Recommendations
Senior Film Conservator

The cinematic DNA of The Volunteer (1917) is truly one of a kind, the search for similar titles reveals the deep impact of Harley Knoles's direction. Our cinematic experts have identified several titles that reflect the spirit of 1917.
As a pivotal work in United States cinema, The Volunteer to capture the existential zeitgeist of 1917.
Madge Evans, World Film Corp. juvenile star, is sent to her Quaker grandparents, Timothy and Tabitha Mendenhall, when her father and mother go to serve in World War I. After bidding farewell to the World stars, Madge goes to her grandparent's home where she experiences stern discipline. Jonathan Mendenhall, her uncle, is anxious to enlist, but is forbidden by his father, whose religion opposes fighting. Madge creeps into the old Quaker's heart by degrees, but he maintains unrelenting discipline in the household. Jonathan comes of age, enlists despite his father's opposition, and is disowned. When Madge's latest picture comes to town, the child implores her grandfather to take her to see it, but he refuses. Timothy secretly visits the theater, however, and is completely won over by Madge's acting. A change takes place in the old Quaker's nature as he praises Madge, forgives his son and writes to Madge's mother, whom he had cast out when she married against his will, to be sure and bring her husband back safe.
The influence of Harley Knoles in The Volunteer can be felt in the way modern cult films handle stylistic flair. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of The Volunteer, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Harley Knoles
Little Carol Montgomery's father, a navy commander, discovers a spy in the house, he earnestly counsels the family not to answer questions regarding themselves. Later, while attempting to follow her mother, Carol becomes lost on the subway, and, taking her father's words to heart, refuses to tell a police officer who she is. Eluding the officer, Carol falls asleep in a tenement hallway where she is found by Beppo, an organ grinder who decides to add her to his show. They travel south, where, becoming separated from Beppo, Carol seeks refuge at the Fairfax plantation. Mrs. Fairfax, estranged from her husband because he had disowned their daughter years earlier when she eloped without his permission, refuses to speak to anyone. However, under Carol's winning influence, the Fairfaxes are reconciled and send for their long-lost daughter, who turns out to be Carol's mother.
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Dir: Harley Knoles
After an explosion that sinks a yacht, Elma is shipwrecked with Micah, who claims her father ruined him by stealing the plans of a valuable machine.
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Dir: Harley Knoles
When untalented artist Wilfred Barsley is eager for success, he sells his soul to the devil, who first has him kill his uncle for an inheritance. Then, the devil instructs him to commit the sickly, struggling artist Paul La France to a sanitarium and exhibit Paul's paintings as his own. After doing so, Wilfred becomes an overnight modern master, while Paul, during his convalescence, loses his memory and also his sweetheart, Helen Danver, who does not know that he has been hospitalized. Then, when Helen sees one of Wilfred's paintings and recognizes it as Paul's, she bluffs an interest in the fake artist to get information about the real one. After she succeeds, she goes to Paul, and the sight of her restores his memory. Meanwhile, having returned to the vault where he had stashed his uncle's body, Wilfred dies when the door slams shut on him.
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Dir: Harley Knoles
Divorcée Adrienne Van Couver visited clairvoyant Mme. Melvina, who tells her that a tall dark man, Robert Warren, is excited over a letter he has just received from her, telling him she does not love him. The fortuneteller bids her beware of him, then tells her that Henry Armstrong, the man she loves, will never love her. The clairvoyant then tells Adrienne of a young girl, Lorraine, whose eyes are dim with the tears that she has caused in another part of the city, Lorraine greets her fiancé, Henry Armstrong, with ill-concealed dejection and he tells her he fears she still loves John Dean, but she dispels his suspicions. John Dean shares the secret of his silent love for Lorraine with his mother. Robert Warren goes out into the night; it is then he meets John. In the other's haggard face, John Dean sees traces of his own sorrow and trying to make it easier for this man who has been his friend for five years, he tells Robert Warren his story. Eight years ago he and Adrienne were married. For two years they lived on the money inherited from his father. It was then the baby came and the father found happiness in the touch of baby hands, but to his wife it made no difference. Then the baby became ill, and while its mother was away dancing, the little life slipped away. Six months later Adrienne was given a divorce. Then he and his mother came to New York and a few years later he met and loved Lorraine Barkley. Although Henry Armstrong was a dangerous rival, Lorraine loved him and he did not fear until the day when the Barkleys gave a reception. It was then he met Adrienne again and she taunted him with his love for the young girl. When she demanded money, he gave it to her. Lorraine sees this and misconstrues the situation. It is then her engagement to Henry Armstrong is announced. John finishes his story and Robert is maddened by the destruction of the halo he had built around the woman he loved. Robert makes his way to Adrienne, who has been nervous and ill at ease ever since she returned from the fortune teller. Robert's haggard appearance frightens her and she telephones Henry, but her call for help is only half-uttered when Robert forcibly takes the instrument from her. Alarmed, Henry starts off at once to help her. Meanwhile, John, fearful for Adrienne's safety, goes to warn her. He arrives just after Robert has made his escape after murdering Adrienne. When Henry arrives with two policemen, he finds John bending over the dead woman. He is arrested. Lorraine is brokenhearted when she hears of the arrest and pleads with Henry, who is a lawyer, to take Dean's case. Detectives search Robert's apartment and find here a coat with buttons similar to one found in the dead woman's hand, and one is missing. They trace Robert to the hotel and after a terrible fight he is taken into custody. Happiness came with the morning, for Henry took Lorraine's hand and told her she was released from her promise to marry him. Then she called up John Dean and told him that she was ready to marry him.
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Dir: Harley Knoles
As a prank, college student William Lewis and some of his friends break into a house and are interrupted by a policeman who is accidentally shot. Will's friend Sid accuses Will of the shooting, but Will manages to escape and moves to a large city far away. He meets and marries Alice Hamilton, and they later have a daughter, Editha. Will has a job as a bank teller and everything is going fine--until Sid shows up one day and threatens to expose Will as the man who killed the officer unless Will helps him rob the bank. Complications ensue.
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Dir: Harley Knoles
Agatha, called "Miss Petticoats," is daughter of a French nobleman and an American woman, lives with her grandfather, Captain Joel Stewart, since the death of her mother years before. Knowing nothing of her royal heritage, Agatha gladly takes a job as secretary to the wealthy Sarah Copeland, whose nephew, Guy Hamilton, immediately begins pursuing the new employee. Jealous of Agatha, one of Guy's former sweethearts, Mrs. Worth Courtleigh, starts spreading rumors about her, and when Joel hears a particularly scandalous one, he dies of shock. Taking Agatha away from all the gossip, Sarah sails with her to Europe, where Agatha finally learns about her bloodline, and also discovers that she is the heiress to a fortune. Then, when she and Sarah return home, Agatha forgives all the people who believed the rumors, and marries the Reverend Ralph Harding, who was always certain of her innocence.
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Dir: Harley Knoles
Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Turner and Stanley Sargent--all of whom become fascinated with her. Helene leaves the Village when Ned's jealousy disrupts the camaraderie of the quartet and becomes a stage star. Meanwhile, all of the artists have attained success except Jaffrey, who refuses to taint his art with commercialism. Helene, learning of Jaffrey's failure, visits him in the Village and accepts his marriage proposal.
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Dir: Harley Knoles
Jo March and her sisters Meg, Beth, and Amy live in a happy family in Concord, Massachusetts. Jo yearns to be a writer, and through the course of the years, finds much within her own family to write about.
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Dir: Harley Knoles
Alan Winthrop, the younger son of an English family, accepts the blame for his older brother's loss of five thousand pounds at cards, and is turned out of the house. This gives the young man the opportunity he desired, travel. In America, Ralph Cornwell, an unscrupulous young millionaire, asks Edward Strong, a bankrupt financier, for his daughter's hand in marriage, in exchange for which Cornwell will clear all of Strong's liabilities. His need for money determines Strong to influence his daughter. Edith tells Cornwell that it is to be a marriage of convenience. At the wedding supper Cornwell becomes intoxicated, and after the guests have departed Edith struggles to free herself from his embraces. She eludes him and leaves the house. Cornwell finds her note saying that she cannot live with him. Alan Winthrop, now in America, gets a position as caretaker of Cornwell's mountain lodge, and is told to engage a woman to help him. Cornwell impresses on Alan's mind that in the mountains he is known as "Colonel Page." Unable to get work Edith applies for a theatrical position. When the manager intimates that he will give her a position if she is "nice" to him, she tells him she would rather die. That night, while Alan is making his way to the railroad station, preparatory to leaving for Sylvia Lodge, he sees her jump off a pier. He rescues her. She tells him that she has nothing to live for, and he engages her to help him in the care of Sylvia Lodge. Cornwell has an "intimate friend" in Laura Le Moyle, who left her husband to go with him. At a dinner given by Cornwell, he pays marked attention to Kathleen Lorraine, thereby Incurring the jealousy of Mrs. Le Moyle. Alan and Edith reach the lodge, and Jaeger warns them that the lodge is haunted. Saul Potter, the half-crazed ex-caretaker of Sylvia Lodge, sees them coming, and realizes that Colonel Page must be coming back. He tells Jaeger that the chance to kill Page has now arrived. He stares through the window into Alan's cottage, and Edith is frightened. When Edith communicates her fears to Alan he gives her a revolver, telling her to use it in case of need. Going through the lodge to prepare it for Page's arrival, Alan comes across a boudoir, beautifully furnished. On a dressing table he sees a framed photograph of Edith. Page arrives with his guests, among whom is Mrs. Le Moyle and Kathleen Lorraine. He again neglects Mrs. Le Moyle and she warns him not to goad her too far. He calms her, tells her to go to her room. Kathleen Lorraine has no maid, and while Alan is locking up the lodge Page tells him to send someone to help Miss Lorraine. Mrs. Le Moyle hears Page tell Miss Lorraine that he will come back to her later. Edith comes to help Miss Lorraine, while Pages goes to pacify Mrs. Le Moyle. Returning to Miss Lorraine's room there is a mutual recognition between Edith and her husband. Edith rushes from the lodge, goes to her cottage, and taking the revolver with her for protection leaves. Page leaves the lodge to follow his wife, and then Mrs. Le Moyle is seen pointing a revolver out of her room at the same time that Saul Potter is seen pointing his rifle. Both fire, and Mrs. Le Moyle throws her revolver out of the window. Page falls in the snow, where his guests come down in time to see him die. Edith meets Saul Potter and seeks his aid in getting away. Alan finds her and the revolver gone and sets out to look for her. He learns that Edith must leave at once, although she offers no explanation. There being no train until the morning, she is forced to stay at Saul's shack overnight. At the coroner's inquest the guests give their testimony and then Edith is summoned. She says she is the deceased man's wife. Fearing that Edith is guilty, and wishing to spare her, Alan says that it was he who killed Page, giving as a motive the fact that he found Edith's photo in a secret bedroom, and knew that Page was a villain. Then Saul Potter tells his story: A year ago he was caretaker at Sylvia Lodge. Page sent him on a trip to get him out of the way, and then he seduced his young wife, keeping her imprisoned in his secret bedroom. When his wife died he swore to have vengeance. He waited for Page to return and then killed him. At this point one of the guests brings a revolver which he found under Mrs. Le Moyle's bedroom window, and the coroner announces that the bullet which killed Page was of the same caliber as the ones used in this revolver. Unobserved, Mrs. Le Movie takes poison. After telling that she left her husband and sacrificed everything, only to be thrown off like an old glove by Page, she dies. Later that evening Alan receives a cable from his father saying that he knew the truth about the rambling episode, and bidding him return to his home at once. Alan tells Edith ho will go on one condition, that she accompany him as his wife. She agrees.
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Dir: Harley Knoles
Myron Leeds and his brother Roger are both in love with Mary, but when Myron wins her, his father disowns him. While Myron struggles as an artist to support his wife and little daughter Beth, Roger marries and settles into his father's sumptuous estate. Roger's maid Norah, concerned when the death of his little boy causes him and his wife to shut themselves off from all society, invites Beth to visit the estate posing as her niece. Beth endears herself to the couple, but Myron, driven to desperation by his poverty and his wife's ill health, decides to rob the estate. Roger hears that someone is breaking in, but in attempting to shoot the intruder, he wounds Beth instead. As a result of this unhappy incident, Roger resolves to share his fortune with his brother, and the family is reunited.
View DetailsAnalysis relative to The Volunteer
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Adventures of Carol | Surreal | Layered | 85% Match |
| Souls Adrift | Gothic | Linear | 89% Match |
| The Devil's Toy | Gritty | Layered | 96% Match |
| The Social Leper | Tense | Abstract | 86% Match |
| The Burglar | Surreal | High | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Harley Knoles's archive. Last updated: 6/20/2026.
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