The Global Archive For Devotees of The Woman and the Law: Cult Guide

Dir: Raoul Walsh

During World War I, an enterprising and patriotic reporter named Jack Bartlett interviews President Woodrow Wilson on the importance of the Fourth Liberty Loan. Jack returns from Washington to find that Otto Crumley, a German sympathizer, has taken control of his newspaper, and when Crumley tears up the story, Jack resigns and joins the Liberty Loan campaign. After raising a large sum of money for the government, Jack succeeds in preventing a strike in a local munitions plant. Later, he learns that Crumley, actually a German agent, has stolen a secret gasoline substitute formula invented by William Desmond, the father of his girlfriend Margaret. Crumley imprisons Margaret, but Jack rescues her and then swims out to the schooner on which Crumley is making his escape. The spy apprehended, Jack turns the ship's guns on a German submarine and sinks it.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of The Conqueror perfectly mirrors the editorial trajectory of our deep dive.

The life of Sam Houston--soldier, statesman, patriot, and one of the founders of the Republic of Texas--is depicted.

Dir: Raoul Walsh

Hearing that the United States has just declared war on Germany, Bill Durham hurries to a recruiting station to enlist, but because he has flat feet, he is rejected. He falls in love with Barbara Knowles, whose guardian, August Myers, unknown to Barbara, is a German agent. When Bill learns that Myers plans to stir up trouble on the border of the United States and Mexico, he catches the train to New Mexico and routs out Myers' gang of bandits. Meanwhile, Myers has sent Barbara back to New York to be married to German spy Carl Vogel. Bill returns East and arrives at the church just in time to dispose of the German bridegroom and marry Barbara himself.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of I'll Say So perfectly mirrors the editorial trajectory of our deep dive.

Given a choice between traveling to South America as an emissary for his father's ammunition company and foregoing his weekly allowance, Billy Drake heeds his father's warnings and buys an ocean liner ticket. Before leaving, however, the movie-struck Billy spots a beautiful woman standing in front of a theater and imagines that she is a film star. To his delight, he finds the woman on board his ship, as well as Count Von Nuttenburg, a political troublemaker, who has stolen a movie camera, thinking that it is a new brand of machine gun. Von Nuttenburg shows the camera to Billy, who concludes that the count is a director and the ship is a set for a movie melodrama. When the boat lands at a port torn by revolution, Billy insists that the guns and soldiers are part of the show. Not until he and the girl are seized by the rebels and threatened with death, does he admit his error. By a clever ruse, he escapes from his captors and with the help of Federal troops, defeats the count and wins the heart of his pretty shipmate.

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of This Is the Life perfectly mirrors the editorial trajectory of our deep dive.

Karsten Bernick, last of the house of Bernick, whose shipyards are the mainstay of the town, is forced to return home from a Bohemian life to Paris to assume the management of the business which is nearly bankrupt. He breaks an engagement to Lona to marry Betty, her rich half-sister. With her fortune he saves the company and eventually comes to be known as a Pillar of Society. Then a certain Mme. Dorf, an actress, arrives in town and threatens o expose an episode in his history which occurred during his days in Paris. He persuades his brother-in-law, Johan, to take the blame for him. Johan agrees to do so for his sister's sake and then leaves for America with his sister Lona. Mme. Dorf dies and leaves her little daughter to Karsten's care. Karsten really fears to refuse the guardianship and wins new honors as an upright benevolent citizen. In the midst of his security in the community, Johan and Lona suddenly return, the former to clear his name, the latter, who still loves Karsten, to persuade him to establish his place as a Pillar of Society on a foundation of Truth instead of lies. Karsten defends himself vigorously on the grounds that a Pillar of Society must resort to subterfuge and deception in order to protect society which depends upon him. Johan falls in love with Karsten's little protégée, the daughter of Mme. Dorf, and renews his insistence that Karsten clear his name. Desperate, Karsten connives at their departure on an unseaworthy ship, but his plan reacts on himself, for his only child, Olaf, has run away and been discovered on the ship as a stowaway. The ship catches fire and there is a thrilling rescue of the little boy in a motorboat. Karsten is awakened to the truth of his position and at a reception given him by the townspeople as a tribute to their leading citizen, confesses the truth. Thus he learns that the Spirits of Truth and Freedom are the true Pillars of Society and not man, however powerful.

Dir: Raoul Walsh

A man is convicted unjustly of a crime and then subjected to inhumane torment in the Yuma Territorial Prison in the Arizona Territory, run by corrupt administrators.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

A boy surrounded by violence grows up to become an infamous gangster.

Dir: Raoul Walsh

Peasant girl Vania is assaulted by a duke who murders her lover and sends her away to London. There she becomes a famous actress. The Duke, seeing her perform but not recognizing her, hears that his son is wounded. "If anything should happen to my boy, I think it would kill me." That's all the motivation Vania needs to go to the front, find the one-armed paralyzed boy and marry him. Next she arranges to make love to his father just as the boy enters the room, causing the young man to blow out his brains.

Dir: Raoul Walsh

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.