Hidden Genre Gems In Alignment with the style of The Wrecker: Cult ...

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of Under Northern Lights perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: George B. Seitz

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Velvet Fingers perfectly mirrors the editorial trajectory of our deep dive.

The Hopkinses are a family of squatters struggling against the wealthy landowners or "hilltoppers." When Jerry Hopkins is unjustly imprisoned, his young wife and baby die as a result of the shock, but his sister Polly maintains the faith that has been instilled in her by her grandmother. Later, Polly meets hilltopper Robert Robertson and the two fall in love. Their courtship is disrupted when Robert's sister Evelyn is blackmailed by Oscar Bennett, the man to whom she is secretly wed. In her efforts to help Evelyn, Polly falls under unjust suspicion. Meanwhile, MacKenzie, one of the vindictive landowners, arrests Polly's father and sends her brother to an orphanage. Devastated by these events, Polly's grandmother dies of grief and Polly swears revenge. She has Evelyn kidnapped and brought to her cabin, but the memory of her grandmother prevents Polly from harming her tormentor. Polly's nobility inspires Evelyn, who exonerates Polly, thus clearing the path for her marriage to Robert.

Dir: Roy William Neill

Mary Wayne (Constance Talmadge) is left alone and penniless in New York City after her father dies. She desperately needs a job after being thrown out of her apartment for causing a small fire while cooking. At an employment agency she becomes fast friends with a sick girl, Nell Norcross, and assumes her identity and good references to start work as a secretary for elderly socialite Caroline Marshall, which soon involves playing wrangler to the lady's college-dropout nephew William "Bill" Marshall (Vincent Coleman). Bill is much more interested in going to illegal boxing matches with his buddy Peter Stearns (Ned Sparks) than in throwing lavish dinner parties for his family's high-society friends. While Mary tries to do her job and keep her true identity from being discovered, William begins to fall in love with her.

Dir: F. Martin Thornton

A visual fragment from the archive: The thematic resonance of Polly of the Storm Country perfectly mirrors the editorial trajectory of our deep dive.

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Kenneth S. Webb

Mary Horton, a country girl, moves to New York to make her living as a seamstress, where she meets Hilda Newton, an old neighbor who has renounced her country ways for the immoral life of the city. Mary moves in with Hilda and meets Bob Merrick who, charmed by the girl's innocence determines to protect her. Just as she is about to succumb to evil influences, Mary is called home to her mother's sickbed where she is denounced for her evil ways by her former sweetheart, Horace Worth. However, when Hilda's friends decide to visit Mary, Bob Merrick defends her reputation and proposes to her. The couple decide to remain in Mary's country village, while Hilda and her friends return to the city.

Dir: Sidney Franklin

A visual fragment from the archive: The thematic resonance of Good References perfectly mirrors the editorial trajectory of our deep dive.

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Reginald Barker

Don Mateo, a swaggering Spaniard, tosses women aside without a care. But when he falls under the spell of the tempestuous Concha Perez, it is Don Mateo who finds himself tossed about.

Dir: Cecil M. Hepworth

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.