Recommendations
Senior Film Conservator

Looking back at the 1931 milestone that is Three Girls Lost, the specific nuanced performance of this work is a gateway to a broader Drama world. Our archive is rich with titles that mirror the nuanced performance of Sidney Lanfield.
As Sidney Lanfield's most celebrated work, it defines to create a dialogue between the viewer and the nuanced performance.
Architect Gordon Wales finds fellow apartment house resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become involved.
Three Girls Lost was a significant production in United States, showcasing the immense talent of Robert Emmett O'Connor, Joyce Compton, Lew Cody. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique nuanced performance of Three Girls Lost, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
View Details
Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
View Details
Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
View Details
Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
View Details
Dir: Edward Dillon
Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.
View Details
Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View Details
Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
View Details
Dir: Colin Campbell
Dr. John Brandon, who cares for charity patients in the slums, is thrown together with writer Norma Ashley when her car strikes a boy whom Brandon treats. Under Norma's influence, and against the wishes of his friend Father Farrell, Brandon leaves the slums and becomes the partner of Dr. Thurston, who, unknown to Brandon, is Norma's fiance. Now prosperous, Brandon flies into a rage when he hears Thurston and Norma ridiculing him, and proceeds to beat Thurston and choke Norma to within an inch of her life. Taking to alcohol and drugs in his grief, Brandon becomes a derelict and goes out West to a mission town, where his loud proclamations of atheism provoke the wrath of a saloon crowd, from which his old friend Farrell rescues him. Farrell, now working in the Western parish, gradually restores the faith of Brandon, who falls in love with Mary Harrison, a blind girl who prays continually for her sight. Brandon performs an operation on Mary's eyes and her sight returns. Norma, who has found Brandon in the parish town, cannot persuade him to return to the city or to leave Mary, who accepts Brandon's love.
View DetailsAnalysis relative to Three Girls Lost
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Hundredth Chance | Gritty | Dense | 87% Match |
| The Night Riders | Ethereal | High | 96% Match |
| Blackmail | Surreal | High | 88% Match |
| The Kelly Gang | Tense | Linear | 95% Match |
| The River's End | Gothic | Linear | 91% Match |
This guide was algorithmically generated using the cinematic metadata of Sidney Lanfield's archive. Last updated: 5/22/2026.
Back to Three Girls Lost Details →