Visionary Picks In Alignment with the style of The Woman I Stole: C...

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Joseph A. Golden

A visual fragment from the archive: The thematic resonance of The Whirlwind perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Charles Swickard

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: William F. Adler

A visual fragment from the archive: The thematic resonance of An Arabian Knight perfectly mirrors the editorial trajectory of our deep dive.

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: Perry N. Vekroff

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: Maurice Elvey

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Scott R. Dunlap

A visual fragment from the archive: The thematic resonance of Cynthia of the Minute perfectly mirrors the editorial trajectory of our deep dive.

When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Aubrey M. Kennedy

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.