The Recommended Vault Deeply Connected to They Shall Pay: Cult Guide

Dir: Martin Justice

Towers Chandler saves a little out of his weekly pay from an architect's office and uses it to have a night on the town every few weeks. On one outing he meets a shop girl. When he boasts of his yachts and polo ponies she disdains his lack of a worthy purpose in life. The shop girl, though, is in reality the daughter of a tycoon. Her father decides to build a country house and employs the firm where Towers works. He brings the architectural plans to the tycoon's house and when the girl sees him meaningfully employed she realizes his does have a purpose in life.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Martin Justice

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

John Lorison, self-exiled to New Orleans, meets Norah Greenway in a cheap restaurant. They soon become friends, but each night, Norah inexplicably leaves John at 8 o'clock at the same corner. One night, Lorison realizes that he is no longer willing to be left on the corner of life alone and, dreading her reaction, he tells Norah that he loves her but that his past is marred by a charge of theft and that he dare not ask an untarnished woman to marry him. Norah eases his mind by disclosing that the crime of theft also lurks in her past. The night of their marriage at Father Rogan's house, Norah asks Lorison to leave her at the corner for one last time. His suspicions aroused, Lorison interrogates the priest who takes him to Norah's home where the new husband is confronted with a little child who tells him that the girl has promised that this is the last night she is going to stay out. These circumstances lead Lorison to believe that his wife is a street walker until the priest takes him to the dressmaking shop in which Norah has been laboring day and night in order to earn enough money so that she might brighten the life of her little brother. Father Rogan then explains that Norah had told a beautiful, desperate lie.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of Blind Man's Holiday perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Martin Justice

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Maida and Grace of the Busy Bee Department Store, are chums, but rivals for the hand of Mr. Ramsey, head clerk at the store. They both consider him extremely eligible and a good catch, for he is about to be taken into partnership. Old Bachman, the proprietor, always gives a Thanksgiving dinner to his employees, and for this particular occasion, Maida has managed to buy the material for a purple dress. She tells Schlegel the tailor that she will pay a balance owing of four dollars the night before Thanksgiving. Her friend Grace had spent her room rent on a new dress to attend the Thanksgiving dinner, and so Grace will not be thrown out of her room, generous Maida advances to her the small sum she had put aside as the final payment on her purple dress. After the dinner she leaves and goes to the tailor, and to her surprise he gives her the dress. She discards her old one and starts forth with the new purple beauty. On the way she meets Mr. Ramsey, and she makes such an impression on him that he decides that now is the time to get married.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Martin Justice

A fascinating piece of cinema that shares thematic elements.