. Shirley Martin. When Bessie confesses that she loves him, he tries to force his attentions on her, but she repulses him. Then Shirley realizes that he has acted like a cad and when he asks her to marry him the next day, she agrees. Meanwhile, Mrs. Latham has written a note to Old Man Martin saying that Bessie is trying to ruin his son's life and that if he does not want a scandal, he must go at once to the hotel where they are registered as husband and wife. Martin hurries down and finds them there the next day. He accuses Bessie of having designs on Shirley and forbids the marriage. So Bessie, thinking that perhaps after all, the marriage would not be for the best, agrees to go away. When Shirley finds out what his father has done, he is furious, and says that he will not come home until his father consents to the marriage. But he cannot find Bessie, as she has left without giving anyone her address except old Martin. But at the Martin home, the mother has become ill, and the doctor thinks that the only thing that will save her life is a reunion with her boy. So Mr. Martin hunts up Shirley at the club and persuades him to come home for the sake of his mother, and then he goes to find Bessie. Of course the two are reunited and agree to have the long-delayed wedding take place at once.

Dir: Francis J. Grandon

Two passionate suitors pursue actress Elaine Elton Oscar Billings, the head of several large theaters, and millionaire Jack Dexter, whom she has never met. To force her to spend time with him, Jack pretends to be a chauffeur and gets a job with Elaine, who soon feels quite attracted to him. Then, Oscar combines a marriage proposal with a threat, and tells Elaine that she will never work again if she refuses to become his wife. Elaine gives in and marries Oscar, but then murders him because of his numerous affairs, after which she herself dies while trying to escape from the police. Elaine then wakes up, and after realizing that her marriage and the events that followed it were a bad dream, decides that the nightmare may have foretold the future. As a result, she ignores Oscar's threat to her career, and marries her millionaire chauffeur.