Masterpiece Selection Resonating with the Themes of The Street of T...

Dir: Travers Vale

Christine Brent, living with her father in a small Texas town, is wooed by Maurice Maxwell, an unscrupulous New York businessman. Christine rejects Maxwell's advances, befriending instead Carl Randolph, a young man who seeks refuge in her cabin after shooting a Mexican for insulting the American flag. Christine gives Carl money and advises him to go East, which he does. Left helpless after her father is injured in a crippling accident, Christine agrees to marry Maxwell so that her father can live in comfort. Brent, however, demoralized, kills himself and soon after, Maxwell and Christine move to New York. Stung by her husband's constant abuse, Christine learns to hate Maxwell, and when Maxwell hires Carl, now a successful attorney, as his counsel, Christine feels her old love rekindled. Unscrupulous as ever, Maxwell robs the inventor Brinkeroff of a valuable patent, and then murders him. Brinkeroff's wife Metta, suspecting Maxwell of her husband's murder, secures a job in the Maxwell home to obtain evidence against him. Her prudence is rewarded when she overhears Maxwell admit to the crime, and outraged, she kills him but is acquitted by a sympathetic jury. All obstacles now cleared from their path, Christine and Carl begin a new life together.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Vengeance perfectly mirrors the editorial trajectory of our deep dive.

After John Cuddlestone, an officer in the Queen's regiment, is accused by his brother Andrew of cheating at cards, he leaves England in humiliation. In India, he marries a Hindu woman, but shortly after their son is born, John is killed in a tiger hunt. Young Lorin is placed in the care of Buddhist priests, and on his twenty-first birthday, he is released from the temple and given his father's papers. Learning of John's disgrace, Lorin is filled with the desire for revenge and immediately sets out for England. Nan, a girl whom he saved from slavery, resolves to follow the man she loves and steals the sacred eye of Buddha, a precious gem, to pay for her passage. In England, Lorin earns renown in society circles as a swami. One of his clients is Andrew's ward, Lady Elsie Drillingcourt, whose fortune Andrew is rapidly squandering. Lorin catches his uncle cheating at cards, and when the old man realizes the swami's identity, he dies of shock. Lady Elsie recovers her money, while Nan, who has been pursued by angry Buddhist priests, returns the sacred gem and then journeys back to India as Lorin's wife.

Dir: Travers Vale

Violet Galloway, in charge of her grandfather's home, was accustomed to bossing things. But when she married Roger Kendall she was petted and pampered and had hardly anything to do outside of looking pretty and being well dressed. So she became discontented. At this time George W. Graham, a former lover, made violent love to her. Graham was district attorney and Kendall was Graham's assistant. Kendall was prosecuting the gamblers, but Graham tried to call him off when political pressure was brought to bear. The gamblers decided to "get" Kendall. Graham knew of the secret and a man who had been befriended by Violet found this out. The man sent a note to Violet. She risked everything by getting Graham to come to her home and was learning the secret from him when the murderer hired by the gamblers shot and killed Graham, thinking he was Kendall. Kendall, being told what his wife had done for him, turns out his maiden aunts, who created much of the trouble, and he and his wife are happy once more.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Man's Woman perfectly mirrors the editorial trajectory of our deep dive.

Jane Lawson takes the blame for her younger sister Ruth's minor romantic indiscretion, and is thrown out of the house by her straight-laced parents. She finds work as a department store model, and then marries Will Rogers, her boss's dissolute son, even though George Blake, another store employee, is a far more wealthy and sensible suitor. Will starts embezzling store funds, and when George finds out, to protect Jane, he gives Will some money and sends him to Alaska to make good. His habits fail to improve, however, and when Jane goes to Alaska to meet him she arrives just in time to watch him hang for murder. Suddenly, Jane realizes George's true worth, and so marries him as soon as she returns.

Dir: Travers Vale

Ralph Semple already has a wife, but marries rich Beatrice Raymond, and then deserts her after cheating her out of $10,000. Later, when Beatrice hears that Ralph has died, she marries Jerry Trainer, a widower, but keeps her past a secret. Ralph, who started the rumors of his own death, then returns to blackmail Beatrice, who is determined to keep Jerry from finding out about her first marriage. Meanwhile, Ralph makes plans to elope with Jerry's daughter Edith, but when Beatrice learns of the impending wedding, she decides to stop it, and so goes to see Ralph in his apartment. Jerry walks in on them, however, and assuming that they are secret lovers, he throws Ralph out and denounces Beatrice. When Edith arrives at Ralph's, however, Jerry realizes that his wife was only trying to save his daughter, and so he and Beatrice are reconciled immediately.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Tangled Fates perfectly mirrors the editorial trajectory of our deep dive.

Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, a son of the Russian aristocracy. When Alexis' father arranges a marriage of convenience between his son and Olga Karischeff, the daughter of the ambitious minister of police, Ilda, asked to play "God Save the Czar" at the betrothal celebration, refuses, and is whipped before the entire assembly. Alexis rushes in and rescues her from his father's wrath and then writes a letter to the Karischeffs, terminating his engagement to their daughter. In retaliation, the minister of police, who is being forced to resign, sentences both Ilda and Alexis to ten years in Siberia as his last official act. In Siberia, the couple attempt to escape, but are caught and are facing a firing squad when Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. Ilda and Alexis return home, and the count, penitent, finally grants them his blessings.

Dir: Travers Vale

On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife. While wandering along the docks, Sylvia stumbles onto a suicide note written by Fitzhugh Castleton, a wealthy gentleman who has planted the note to avoid a loveless marriage. Rather than go back to Lone Meadows humiliated, Sylvia pays Crosby, a convicted forger, to impersonate Castleton, forge his name in a marriage ceremony, then disappear. Once Sylvia installs herself in the Castleton mansion, Castleton returns from a sea voyage and, disguised by a long beard, hires on as the gardener. Castleton soon becomes enamored of the impostor widow and she falls in love with him, but neither one will admit his deception to the other. When Crosby shows up and demands blackmail money, Sylvia slips away to the country. Through the jealous interference of Crosby's wife, Castleton discovers the truth about Sylvia and goes to Lone Meadows to marry her.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of The Men She Married perfectly mirrors the editorial trajectory of our deep dive.

Betty Fairchild decides to follow the advice of her mother and marry for money. Thus, when Tom Connolly arrives from the West with his fortune, she accepts his proposal even though she does not love him. The idealistic Tom is completely disillusioned when he learns why his wife married him and promptly leaves her. Rupert Brantley, a wealthy cad, seizes this opportunity to win Betty, but she gradually realizes that she has been wrong and repulses him. One day a letter from Tom's mother arrives and Betty innocently opens it. It contains letters and a photograph of a man who betrayed Tom's sister, with a plea to Tom to avenge the family. Recognizing the man as Brantley, Betty rushes to his apartment to warn him and thus prevent her husband from becoming a murderer, but Tom follows her and accuses her of infidelity. To prevent a fight, Betty remains silent. When she returns home, however, she shows Tom his mother's letter, which leads to a reconciliation between them.

Dir: Travers Vale

When lawyer Philip Wentworth goes hunting in the woods to escape a broken heart, he meets and later marries Joan Travers. Philip brings Joan to the city, but soon deserts her to resume an affair with his old flame, who is now married. Some months later, Joan dies of grief, leaving her baby daughter, also named Joan, to be raised by a pawnbroker and his wife. Eventually Philip helps his mistress to obtain a divorce and then marries her. Her son, Norman Dicks, flunks out of college, prompting Philip to send him into the Navy. Before he ships out, however, he meets and secretly marries Joan, who has grown to womanhood. Some time later, Joan is accused of murder after their baby dies because she was unable to care for it. She is taken before Judge Wentworth, who recognizes her as his daughter by the cross she wears around her neck. Norman returns home and the family is reunited.

Dir: Travers Vale

Louis La Farge journeys to a little Alsatian village and there makes love to a pretty shepherdess named Marie Beaupre. Following his departure, Marie is cast out of the village, and, forced to survive in the mountains alone, she goes mad. On a hunting trip, hypnotist Dr. Cochefort and his friend Delaunay meet the "witch woman," as she is called, and take her to Paris, where she is cured and then named the heir to Delaunay's fortune. Her adopted guardian introduces her to Louis's twin brother Maurice, and she, believing him to be Louis, flirts with him while searching for an opportunity to obtain revenge. Andrea Montignac, Louis's mistress, begs Marie to give him up, not realizing that it is Maurice who courts her, and, at a masked ball, Marie announces that Louis and Andrea are engaged. Louis only laughs and seizes Marie, whereupon Andrea shoots him. When Maurice enters, both women realize their mistake, and Andrea commits suicide. Maurice then gives Marie his forgiveness and his love.