The Global Archive For Devotees of The Unpainted Woman: Cult Guide

Dir: Tod Browning

Jim Bludso is engineer of the Mississippi River packet the "Prairie Belle." He has a home in Gilgal, Ill., and a wife and twelve-month-old baby at the time the story opens, in 1861. A call is received for volunteers and he joins the Northern army. His wife is a Southern girl, and she opposes his joining the Union forces. The quarrel results in a separation and Jim goes to war. Ben Merrill, an unscrupulous contractor, meets Jim's wife in Natchez, her home town, and induces her to go with him to New Orleans. She deserts her baby and goes. In New Orleans a levee contractor comes to Merrill with the proposition that they take the contract for a new levee to be built at Gilgal. Merrill accepts and leaves New Orleans without telling the woman where he is going, and she is left to take care of herself. After the war Jim returns to Natchez and finds that his wife has deserted their little boy, and no one knows where she is. He takes the boy, Little Breeches, and Banty Tim, a negro, who has saved his life during the war, and returns to Gilgal. He is welcomed by Kate Taggart, the daughter of the village storekeeper. Jim's wife yearns for her baby and returns. Jim forgives her for the child's sake. The high waters are coming on and Merrill is afraid that the levee will not hold. He plans to lay the blame on Jim and the negro. He arouses the suspicion of the townspeople against the negro and Jim is forced to fight for Banty Tim on several occasions. Merrill meets Jim's wife and induces her to loosen the sandbags and leave the water into the village. She escapes in a boat, the bottom of which has been cut by Merrill. In the middle of the stream the boat begins to sink and Banty Tim goes to her rescue. The negro is accused of breaking the levee and then escaping. Jim offers his life as a forfeit if the negro does not return by sunrise. The next day the village people are at Indian Mound, and the men are about to hang Jim because Banty Tim has not come back. Just then he comes on with Little Breeches, who tells of his rescue by the negro. A year later Jim is again engineer of the "Prairie Belle." In a race with another boat the engines become overheated. Merrill is aboard and Jim has him locked in the oil room. When the boat takes fire Jim goes and opens the door of the oil room and finds his son there with Merrill. While they are trying to escape the boilers explode. Jim is rescued from the debris by Banty Tim. Some time later Jim's wife having died, he and Little Breeches and Kate and Banty Tim are united in a happy family.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of The Virgin of Stamboul perfectly mirrors the editorial trajectory of our deep dive.

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Tod Browning

Princess Marya and her brother, the Grand Duke Paul of Russia, are studying in the U.S. when word reaches them that Rasputin is to be killed. Paul is seized by Russian secret service men, but through Marya's appeal to Captain Rodney Willard, he is released. In Russia, Marya participates actively in the Revolution, while Willard, with whom she has fallen in love, joins the Allied Commission. Deeply troubled by the influence of German agents in Russia, Marya organizes the Legion of Death, a fighting unit of peasant women, and leads them into battle against the Germans. The legion suffers defeat and Marya is captured, but in the end, she wins her freedom.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of The Legion of Death perfectly mirrors the editorial trajectory of our deep dive.

Roma Wycliffe, a high-spirited girl bored with the lavender-and-old-lace atmosphere of her Aunt Henrietta's estate, discovers that her grandmother was a gypsy and decides to become one herself. Wearing gypsy clothing, she runs away to New York, where she is arrested on the suspicion that she is Gypsy Nan, a thief. Mrs. Roberts, whose poodle had attracted Roma's attention, intercedes for the girl and, promising to care for her, takes her to her lavish home. Young John Roberts falls in love with Roma, but the "gypsy" imagines him too stodgy. To win her love, John declares himself the leader of a band of gypsy thieves and then hires a gang of ruffians to prove his claim. When the thugs actually rob a bank, John has them arrested, and Roma, realizing the darker side of gypsy life, marries John.

Dir: Tod Browning

Carma Carmichael, who lives with her uncle Quincy, is kidnapped by her renegade father Roger and taken to his ancestral Southern home. Uncle Quincy sends young Jack Carrington to investigate and goes into hiding, leading the Carmichaels to believe he is dead. Carma is at first suspicious of Jack's intentions but soon learns that the man who abducted her is actually an impostor who murdered her father and now lives in the plantation with a group of thugs. Despite "Roger's" attempts to take Jack's life, the young man incites the thugs against him and they attack the house. Uncle Quincy arrives with a posse, and after their rescue, Carma and Jack embrace.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of Set Free perfectly mirrors the editorial trajectory of our deep dive.

Doris Standish's father insists upon her marriage to aging millionaire Cyrus W. Hopkins, but just before the wedding, the young woman runs from the house and leaps into a parked car, ordering the chauffeur to drive her quickly away. The driver is Jimmy Nevin, who, because Hopkins financially ruined his father, has agreed to help a gang of crooks in their plot to steal the bride's jewels and wedding presents. Realizing that Doris is not Mary Butler, his accomplice, Jimmy offers to accompany her home, but when she refuses to return, he takes her to the thieves' hideout. Mary and her henchmen try to rob Doris, but she escapes and notifies the police. Doris, her father and Hopkins return to the hideout just before the police arrive to arrest all of the thieves but Jimmy, who has grown extremely fond of the runaway bride.

Dir: Tod Browning

Master thief Blue Jean Billie, the unknown perpetrator of many sensational jewel heists, robs the guests at the exclusive party marking the engagement of Muriel Vanderflip to Algernon P. Smythe, Lord Chesterton. Overpowering Detective Wood, specially stationed there to stop her, Muriel escapes with her chauffeur, Shaver Michael. After Shaver's car overturns, Billie surprises her pursuers, and at gunpoint, makes them return, but Smythe, hiding on the side of Shaver's car, accompanies them until Billie discovers him and makes him take them to his home, where she holds him prisoner. To Shaver's dismay, Billie and Smythe fall in love. After they escape a police raid, Smythe convinces Billie to send the jewels back and marry him. Although she has her doubts when she learns that Smythe is really the international crook "English Harry," after he fights Shaver and locks him and Wood in their retreat with the stolen jewels, Billie and Harry make their final escape vowing to go straight.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of The Eyes of Mystery perfectly mirrors the editorial trajectory of our deep dive.

Peggy Desmond, the daughter of an Irish magistrate, loves Captain Neil Dacey, but is pursued by Terence O'Malley, the nephew of Squire O'Malley, a wealthy landowner. Although the squire offers to pay off the Desmonds' debts if Peggy were to marry Terence, Peggy refuses. After Neil invokes the name of Rory O'More, the "Will o' the Wisp," a legendary Irish Robin Hood, Peggy dresses up as a highwayman and robs Squire O'Malley, then gives the purse to one of the squire's poor tenants. As the local law officer, Neil is assigned to capture the bandit, but is robbed himself by his clever incognito sweetheart. When the squire turns up dead, Neil, whose gun is found next to the corpse, is arrested and jailed. To free her love, Peggy disguises herself once more as a highwayman and forces Terence to confess to the murder at gunpoint. Once released, Neil deduces that Peggy is the bandit and makes good on her promise to marry the man who succeeded in unmasking the "Will o' of the Wisp."

Dir: Tod Browning

Rosie Cooper is cashier in a cheap restaurant and among those she favors is - Smith, the bakery boy. Rose is a 'wise kid' all right, but it takes her some time to see through a shiny young thin model gent - . The girl entertains his advances because he means romance to her. But he proves his shallow character and Rosie is glad to turn to Jimmy, the bakery youth.

Dir: Tod Browning

Eleanor Hamlin, a forlorn little orphan living with her grandparents in Cape Cod, is adopted by a wealthy New Yorker, Beulah Page, and her friends. Beulah does not love Eleanor, but her friends -- particularly Peter Bolling, a man she has chosen for herself -- are captivated by the girl. To get Eleanor out of the way, Beulah sends her to an upstate finishing school, but the plan backfires when Eleanor returns a refined and radiant young woman. Realizing that Peter is in love with Eleanor, Beulah tells her that she is engaged to him, and Eleanor sadly returns to her old Cape Cod home. Peter follows her but she eludes him, and although Beulah's deception ultimately is revealed, Eleanor informs her benefactors that she wishes simply to remain their child.