Deep Archive Finds Movies That Echo the Spirit of The Upper Crust: ...

Dir: Rollin S. Sturgeon

Realizing that it would be difficult to support a wife on his meager income, struggling physician Jack Stilling loses his love, Faith Channing, to the wealthy James Winthrop. After Faith and Winthrop marry, they begin to drift apart as Winthrop becomes consumed with his pursuit of social ambition. When her husband falls under the spell of fashionable Hortense Filliard, Faith determines to bear him a child in order to win him back. The infant dies soon after its birth, however, and Faith falls into a deep depression, forcing Stilling to prescribe morphine for her. Winthrop, spurred on by Hortense, conceives of a plan to addict Faith to the drug and then file for divorce. His plans backfire, however, when he becomes a slave to the drug and dies in a fit of delirium. Stilling intervenes in time to spare Faith the ravages of addiction, and the doctor and the woman he never ceased loving prepare for a new life.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Shuttle perfectly mirrors the editorial trajectory of our deep dive.

Bettina Vanderpoel, the charming daughter of New York millionaire Reuben Vanderpoel, departs for England to visit her sister Rosalie, who is married to Sir Nigel Anstruthers, an impoverished English nobleman. Arriving at their dilapidated estate, Betty finds that Nigel not only has wasted Rosalie's fortune, but has treated his wife and their little son cruelly. Betty promptly repairs the estate with her own money and then introduces her sister into English society. In the process, she meets Lord Mount Dunstan, a proud but penniless nobleman who lives in the adjacent estate. Although strongly attracted to Betty, Dunstan avoids her so as not to appear a fortune hunter. An epidemic breaks out among the farmers, and Betty, hearing that Lord Dunstan has died, goes riding late one night to forget her sorrow. Sir Nigel finds her in a deserted hut and tries to attack her, but Lord Dunstan appears, rescues her, and finally confesses his love. Soon after, Sir Nigel contracts apoplexy and expires, thus freeing Rosalie.

Dir: Rollin S. Sturgeon

A professor's daughter craves excitement and sends her father on a treasure hunt. The captain leaves him to die on the island and returns for his possessions and the girl. Dick saves her father from the island and comes to her rescue.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Betty and the Buccaneers perfectly mirrors the editorial trajectory of our deep dive.

Mary Melville marries rich playboy Claude Varden to please her invalid mother. On the night they are to depart for a South American honeymoon, Mary's mother becomes seriously ill and Mary decides to stay home and taker care of her. Varden goes on the trip anyway, as he owns some mines in South America. However, Tom Nelson, the husband one of the many married women Varden has had affairs with in the past, is stalking him and follows him on board the ship. On the ship Varden meets the beautiful and rich Nitra Ruiz and her brother Ramon. Deciding that he doesn't want to be married to Mary anymore, he proposes to Nitra. However, his plans don't quite work out the way he had wanted them to.

Dir: Rollin S. Sturgeon

A girl's father cannot afford a train ticket, so he ships his daughter by Wells Fargo & Co. Express. He loses his money to a villain and cannot claim his "shipment." The villain attempts to claim her, but the Wells Fargo agent foils the plot and claims her himself.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Whose Wife? perfectly mirrors the editorial trajectory of our deep dive.

How the lust for power influences and drives lives and destiny.

Dir: Rollin S. Sturgeon

Mildred Manning, known as Middy, is an apprentice in Madame Lizette's fashionable shop. Her beauty is discovered by Madame's brother, George Martin, and she is made a model. One afternoon, she tries on a rejected bathing suit and by adding a touch here and there, makes it into a beautiful creation. Madame then sends her to the beach to carry out a clever advertising scheme. At the shore, Middy is pursued by a reporter and photographer, who have been commissioned by Madame to photograph the girl for calendar advertising. In her flight from the publicity men, Mildred takes refuge in a car owned by lawyer Philip Gordon, who gets into the vehicle and drives off with Middy. Middy, fearing exposure, asks him to drop her off at a fashionable residence. When Gordon later returns to the address to call on Middy, he is puzzled to be greeted by an aging spinster. After Middy's picture appears in the calendar despite her objections, Middy quits her job at Madame Lizette's and threatens to sue to prevent the use of her photo for advertising purposes. At this point, Gordon traces her through the calendar and takes her case, refusing to let her go again until she promises to marry him.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Unclaimed Goods perfectly mirrors the editorial trajectory of our deep dive.

When Amos Divine is retired with a meager pension, his spoiled wife Christina castigates him, but their optimistic daughter Mary Beth, who longs for a musical career, helps them economize. Meanwhile, composer Richard Warner arrives from Vermont, but his hopes of selling his ballads are dashed by publishers who want cheap, trashy melodies. Mary decides to rent the attic room, and Richard, hearing her play, takes it. After Richard accidentally starts a fire while raptly composing, Mary begins to fall in love. Penniless, Richard starts to asphyxiate himself, but Mary brings him biscuits and encourages him to persevere. After Mary finds Richard's song, "The Rainbow Girl," dedicated to his "Loved One," he explains that he cannot marry his sweetheart until he has made good. Mary jealously says that she too has a sweetheart, "Snookums," but they have quarreled. After Mary secretly sells Richard's song to a publisher, Richard, seeing her cry, sends flowers from "Snookums" to effect a reconciliation. When Mary reveals that there is no "Snookums," Richard confesses that Mary is his "rainbow girl," and they embrace.

Dir: Rollin S. Sturgeon

While attending college in Washington, D.C., Yuki Onda, the daughter of a Japanese samurai, meets and falls in love with Pierre Le Beau, a diplomatic attaché. At the outbreak of the Russo-Japanese War, Pierre is sent to Japan as attaché to the Australian ambassador. When Yuki's father discovers his daughter's romance with a foreigner, he becomes enraged and betroths her to Prince Hagane for political reasons; being an obedient daughter, Yuki agrees to the match. During a political meeting, Yuki's husband commands her to see that nobody enters the house. During her vigil, Pierre arrives, half-crazed with fever and the desire to see his beloved. Out of revenge, he steals an important document from Hagane; believing that his wife has acted in dishonor, Hagane agrees to trade Yuki for the paper. Worn out with grief and struggling against her love for Pierre, Yuki kills herself, and Hagane delivers the body to her true love.

Dir: Rollin S. Sturgeon

A fascinating piece of cinema that shares thematic elements.