Cinematic Discoveries Resonating with the Themes of The Way of the ...

Dir: Edwin Carewe

As Danny Rowland, a tramp, and his partner Dominie, an ex-minister, trudge wearily past the Winnicrest mansion in Tennessee, an old servant called Uncle Alex rushes up to Danny and welcomes him home as his long-lost employer, Richard Castleman. Amused, Danny assumes the role, and he and Dominie are clothed, fed, and generally treated like royalty. The beautiful Jean Logan, who had believed with the rest of the neighborhood that Richard was lost at sea, greets her returning sweetheart with a passionate embrace, and Danny soon falls in love with her. Dr. Harry Chilton, Richard's cousin and rival in love, maintains that Danny is an impostor, but Danny defeats him in a fight and banishes him from the estate. When Danny announces his intention to marry Jean, Dominie is shocked and tells her everything. Forced to confess to the sheriff, "Danny" reveals that he is indeed Richard, earlier robbed of his clothing and money by a crook named Danny Rowland, who died on a voyage to Australia. Relieved, all of the parties--with the exception of the jealous doctor--are reunited.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Sunbeam perfectly mirrors the editorial trajectory of our deep dive.

Big-hearted Prue, living in the slums, and Danny O'Maddigan, a reformed crook, want to buy a birthday cake for Prue's 75-year-old grandmother. They live across the hall from Ellen Rutherford, the destitute widow of Steven Rutherford, Jr., who was disinherited by his father, a wealthy candy manufacturer. Prue, who works at the candy factory, gives Ellen the money that was meant for her grandmother's cake so Ellen will be able to care for her son Bobby. Frustrated over the loss of the money, Danny steals the price of a cake from the factory's safe, leaving the safe's door open in his haste to depart. Danny's former gang arrives and cleans out the safe, and Danny is convicted of the crime and sent to prison for four years. While Danny is in prison, Bobby is struck by his grandfather's car and slightly injured. Stricken with remorse, Mr. Rutherford effects a reconciliation with his daughter-in-law and promises to use his influence to bring about Danny's release from prison.

Dir: Edwin Carewe

A daughter is grief-stricken by the loss of her father. His male friend becomes her guardian, and she is taken to live with the friend's mother. Time passes and romance blossoms in the girl's heart for her guardian. However, a love rival arrives from the city and catches his eye, and the drama unfolds.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Voice of Conscience perfectly mirrors the editorial trajectory of our deep dive.

In the House of Tears, there lived Robert Collingwood, his wife, Alice Collingwood, and their baby girl, Gail. In the courts Robert has been granted a decree of divorce and the custody of little Gail, upon evidence that Mrs. Collingwood has been found in a compromising situation with Henry Thorne, and her subsequent admissions. Once free, Mrs. Collingwood openly accepts the attention of Thorne, and they soon marry and go west to live. Thorne takes up the life of a prospector in a mining community, and his consistent failure proves a source of discouragement to him and unhappiness to the woman. Collingwood, his mind upset by domestic troubles, loses his fortune in Wall Street manipulation, and becomes a raving maniac. He drives his employees out of the office, and then goes to his home intending to kill his little daughter. In a chase up a staircase, he falls and is killed. An annuity he had settled on the baby when she was born, and which has been saved from the financial wreck, is the means of her education. Fifteen years later Thorne, who has been plodding along in the west, meeting with little success, wins $15,000 at faro in a desperate plunge one night. He has become tired of the woman he won by intrigue and his sudden prosperity turns his head. He arranges to go back to Wall Street to flirt with fortune, and he tells his wife he will not take her along, but will leave enough money for her to live on. She is horrified at the prospects of his desertion, and at the point of a revolver, demands his money. In a struggle which ensues, she is seriously wounded. Thorne leaves, believing his wife dead by the shot from her own hand. Back in Wall Street, Thorne electrifies other operators by his phenomenal rise to affluence, and he becomes the elegant man of wealth he aspired to be. Gail Collingwood, who has now grown to womanhood, is known under the name of Alice Gail, and employed as a reporter on the Evening News. She is sent to interview Thorne, who is now known as "Edward North." They become very friendly and their acquaintance soon ripens into love. In due time their betrothal is announced. Out in the mining town Thorne's wife has recovered, and she resolves to come back to the scenes of her youth. She is seeking Thorne in the great city, when Gail, who is riding in an automobile loaned her by her fiancé, runs down her mother, a poor, ill-clad, wandering woman. The mother is slightly injured, and she recognizes her daughter. They plan to make "North" face his past. Gail sends word for "North" to come to her home, as she is in trouble. When he arrives he is brought face to face with his wife, whom he believed to be dead. "North" becomes frenzied from fear, as he thinks the sad faced woman is an apparition, and he flees from the house. The apparition continues to haunt him, and in a half-crazed mood he drives his automobile blindly through the streets, ending by running off a bridge when he is hurled to death. Mother and daughter, re-united, then seek a happier existence.

Dir: Edwin Carewe

John Wheeler, a traction magnate, becomes heavily involved and is obliged to sell a large timber tract he owns in the Hudson Bay district. He owns the property jointly with Henri Corteau, and the deed is filed in the office of Magistrate Le Blanc, at Chalet. Bruce Mitchell, a wealthy young man about town, who is infatuated with Lois Wheeler, the madcap daughter of Wheeler, readily agrees to take over the property. In the northland the elder Corteau has died suddenly, and the Magistrate's office, together with the Wheeler-Corteau deed, is destroyed by fire. The Magistrate receives word of the transfer between Wheeler and Mitchell and he sends for Jean Corteau, the son and heir of the late Henri Corteau, and asks him for the deed his father held, telling him he wishes to make a copy of it. When he adds that it is the only copy in existence, Jean walks out, saying he intends to keep the land himself. Meantime Mitchell has pressed his suit for the hand of Lois, and she takes a violent dislike to him. She resents it because he tries to make plain that her father is under obligations to him. Soon afterward Mitchell goes to Wheeler and wants to know why the deed has not arrived. Wheeler hopelessly shows him a letter from the Magistrate, telling of Jean's action. Mitchell threatens to jail Wheeler, accusing him of obtaining money under false pretenses. Lois overhears the threat and also Mitchell's offer to let the matter drop if Lois will marry him. Lois agrees to this proposal providing her father's innocence cannot be proved. Lois goes to the northland and seeks out Jean. He will not see her, saying he will not have any dealings with women. The next day she sets out, dressed in boy's clothes, on a dog sled for Jean's home in the forest. Pierre, a guide, accompanies her. They arrive in sight of Jean's cabin at nightfall, when Pierre attempts to force his attentions upon Lois. She flees and seeks refuge in Jean's cabin, stumbling in his door in a faint. Later, she tells Jean she has become lest from a lumber camp, and asks if she may remain a while with him. He tells her he has always wanted a boy companion and helper, and that since she came like a "wounded snowbird" to his cabin, she may stay. Although Jean is brutal and primitive in many ways Lois soon finds he has a gentle nature. The next day Jean discovers Lois is a girl, when her fair falls out from under her cap. She confesses her identity and he is angry. But he consents to her remaining, and he fetches some of his mother's clothes for her. Her one desire to get the deed is realized when she is dressing and finds the document hidden away behind a small mirror on the wall. That night she urges Jean to drink heavily, hoping to get away. He becomes fascinated with her and tells her he is going to save her father. He reaches for the deed and finds it gone. Her manner betrays Lois, and she confesses having the paper. Meanwhile Mitchell and Wheeler have come north in search of Lois. Pierre tells Mitchell she is living with Jean. In a jealous rage he goes to seek out Lois. He has Wheeler arrested and then sets out for Jean's cabin. Arrived there he sarcastically accuses Lois of a common liaison with Jean. Jean demands that Mitchell apologize. He refuses and they fight. Both are seriously wounded. Mitchell staggers out of the cabin in the snow. Lois, left with the unconscious Jean, decides to steal the deed and leave. On the edge of a cliff Lois sees Mitchell fall to his death. Then a vision of Jean left alone in his helpless condition comes to her. She turns back and joins Jean. She nurses him back to strength and they go to the aid of Wheeler, intending to marry and live in New York. But after they are wed they hearken to the call of the north, and go back to the life where their love was born.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The House of Tears perfectly mirrors the editorial trajectory of our deep dive.

Shortly after arriving in the West, James Van Dyke Moore, an Easterner fleeing from a soured love affair, has his courage tested when "Ace High" Horton, the town bully, threatens to take over the family mine. Forced into battle, the tenderfoot stands his ground against Horton, an act that impresses pretty Mollie Anderson. One day, Robert Forrest arrives from the East with Verda, his bride, who is Moore's former lover. While Forrest is off inspecting his mines, Verda and Horton become lovers and plan an elopement, but upon Forrest's return, Verda informs him that she is leaving town to escape Moore's advances. Because he has vowed not to reveal anything about their past affair, Moore is unable to defend himself. That night, Forrest sees Verda riding away with Horton and shoots him, but Moore is accused and arrested. Through the intervention of Mollie, Moore is released in time to intercept the couple in the desert. After disposing of Horton, Moore returns Verda to the town, whose angry citizens drive her back into the desert, and then proposes to Mollie.

Dir: Edwin Carewe

Sylvia Mason, a mysterious girl, lives in a cabin by herself and sells her bead work to the visitors at a large hotel nearby. At the hotel, Sylvia meets Easterner Henry Hilliard, who falls in love with her, but she refuses to marry him and will not explain her reasons. Thus Henry returns East without learning that Sylvia's father had been murdered by his private secretary Jack Leslie in revenge for her refusal to marry him. One night after Henry's departure, Leslie, now known as the outlaw "The Shadow", breaks into Sylvia's cabin. There is a struggle that leaves Sylvia unconscious, and when she awakens she finds a note claiming that because Leslie has violated her, she must marry him. Meanwhile Henry's mother, horrified that her son wants to marry this strange girl, informs Sylvia that their marriage would destroy him. Sylvia agrees to give up Henry, but he learns her story from Padre Constantine and goes to search for her. Sylvia has gone to Leslie and Henry follows. In the ensuing fight, Henry forces Leslie to admit with his dying breath that he has lied to Sylvia.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Snowbird perfectly mirrors the editorial trajectory of our deep dive.

Standish, an artist, finishes a painting of the Madonna. His wife, Mary, acted as model, and when the Connoisseur and the Parishioner inspect the picture, the former tells Standish that he recognizes in the model a one-time paramour of his. The Connoisseur and the Parishioner buy the painting and after their departure Standish upbraids his wife, who tells him that she believed herself legally married to the Connoisseur. Standish refuses to accept her explanation and ejects her and their baby son. Mary leaves her boy on the steps of a monastery, and seventeen years later, just before becoming a monk, he receives permission to see the world. He wanders into a gay café and succumbs to the charms of Beauty. The other inmates of the place, Lust, Rum, Avarice and Passion are dancing around him when the proprietor enters. It is Mary, his mother. She recognizes him from the crucifix which he wears and which she left with him when he was a baby. Without revealing her identity she persuades him to go back and later when he has become a priest, a bedraggled old woman (his mother) enters his church. She recognizes him and just before she dies her son gives her absolution.

Dir: Edwin Carewe

The Escott family, on their way to Montana, is attacked by Indians. Army Lt. Joe Lanier afterwards finds little Elsie Escott, the only survivor, and brings her to his mother, who takes in the girl and raises her. Joe later leaves the army and becomes a successful miner, and over the years as he sees Elsie grow into a woman, he falls in love with her. Soon, however, a handsome stranger named Bob Stanton becomes his rival for Elsie's affections, and when Joe becomes jealous Elsie gets angry and makes plans to elope with Stanton. However, a war with Spain complicates everything.

Dir: Edwin Carewe

Margaret Primrose is not permitted to see Ted North, who loves her, by her father, whom Ted's father ruined. To spite Ted, Primrose forces Margaret to marry Weston, a dissolute young millionaire, and Ted, heartbroken, goes West. Weston neglects Margaret and continues drinking. Seven years later, the Westons move West on the advice of his doctor to improve his health. Ted, meanwhile, has adopted the small daughter of a cattle rustler who was lynched by Ted's cowboys. When he spots a runaway horse and lassoes its rider, Margaret, they embrace, but realizing the impropriety, they bid each other goodbye. Weston resumes drinking and takes an interest in Molly, the proprietress of a dance hall. When Molly's sweetheart, "Quick Foot Jim" learns that Molly and Weston are planning to elope, he kills Weston. After Ted is convicted of the murder, based on circumstantial evidence, Jim abducts Molly. When Margaret learns the truth, a posse is organized to find Jim. No information has been located concerning the film's ending.