Must-Watch List Comparable to the Style of The Spanish Jade: Cult G...

Dir: John S. Robertson

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

Dir: John S. Robertson

A visual fragment from the archive: The thematic resonance of The Bottom of the Well perfectly mirrors the editorial trajectory of our deep dive.

A boy called "Mascot," presumably the son of smuggler Captain Stark, is raised by Mr. Deane, the British military governor of Kingston after the boy's ship is captured. Years later in London, Mascot, now known as Stanley Deane, is the lawyer for the radical organization of mill employees called "The Well." Stanley falls in love with mill owner Amos Buckingham's daughter Alice, whom he knew when they were children. But Buckingham hates Stanley for his aid to the workmen and turns Alice against him by telling of his mysterious parentage. The workmen plan to blow up the Buckingham mansion and kill its master who, unknown to anyone, has disguised himself and gained admittance to The Well to study the real condition of the men. Stanley saves Alice, but after the explosion, a charred body supposed to be that of Buckingham is found and Stanley and all in The Well are arrested for murder. When Buckingham, still in disguise as a member of The Well is convicted, he discloses that the explosion was accidental and that the body was one he had used in his experiments. After Buckingham takes the blame for the bitterness of his workmen, everyone is acquitted. Stanley then discovers that his father is really a Boston banker and, freed of the aspersions cast upon his name, is welcomed by Buckingham as his son-in-law.

Dir: John S. Robertson

During World War I, beautiful and patriotic Leslie Selden is courted by two ardent admirers: Jack Wynn, a young man not yet taken by the draft, and Dr. Wolff, a Danish scientist who is actually a German agent. When Jack learns that Wolff is masterminding a plot to bomb several munitions factories and destroy the water system in New York City, he goes to the spy's home and confronts him. Wolff locks him up, then forges a note to Leslie claiming that the young man has run away to escape the draft. Her suspicions aroused, Leslie alerts the authorities and plants a dictograph in Wolff's house, through which she learns of the scheduled bombings. Accompanied by the police, she arrives at Wolff's residence just in time to prevent Jack's murder and the destruction of the city.

Dir: John S. Robertson

A visual fragment from the archive: The thematic resonance of The Girl of Today perfectly mirrors the editorial trajectory of our deep dive.

Gossip spreads quickly throughout a small New England village when Betty Taradine extravagantly entertains wounded Colonel Preedy, billeted at her home. After a bank official suggests that Betty, deeply in debt, raise money on the life insurance policy of her husband, who left years earlier because of her extravagances, Betty sends herself a telegram announcing her husband's death. Preedy's aide, Captain Peter Rymill, in reality Betty's husband, arrives, and falling in love with her again, agrees to keep his identity secret. Although Betty flirts with Preedy to irritate Peter, Preedy really loves Betty's friend, Penelope Moon. One night, Preedy sneaks into Betty's bedroom to steal Penelope's picture, and hides in the closet when Peter enters seeking reconciliation. Peter then hides under the bed when Reverend Ambrose Liptrott, who loves Betty, and his spinster sister Tabitha, arrive to investigate rumors. After Peter and Preedy explain themselves, Preedy confesses his love to Penelope, and Peter and Betty are reunited.

Dir: John S. Robertson

While traveling to meet her sweetheart, Richard Carr, in the capital of the Grand Duchy of Bonaluria, Peggy Dare's train compartment door is thrust open and a little boy is thrown at her feet. Peggy is so taken with the child, who tells her that his name is Manouche, that she looks after him. She foils an attempt to kill Manouche, before arriving in Bonaluria where she learns from Richard that the boy is really the Grand Duke. Peggy and Manouche are then separated as Peggy goes to live with Richard's mother and the boy returns to court. However, the power hungry Prince Henri, who is madly in love with Peggy, abducts the little duke and holds him ransom for Peggy's affections. For the sake of the child, Peggy agrees to go away with the prince and accompanies him to the castle. Carr, believing that Peggy has betrayed him, follows and is imprisoned by the prince. They are all rescued when the Royal Guards, summoned by Peggy, arrive and arrest the prince. Carr then apologizes to Peggy for his suspicions, and together they sail for America.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Misleading Widow perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: John S. Robertson

Olivia Dangerfield and her brother are hired as servants in the household of the meticulous Mrs. Falkner. When another pair of servants is detained by the law, Olivia decides to pose as a master cook, though she knows little about the culinary arts. Meanwhile, Burton Crane, the boyfriend of Mrs. Falkner's daughter, becomes attracted to the "wonderful cook" at the Falkner home.

Dir: John S. Robertson

A visual fragment from the archive: The thematic resonance of Intrigue perfectly mirrors the editorial trajectory of our deep dive.

Author Hilary Farrington and his wife Eloise have been married about a year, and although Hilary loves his wife, he has become engrossed in his writing and doesn't realize how lonely his wife has become. Eloise starts spending time in the company of Darrell McKnight, who neglects his own fiancée, Nora Gail. Eloise promises to go west with Darrell if her husband doesn't take her to his bungalow, where he is beginning his new book. Darrell tells Nora that he loves someone else. Nora decides to team up with Hilary to prevent a scandal. When Hilary leaves for his bungalow without asking Eloise to accompany him, she phones Darrell and tells him she will be ready to elope with him in half an hour. While Darrell waits outside the Farrington house, Hilary returns, having forgotten something. Eloise is dressing and does not hear Hilary enter the house. While he is looking for the forgotten item, Nora arrives and tells Hilary the whole story. They agree to work together to make Eloise and Darrell sick of each other. Hilary goes to Eloise's room and feigns surprise when he sees her preparing to leave. Darrell enters the house, and he and Eloise are taken aback when Hilary suggests the pair use his bungalow for their "honeymoon." When the two protest, Hilary convinces them to go by pulling out a gun. Darrell and Eloise encounter another surprise at the bungalow. The chauffeur reports that the car is out of gas, so all three principals have to stay in the bungalow. After a meal in which Hilary keeps reminding Eloise of their own honeymoon, Hilary says he will try to get gas for the car. Just as he is leaving, Nora appears, pretending she is lost and her car has broken down. Now Darrell believes that Hilary and Nora have planned an elopement of their own. Eloise become jealous, and everyone goes off to their rooms except for Hilary, who remains downstairs in the dark. Eloise calls her uncle, who is a Bishop, tells him everything that has happened, and begs him to come to the bungalow to help her get rid of Nora and Darrell. After a series of misadventures during the night, Eloise awakens first, finds Hilary's car, and discovers it has plenty of gas. She drives off and meets the Bishop at the train station. Back at the bungalow, Nora and Darrell have made up and decide to get married as soon as possible. Eloise and the Bishop arrive, and Nora and Darrell get married on the spot. Eloise and Hilary send everyone off in the car, then settle it for their own "second honeymoon."

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: John S. Robertson

After serving a term in prison for a crime he did not commit, a man exacts revenge upon the two people who framed him.