The Definitive Guide Deeply Connected to The Third Woman: Cult Guide

Dir: Charles Swickard

A friend of Dick Bailey is killed by a mysterious assailant, whom Dick suspects to be Stack, who is in league with the crooked sheriff. Out on a spree Dick swears he will marry the first woman he sees, who happens to be Ruth Hammond, sister of his dead friend, arriving to take charge of the Hammond ranch. Revolted by his rough proposal,she fires him as the Hammond foreman and she proceeds to the ranch. Stack informs her he has purchased the ranch for the payment of the back-due taxes, and she relents and rehires Dick and his friends to aid her in her fight against Stack.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Charles Swickard

Just over the American side of the Mexican border, Big Jim Burmister, the Sheriff, kept law and order, being both feared and hated by the Mexicans who were thus forced to keep within the bounds. Conducting the saloon and gambling hall is Joe Nagle. His devoted slave, who is also his faro dealer, is "Blootch" White. He is much attached to Lottie Nagle, who bears the surname of the saloon-keeper by courtesy only. The Valyez family, the newest arrivals in the little town, are a source of interest to all. The girl, Nita, whose Mexican father is dead, has inherited a great many of his traits. Carlos, a gambler and a bully, is enamored of the girl. His passionate wooing almost wins her, but at the last moment her contrary nature causes her to turn upon him with angry vehemence. Carlos, angered, returns to the saloon. He starts drinking, and before long he is shooting up the place. He is arrested by Jim, who imposes a fine or imprisonment for a year. Carlos is forced to accept the latter alternative. When Nita hears of this, she hastens to the saloon and soundly berates Jim, who has just received word that the nearest town across the border had become infested with the plague. Joe Nagle gives Nita the money to pay the fine of Carlos, thus thinking to win her heart. Lottie jealously watches this, and later overhears Joe telling "Blootch" to "get Carlos." She warns Carlos and gives him a gun. She has seen the notice of the plague and conceals it so that it does not become public. When "Blootch" accuses Carlos of cheating, the latter kills the faro dealer. Then Lottie whispers to him to take his horse and Nita and go across the border, though she knows she is sending them to brave infection. Carlos goes to the cabin of Nita, telling her that he has killed the faro dealer and that they must flee; but at the last moment she does not want to leave her mother. While they are arguing, Big Jim raps upon the door. Nita hides Carlos in a closet. Then Jim plays upon her jealousy and intimates that Carlos has been having an affair with another girl. She grasps Jim's gun and shoots toward the closet, but on the instant is sorry for her act. Jim, realizing that she loves Carlos, goes outside. When Nita opens the closet she finds it empty, as Carlos has escaped through the thatched roof. As Jim is waiting outside, Carlos sneaks along the roof and shoots him. Then he rushes down to Nita, and with sheer force, compels the fainting girl to accompany him. They have just gone when her mother returns, and bandages Jim's wound. Though weak from loss of blood, he takes up the pursuit of Carlos and Nita. When he arrives, after a day's pursuit, he finds Carlos dying a victim of the plague, while Nita is caring for him. Thinking that she loves the Mexican, Jim leaves for the border, but before he has gone far he falls from his horse, where he is found later by Nita. who has come to seek him. realizing that she loves him.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of Mixed Blood perfectly mirrors the editorial trajectory of our deep dive.

British army doctor Robert Lowndes battles a cholera epidemic at a small fort in Cawnpore, India, in the 1850s. When he catches a fever he begins to take morphine in order to continue treating his patients. Unfortunately he becomes an addict. He is supported by his girlfriend Betty Archer, but a rival suitor, Capt. Guy Douglas, is determined to get Lowndes out of the picture any way he can, including giving him drugs. Matters are further complicated by the outbreak of the Sepoy Rebellion, a nationwide mutiny of Indian soldiers in the British army, which breaks out in Cawnpore.

Dir: Charles Swickard

Captain Unger is relating the story of his love for the Hindoo woman, Indore, to Captain Duane and begs him if anything should happen to care for their little girl. When the officers leave the room a Hindoo sent by Indore's husband poisons the decanter of wine. Unger returns and is astonished to see Indore, who has made her way to him. He consents to take her away, drinks the wine, and falls dead. Indore lifts the glass to her lips to die with him, but it is snatched from her by the native, who carries her back to his prince. She is reduced to slavery in the harem. Duane takes the child, Agatha, to England. Agatha develops into a beautiful woman. She is reading a message from Duane with a heavy heart, for it says he is on his way with his bride, Florence, to join his father on his journey to India. En route they meet the Grand Duke Alexis, who has known Florence in the past. Alexis, perceiving that Florence is jealous of Agatha, forces her to think her husband loves the Indian girl. In India, Alexis informs Agatha her mother is not dead and that she might see her. Guided by a native, Agatha confronts the prince and asks for her mother; he parries her question. Looking at her with a lustful smile, he draws near and she retreats in terror. Struggling fiercely, the girl screams as he overpowers her. Indore hears the scream, slips into the room and stabs the prince. She recognizes her child and clasps her in her arms. Thus the guard finds them. Jang Sahib, the hunchback, rushes in when he hears the guard's shriek, and orders the native to spread the news that their prince has been murdered by an English infidel. Soon there is a riot and many white men are slain. Captain Duane, discovering that Agatha has gone to the palace, hastens with a few horsemen. Jang Sahib tells Duane Agatha is not there. Duane fights. Meanwhile Florence, convinced by Alexis of her husband's infidelity, has left on a steamer with him, leaving a note for Duane. While crossing the desert in Sahib's caravan, Indore jumps over the cliff. She is later picked up by some traders still alive, but has lost her memory. At the Walled City Sahib compels Agatha to marry him. On the wedding day she grasps him by the throat and chokes him to death. Duane, crushed by despair, shuns the haunts of white men. He wanders into a native dive, and is startled by the sight of a dancing girl. He staggers to her and, in spite of the curses of the people, leads her out. It is Indore, whom he mistakes for Agatha. She does not even remember her child's name, but when left alone in Duane's home is stabbed by the prince's servant. She is shocked into her right mind and demands to know where Agatha is imprisoned. At the head of a troop, Duane goes to the Walled City in time to snatch Agatha from the funeral pyre into which she is being forced by the subjects of the murdered Sahib. They escape and begin their journey back. Duane and Agatha are happy at seeing each other again.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of The Beggar of Cawnpore perfectly mirrors the editorial trajectory of our deep dive.

George Farrelly, the bored custodian of the safe-deposit vaults in a New York bank, is visited by his childhood sweetheart, Charity Garvice, who tells him that his blind old teacher, Martha Owen, has a premonition that something is wrong in George's life. For the teacher's benefit, George tells a story of taking a diamond necklace left out of a strong box belonging to bank president Harrington's wife, almost giving it to a girl and then keeping it because it is too late to return it. The teacher is relieved when George accepts her advice to return the necklace, but Charity worries when he tells her that the story is true. He returns the necklace and Harrington gives him one hour to see Charity before he calls the police. After George marries Charity, Harrington admits that the necklace was left to test George's honesty, and he offers George the position of assistant manager.

Dir: Charles Swickard

When Jerry Marston played a sharp business trick on Hop Li, the leader of a Chinese tong, he made the mistake of his life. Jerry never knew what became of one of the Marston twins mysteriously disappearing less than three weeks after the boys were born. So the anxious years passed until his only son Alvin had married and gone abroad on his wedding tour. One evening the butler handed Jerry a package, and at the same time delivered a wireless message telling that Alvin and his bride Edith were arriving on that day's ship from abroad. Marston opened the package. Before him lay a red poppy, a sign of death sent him by Hop Li. When Alvin and his bride reached the house, they found Jerry dying with the red poppy clasped in his hand. Alvin knew enough of Chinese lore to realize that his father had received the tong's death signal and thereafter Alvin lived in the dread of a like warning. On their wedding anniversary, Alvin presented his wife with a string of pearls. That night as Edith lay in bed, she experienced what she thought was a frightful nightmare. Alvin, with leering face, seemed to appear at her bedroom window, enter and try to caress her. The next morning she discovered that her pearls were missing. Alvin assured her that the mystery would soon be cleared up and left for his office. When the man Edith presumed was her husband returned home that evening, his face was dark and leering. When she tried to summon help, he silenced her and then, throwing her pearls at her feet, disappeared. Mystified she summoned Helen and Rex Durant, neighbors. They assured her that Alvin would soon come home safely and as his usual self. When she read in the morning of a crime in Chinatown (the murder of Hop Li, and the burning of his opium den) she connected it with her husband, and his revolting appearance the previous evening. She associated his disappearance with the crime and decided to announce to her friends that her husband had gone to a sanatorium. Several weeks later Rex and Helen Durant came upon Alvin as he was walking aimlessly through the streets. They took him home and told Edith her husband had escaped from the sanatorium. Continuing the deception, she accepted the man as Alvin, but his strange conduct so mystified her that she was mentally tortured. She was convinced that the man was not her husband, but one who strikingly resembled him. One evening the prison siren sounded a screeching alarm. A prisoner had escaped. The sound was so distressing to Mrs. Marston that she pleaded with her companion to take her into the library where the noise might be less acute. While the man and woman were standing near the fireplace under a great Chinese vase, they were startled by a pistol shot. The bullet hit the vase which broke and part of it fell upon the man's head. The shock restored Alvin to his normal mental state. The two turned to the library door and saw a man fall to the floor. Rushing to where he lay. Mrs. Marston recognized the man who had appeared at her bedside and who had returned her pearls. The dying man related that he was Alvin's twin brother whom Hop Li had stolen when but an infant, and had brought him up an opium fiend. His hatred finally conquered him, and he committed the vengeful act of murder of which he has been convicted. Immediately after the guards arrived and found the man dead upon the floor. The picture ends happily with Alvin and Edith restored to connubial felicity.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Gates of Doom perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Charles Swickard

Dick Bisbee loses his job in his millionaire uncle T. W. Bisbee's factory because of the hostility of crooked manager Elmer Robbins. Before leaving, Dick denounces his uncle for his niggardly ways and advises him that there are no pockets in a shroud. Dick goes to live at the home of his one office friend, bookkeeper Stetson, and he falls in love with Stetson's daughter Helen. The next day T. W. feels remorse and under Dick's guidance he abandons his miserly ways and spends his money having a good time. After overhearing Helen telling Dick what she would do if she had T. W.'s money, T. W. follows her advice. Robbins is arrested for embezzlement, and T. W. makes Stetson manager and Dick a partner in the factory.