The Definitive Guide Inspired by the Vision of Trouping with Ellen:...

Dir: T. Hayes Hunter

Cowhand Jim Cleve is wrongly accused of murder and rescued by Jack Kells, leader of a band of Idaho outlaws known as the Border Legion. But when the Legion takes Joan Randall prisoner and leaves Cleve to guard her, he realizes that he cannot remain part of an outlaw band and decides to rescue Joan.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of An Amateur Devil perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: F. Martin Thornton

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: T. Hayes Hunter

Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty.

Dir: Victor Heerman

A visual fragment from the archive: The thematic resonance of The Flame perfectly mirrors the editorial trajectory of our deep dive.

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: T. Hayes Hunter

A visual fragment from the archive: The thematic resonance of Lime Kiln Club Field Day perfectly mirrors the editorial trajectory of our deep dive.

A woman who has been in a train wreck and lost her memory is mistaken for a vaudeville star, complete with a husband and several children.

Dir: T. Hayes Hunter

Kitty Cobb had longings for the big city which she had never seen. One day Kitty met a young civil engineer, Bob Caldecott, on his way to the fort near her home with secret plans. He took her riding in his auto and entertained her with stories of the great metropolis. Bob finally left her at her gate and drove away. But Kitty was restless afterwards, and started to wander over the fields towards the fort. Suddenly she stopped. Before her were three suspicious-looking characters with cameras. They seemed to be taking photographs of the fortifications. Creeping closer, she overheard their conversation. They were spies. Kitty started to run home, but the spies discovered her and gave chase. She outdistanced them, however, and had just time to telephone the fort when the men entered her home, jerked her away from the 'phone and bound her father, mother and herself to chairs. Then they fled. Bob and the Colonel came to the rescue. Young Caldecott devoted himself to comforting Kitty. The yearning to live in the city grew upon her as a result of Bob's visit, and she importuned her parents to permit her to go and find work. After long urging they at last reluctantly consented. Her early experiences were not encouraging. She could not get anything to do, and in a short time was down to her last cent. After barely escaping being turned out on the streets of New York for not paying her board, through the efforts of a fellow boarder, a kind-hearted woman, she secured a position as usher in the Globe theater. One night at the theater a young top presumed to force his attentions upon her. A lovely old lady, richly gowned, overheard his remarks and interfered. As she was talking to Kitty, who should come up and address her as mother but Bob. Kitty and Bob recognized each other at once, and the result was that Mrs. Caldecott made Kitty her secretary. One day Count Pulaski, Bob's sister's fiancé, was introduced to Kitty. He was none other than the infamous villain whom she had discovered taking pictures of the fortifications. Quick as a flash Kitty saw through the count's stratagem. He was there not because he loved Bob's sister, but to steal the secret plans. Kitty hastened to the room which Bob had converted into a workshop. She barely concealed the precious drawings when the count also entered the room. Seizing her he wrapped a heavy curtain about her head and lowered her out of a window to his waiting accomplices outside. It was at this time that Ed Randall, Kitty's country swain, came to New York. As he was passing through a side street on his way to see Kitty he saw an auto stop in front of a squalid tenement. Two men sprang from it, and carried a struggling figure tied in a curtain into the house. When Ed reached the Caldecott mansion he found the entire household in dismay over the mysterious fate of Kitty. He related what he had seen. Without a moment's wait he and Bob started for the suspected house. They gained admittance, but were informed that the girl was not there. As they were about to leave in despair, Bob found Kitty's handkerchief. Hearing a muffled cry, Bob and his companion dashed upstairs and entered a room. Here Kitty was being held by the count and his confederates. There was a terrific exchange of blows. The count and his forces went down. So did Ed Randall. Bob seized Kitty and started down the stairs. He was attacked by another of the gang. In the struggle both fell over the balustrade and were rendered unconscious. A woman confederate recaptured Kitty, just as the count and one of his thugs reappeared on the scene. The girl was bound again. Bob was dragged to a small room, where his captors tossed him. still unconscious, on a bed, turned on the gas, and left him to perish. Ed, overcome in the battle upstairs, soon regained his senses and started down the fire escape. He heard Kitty trying to beat down a boarded window on the floor below. He battered it in and rescued her. But Kitty would not go without her Bob. The two returned to the house. After a short search Ed found Bob and carried him into the air. But before they could make their escape the count and his followers returned to the attack. Kitty battled her way to the street and obtained the aid of the police. That was the end of Count Pulaski. There was a great reunion at the Caldecott mansion that evening to celebrate the return of Kitty. And as for Bob, well, Miss Cobb became Mrs. Bob.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.