Hand-Picked Alternatives for Fans of Under Two Flags: Cult Guide

Dir: Tod Browning

Gudrun works in the American wheat country as a hired girl to Mrs. Hawes. Charley Holt, the son of a rich family, takes the Swedish girl to a dance where she is snubbed by his mother and sister. Furious by his elitist relatives, Charley marries Gudrun and gets a menial job as a mill worker. A child is born, but Gudrun's life is unhappy because Charley becomes an alcoholic. After five years of marriage Charley dies in a saloon fight. Gudrun then buys a small farm and works the wheat fields. When tramp Martin O'Neill comes to the farm, Mary feeds him and he works for her. Martin later saves Gudrun and her child from a burning barn but is suspected of starting the fire himself and narrowly escapes a lynching. Finally, it is disclosed that the fire was actually started by Heine, a jealous rival, and Gudrun and Martin are married.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Roma Wycliffe, a high-spirited girl bored with the lavender-and-old-lace atmosphere of her Aunt Henrietta's estate, discovers that her grandmother was a gypsy and decides to become one herself. Wearing gypsy clothing, she runs away to New York, where she is arrested on the suspicion that she is Gypsy Nan, a thief. Mrs. Roberts, whose poodle had attracted Roma's attention, intercedes for the girl and, promising to care for her, takes her to her lavish home. Young John Roberts falls in love with Roma, but the "gypsy" imagines him too stodgy. To win her love, John declares himself the leader of a band of gypsy thieves and then hires a gang of ruffians to prove his claim. When the thugs actually rob a bank, John has them arrested, and Roma, realizing the darker side of gypsy life, marries John.

Dir: Tod Browning

Jim Bludso is engineer of the Mississippi River packet the "Prairie Belle." He has a home in Gilgal, Ill., and a wife and twelve-month-old baby at the time the story opens, in 1861. A call is received for volunteers and he joins the Northern army. His wife is a Southern girl, and she opposes his joining the Union forces. The quarrel results in a separation and Jim goes to war. Ben Merrill, an unscrupulous contractor, meets Jim's wife in Natchez, her home town, and induces her to go with him to New Orleans. She deserts her baby and goes. In New Orleans a levee contractor comes to Merrill with the proposition that they take the contract for a new levee to be built at Gilgal. Merrill accepts and leaves New Orleans without telling the woman where he is going, and she is left to take care of herself. After the war Jim returns to Natchez and finds that his wife has deserted their little boy, and no one knows where she is. He takes the boy, Little Breeches, and Banty Tim, a negro, who has saved his life during the war, and returns to Gilgal. He is welcomed by Kate Taggart, the daughter of the village storekeeper. Jim's wife yearns for her baby and returns. Jim forgives her for the child's sake. The high waters are coming on and Merrill is afraid that the levee will not hold. He plans to lay the blame on Jim and the negro. He arouses the suspicion of the townspeople against the negro and Jim is forced to fight for Banty Tim on several occasions. Merrill meets Jim's wife and induces her to loosen the sandbags and leave the water into the village. She escapes in a boat, the bottom of which has been cut by Merrill. In the middle of the stream the boat begins to sink and Banty Tim goes to her rescue. The negro is accused of breaking the levee and then escaping. Jim offers his life as a forfeit if the negro does not return by sunrise. The next day the village people are at Indian Mound, and the men are about to hang Jim because Banty Tim has not come back. Just then he comes on with Little Breeches, who tells of his rescue by the negro. A year later Jim is again engineer of the "Prairie Belle." In a race with another boat the engines become overheated. Merrill is aboard and Jim has him locked in the oil room. When the boat takes fire Jim goes and opens the door of the oil room and finds his son there with Merrill. While they are trying to escape the boilers explode. Jim is rescued from the debris by Banty Tim. Some time later Jim's wife having died, he and Little Breeches and Kate and Banty Tim are united in a happy family.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of Set Free perfectly mirrors the editorial trajectory of our deep dive.

Carma Carmichael, who lives with her uncle Quincy, is kidnapped by her renegade father Roger and taken to his ancestral Southern home. Uncle Quincy sends young Jack Carrington to investigate and goes into hiding, leading the Carmichaels to believe he is dead. Carma is at first suspicious of Jack's intentions but soon learns that the man who abducted her is actually an impostor who murdered her father and now lives in the plantation with a group of thugs. Despite "Roger's" attempts to take Jack's life, the young man incites the thugs against him and they attack the house. Uncle Quincy arrives with a posse, and after their rescue, Carma and Jack embrace.

Dir: Tod Browning

Easterner Alva Leigh arrives in the mining town of Magnet just after her fiancé, Donald Jaffray, has been murdered. Because Alva has sworn vengeance, "Sudden" Duncan, the real murderer, accuses Donald's partner, Dick Randall, of the crime. Knowing that Dick is planning a journey across the desert, Duncan fills his canteen with poison, but Alva, who also is determined to kill Dick, drills a hole in the canteen so that the water will drain out. After Dick's departure, Alva learns from "Tiger Lil'," who is jealous of Duncan's attention to the Eastern newcomer, that it was Duncan who killed Donald. Frantic, Alva immediately mounts a horse and rides into the desert to save the man she now recognizes as her true love. Tiger Lil' shoots Duncan in a dance hall quarrel, and Alva marries Dick.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of Jim Bludso perfectly mirrors the editorial trajectory of our deep dive.

A slum girl is forced to steal for a living. After she swipes a rich society's matron's necklace, she hides out at the home of a man who turns out to be the socialite's former fiance.

Dir: Tod Browning

Stella Schump is a shop girl and very devoted to her mother, who desires her to marry. Stella befriends her shoe store co-worker Cora Kinealy, who invites Stella to a party to meet the hero of a munitions plant fire. The young man does not attend, and Stella is pressured into over-drinking. She wanders into the street, is picked up by a detective, taken to night court, and sentenced to ten days in jail. Stella writes to her mother, and the shock of the news causes her mother's death. Upon release, Stella is relieved of her job and without a home. While wandering the streets, she is picked up by a man and taken to a Salvation Army home. The man is John Gilley, the munitions plant hero. The two find happiness together.

Dir: Tod Browning

Doris Standish's father insists upon her marriage to aging millionaire Cyrus W. Hopkins, but just before the wedding, the young woman runs from the house and leaps into a parked car, ordering the chauffeur to drive her quickly away. The driver is Jimmy Nevin, who, because Hopkins financially ruined his father, has agreed to help a gang of crooks in their plot to steal the bride's jewels and wedding presents. Realizing that Doris is not Mary Butler, his accomplice, Jimmy offers to accompany her home, but when she refuses to return, he takes her to the thieves' hideout. Mary and her henchmen try to rob Doris, but she escapes and notifies the police. Doris, her father and Hopkins return to the hideout just before the police arrive to arrest all of the thieves but Jimmy, who has grown extremely fond of the runaway bride.