Masterpiece Selection Resonating with the Themes of Trick for Trick...

Dir: Robert Thornby

When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are reconciled.

Dir: Unknown Director

The story is that of two clever crooks who are operating at a fashionable seaside resort, with the help of a highly trained and uncannily intelligent chimpanzee. Valuable jewels are constantly disappearing and the detectives are unable to obtain a clue. Finally, after an especially daring robbery, a clue is found that leads to the discovery of the thieves. The simian leads the detectives a chase that calls for some acrobatic stunts on the part of the chasers. The end of this is the capture of the chimpanzee, recovery of the jewels and the arrest of the crooks.

A visual fragment from the archive: The thematic resonance of The Evolution of Man perfectly mirrors the editorial trajectory of our deep dive.

Dir: Tom Collins

Tex, a famous detective, recounts the story of how he went into the crime business: While visiting his old friend, Jack Nelson, a dispute breaks out between Nelson and his butler. Later that night, Nelson is murdered, and the next morning the murder weapon, a knife, is discovered next to the body. Edna, the victim's wife, seizes the knife, and Tex, fearing that she is about to kill herself, throws the weapon out the window. Interpreting Tex's actions as incriminating, the police arrest him, and he is sentenced to prison. Two years later, a fire breaks out at the penitentiary, and Tex's bravery in saving the warden's wife and child wins him a pardon. Determining to solve Nelson's murder, Tex searches for the butler but discovers him to be innocent. Summoned to Edna's deathbed, Tex hears her confess to the crime, thus causing him to devote his life to solving crimes and saving innocents from being convicted on circumstantial evidence.

Dir: Frank Lloyd

Laura Bruce is married to John Bruce, police commissioner. She discovers her husband is enjoying a drunken revel with another woman, and vows she will obtain a divorce. After doing so she weds Paul Ramsey. His employer, Dick Turner, a libertine, offers his a responsible position in the west, and she faces a long separation. Ramsey later learns that Turner is interested in his wife and engages a man to protect her, who happens to be her former husband. She finds this out, but does not know he is bent on vengeance. She is inveigled to go to Turner's apartment, where she meets Turner's former "flame." One of them leaves the apartment which is "Room 13." Returning from the West, Ramsey is taken to an adjoining room by Bruce, and listens to a conversation in "Room 13" between a man and a woman. He is convinced it is his wife's voice. Maddened he rushes to the room and batters down the door. He confronts Turner and shoots him. At the trial Ramsey will go free if his wife confesses she was in the room She does and he is acquitted. A reconciliation follows. - Moving Picture World 1920

A visual fragment from the archive: The thematic resonance of Circumstantial Evidence perfectly mirrors the editorial trajectory of our deep dive.

Dir: Tom Collins

Tex clears an innocent man who has been found guilty of murdering a man who was molesting his sweetheart. One of the 'Tex' detective series.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Woman in Room 13 perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Wall

John Bromley Jr., an inveterate gambler, becomes so overwhelmed with debt that he is forced to steal from his wealthy father's safe. The night of the robbery he breaks into his father's house with Harvey Knowles, the gambler to whom he is indebted. The next morning, Bromley Sr. is found murdered and Tex, a noted criminologist, is brought in to solve the crime. At first, John Jr. is accused, then the guilt shifts to Bromley's other son Bruce, who had just been fired by his father. Also under suspicion is Frances Belmore, a woman of ill repute who had attempted to ensnare Bromley. Finally, all three are cleared when Tex discovers that the butler did it while attempting to abscond with the contents of the safe.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

A visual fragment from the archive: The thematic resonance of The Triple Clue perfectly mirrors the editorial trajectory of our deep dive.

Dir: Ernest C. Warde

Ambitious but struggling attorney John Trask, is puzzled when Christine Lloyd, a mysterious young woman, entrusts him with $30,000 to purchase a necklace that will be delivered to his office the next day. The necklace was stolen by Christine's brother Sydney to pay his gambling debts and Christine, attempting to shield her brother, hires Trask to retrieve it. Trask accepts, and after hiding the money behind a painting, leaves his office for the night. Later that evening, building janitor Annester Norton discovers the money while on his rounds and absconds with it. The next day Aline Norton, the janitor's daughter and an unwitting pawn of the gamblers, appears at Trask's office with the necklace. Discovering that the money is missing, Trask goes to the casino to investigate and miraculously wins $30,000 with which he purchases the necklace. After placing the necklace in Lloyd's hands, Trask is shocked to discover that it is a fake. Entering the gambler's den, Trask retrieves the real necklace, which he restores to its rightful owner. Norton, repenting his theft, returns the money and Trask realizes that he loves the janitor's daughter.

Dir: Marcel Perez

Ralph Barr refuses to lend more money to Trent, who has been rejected by Judith Reynard and is now engaged to Barr. When Trent insults Judith, Barr threatens to kill him. Then Trent calls on Barr, threatening to kill himself and make it appear that Barr killed him if Barr will not lend him the money. Later it seems that Trent has committed suicide and Barr is suspected of the murder, but disappears. A series of complications follows which make it appear that Barr did kill Trent, but it turns out that he was killed from a shot behind the portieres. Another murder takes place and more mystery develops. Finally it is determined that Barr is not guilty, and Judith's loyalty saves him.