The Essential Watchlist Similar Cinematic Experiences to The Woman ...

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: George Beranger

A visual fragment from the archive: The thematic resonance of A Manhattan Knight perfectly mirrors the editorial trajectory of our deep dive.

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Grace Cunard

Episode 1: "The Vanished Jewels" Patricia Montez, niece of the wealthy Eleanor Van Nuys, is the most popular girl in the American colony of Paris. Her one idea is to bring comfort to the suffering poor. Her aunt, Mrs. Eleanor Van Nuys, is likewise charitably inclined. The Children's Asylum, a refuge for orphans, is the principal hobby in Mrs. Van Nuys' scheme of charity. To her friends, Patricia is affectionately known as "Pat." The result of Pat's popularity has been to give the spirited girl an excellent opinion of herself, and when Phil Kelly snubs her she resents it and resolves to go to any length in retaliation. Kelly is a famous detective, known all over Europe as "The Sphinx." Pat's first venture, in retaliation for Kelly's rudeness, is to steal her aunt's jewels. She then notifies Kelly. Pat hides the jewels in her dressing table drawer. They are stolen by Jacques, the butler, who takes them to the rendezvous of his fellow Apaches, the Café Chat Noir. Pat has noticed Jacques' suspicious conduct and follows him to the café. She is followed by Phil Kelly and two of his assistants. Pat is disguised as an Apache's sweetheart, and bribes her cabman to assume the role of her lover. They enter the café and participate in the festivities. Pat sees Jacques displaying to his pals the Van Nuys' heirlooms. By deftly whirling her dancing partner to the table where Jacques sits, she manages to stumble and strike the butler's arm. The jewels fall from Jacques' hands. Pat picks them up and as she is leaving the place Phil Kelly confronts her. In her surprise, Pat drops the gems upon the steps. She dodges past the detective and makes her way home. Kelly observes the jewels lying on the ground, and pocketing them, departs.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Purple Mask perfectly mirrors the editorial trajectory of our deep dive.

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Aubrey M. Kennedy

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

Dir: Francis J. Grandon

A visual fragment from the archive: The thematic resonance of The Tavern Knight perfectly mirrors the editorial trajectory of our deep dive.

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: Robert N. Bradbury

A fascinating piece of cinema that shares thematic elements.

Dir: William F. Adler

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.